<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:creativeCommons="http://backend.userland.com/creativeCommonsRssModule"
	>
<channel>
	<title>Comments on: The Online Music Store Bubble</title>
	<atom:link href="http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/feed/" rel="self" type="application/rss+xml" />
	<link>http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/</link>
	<description>by Derek Slater</description>
	<lastBuildDate>Fri, 05 Dec 2008 12:07:35 -0500</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: steve</title>
		<link>http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/comment-page-1/#comment-4526</link>
		<dc:creator>steve</dc:creator>
		<pubDate>Mon, 23 Feb 2004 14:39:14 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/#comment-4526</guid>
		<description>&lt;a&gt;&lt;/a&gt;

Since you can write to CDs I don&#039;t think the iTunes scheme is unsafe.  

That said I prefer buying unprotected CDs - usually at used CD stores where I trade my old ones.  My average cost is about $5 a CD, the selection is much better than any online store and there liner notes are important to me.  For convenience I make a copy on my digital jukebox in 192 kbps AAC ...</description>
		<content:encoded><![CDATA[<p><a></a></p>
<p>Since you can write to CDs I don&#8217;t think the iTunes scheme is unsafe.  </p>
<p>That said I prefer buying unprotected CDs &#8211; usually at used CD stores where I trade my old ones.  My average cost is about $5 a CD, the selection is much better than any online store and there liner notes are important to me.  For convenience I make a copy on my digital jukebox in 192 kbps AAC &#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: seaan</title>
		<link>http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/comment-page-1/#comment-4525</link>
		<dc:creator>seaan</dc:creator>
		<pubDate>Mon, 23 Feb 2004 06:21:27 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/#comment-4525</guid>
		<description>&lt;a&gt;&lt;/a&gt;

I&#039;ve long maintained the primary lesson of DIVX (Circuit City&#x2019;s DVD with extra DRM) is that &quot;lifetime&quot; means as long as the central DRM system lasts.

Even schemes that provide an &quot;out&quot; (like iTunes writing to CD) still loose functionality of the central system becomes defunct.  I know people who have spent hundreds of dollars on iTunes, I really wonder if they will still think it was money well spent 5-10 years down the line (when they have exceeded their 3 computer activations and have strange backwards compatibility problems).  

My expectation is that no DRM system will satisfy customers in the long term.  Some people may try them now, and a very few won&#039;t get burned.  But by and by most people will figure out that DRM dramatically reduces the value of what they are purchasing, and will respond appropriately.</description>
		<content:encoded><![CDATA[<p><a></a></p>
<p>I&#8217;ve long maintained the primary lesson of DIVX (Circuit City&#x2019;s DVD with extra DRM) is that &#8220;lifetime&#8221; means as long as the central DRM system lasts.</p>
<p>Even schemes that provide an &#8220;out&#8221; (like iTunes writing to CD) still loose functionality of the central system becomes defunct.  I know people who have spent hundreds of dollars on iTunes, I really wonder if they will still think it was money well spent 5-10 years down the line (when they have exceeded their 3 computer activations and have strange backwards compatibility problems).  </p>
<p>My expectation is that no DRM system will satisfy customers in the long term.  Some people may try them now, and a very few won&#8217;t get burned.  But by and by most people will figure out that DRM dramatically reduces the value of what they are purchasing, and will respond appropriately.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mark Williams</title>
		<link>http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/comment-page-1/#comment-4524</link>
		<dc:creator>Mark Williams</dc:creator>
		<pubDate>Fri, 20 Feb 2004 22:10:07 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/cmusings/2004/02/18/the-online-music-store-bubble/#comment-4524</guid>
		<description>&lt;a&gt;&lt;/a&gt;

Is there any specific technical information available that tells what will happen if a service like Napster goes out of business?  Do we know that the purchased songs will stop working?  Has Napster admitted that, or addressed the question at all?</description>
		<content:encoded><![CDATA[<p><a></a></p>
<p>Is there any specific technical information available that tells what will happen if a service like Napster goes out of business?  Do we know that the purchased songs will stop working?  Has Napster admitted that, or addressed the question at all?</p>
]]></content:encoded>
	</item>
</channel>
</rss>
