As Usual

You’ve probably noticed that posting has slowed, as usual for this time of year. As I noted, I’m
wrapping up finals, then it’s time for an insanely fun but somewhat
anti-climactic senior week and Commencement (I don’t graduate until
next January), and then it’s immediately off to SF and EFF for the
summer.  I have a couple posts brewing related to the engaging
discussion we started
about file-sharing; I’m also starting a project that hopefully
I’ll post about a bit.  Not sure how soon I’ll get to all that
though, but hopefully soon.

In the meantime, the usual suspects have everything you need.  Whenever Ernest resurfaces,
he does so with a veritable explosion of posts, and this recent barrage
is not to be missed.  Mike Madison has also been doing some quite
interesting thinking.

Speaking of graduation, btw: many congratulations to Joe and James (and any other cap-and-gown wearing copyfighters I’m forgetting).

File-Sharer Insurance? Huh?

Found this press release
in my mailbox.  Vague info about a P2P-based music subscription
service with a licensed catalog comparable to Napster, Yahoo!, et al.
This caught my eye: “The music subscription service includes copyright
infringement
insurance. The RIAA (Recording Industry Association of America) may
continue to target non-subscribing P2P users with lawsuits, and
inadvertently sue RazorPop’s paying customers. The insurance will be
capped at $5,000 per subscriber, which is above typical RIAA settlement
amounts to date.”

Huh?  I’m in the midst of finals right now, but if anyone cares to do some research on this, do fill me in.

Update: Ernest is, of course, on the case.

WNYC’s On The Media Covers Internet Governance and More

Check out this week’s episode of WNYC’s On The Media. They do an interesting bit on Sealand followed by an interview with JPStream it, or get the podcast. (via my dad).

Lessig on Glenn

In this post,
Lessig lauds the great achievements of Glenn Otis Brown as executive director of
Creative Commons. As Lessig suggests, Glenn deserves a gigantic thank you from all of us.  See also: my post last month noting Glenn’s leaving CC and describing what he meant to them (and me). 

(In other news, CC just announced the creation of Creative Commons Internetional and addition of some new personnel.  Exciting stuff.)

More on Yahoo!’s Pricing and Use of XSPF

In its desperate rant,
Napster said that Yahoo! would lard the new Yahoo! Unlimited music service
with advertising in order to keep the cost so low.  Both Napster
and Real said that Yahoo! would not be profitable at those prices and predicted that they would eventually have to raise them.

Maybe so, but maybe not.  Mike McGuire, a GartnerG2 analyst and Berkman Center Digital Media Project collaborator, explains
how Yahoo!’s model might be viable without relying on advertising:
“What Yahoo! brings to the branded online music market is obvious: 25
million unique visitors a month to the Yahoo! Music site, according to
Comscore/MediaMetrix’s latest data…. The company is counting on scale
and customer-acquisition costs.
Yahoo!’s huge user base means it has much lower customer acquisition
costs than subscription-service competitors.”  Even so, he
cautions that “Whether the portable version of the subscription service
will remain at
$6.99 a month beyond the beta period is doubtful, especially given the
cost of maintaining a top-flight music service.”

Meanwhile, Yahoo! Music Engine’s plug-ins feature is already having some interesting consequences - check out this plug-ins page via Brad Hill
Brad writes, “It’s nearly unbelievable. A major media company releasing
an open-platform product in a high-stakes indsutry, developed
by a team that seems to be operating with an eye-popping degree of
autonomy and personality.”

A key component of this open platform is Yahoo!’s reliance on the XSPF playlist format   Want a sense of what an open platform for playlist sharing can help bring?  See the MusicBlogs Publisher PlugIn for the Yahoo! Music Engine, that brings RSS and XSPF together.  Webjay also uses XSPF.  This is just the beginning.

More on Yahoo! Unlimited, Napster Responds, and Peer Impact Launches

Paidcontent and Postplay have been all over Yahoo! Unlimited’s launch. All Yahoo! coverage here, and summary of launch coverage here and here.  Staci Kramer also interviewed Yahoo! Music’s Dave Goldberg.

Ian Rodgers, one of Yahoo!’s programmers, highlights the service’s new features on his blog.  One particularly interesting aspect to me, pointed out by Lucas Gonze on pho: support for the open playlist sharing format, XSPF (pronounced “spiff”).

PostPlay also covered and excerpted a bit of Napster’s Q1 conference call.  Rafat calls it like it is - Napster sounds desperate.

Finally, PostPlay reports that Peer Impact’s beta
is now available to the public.  Peer Impact is advertised as a
closed P2P network in which one can share licensed content. In exchange
for serving files to others, users get Peer Cash that can count towards
future purchases. Certainly, that’s a good incentive for users, and a
good way for Peer Impact to cut down on bandwidth costs.  At the
same time, Peer Impact’s design doesn’t really feel like sharing on a
P2P network - it’s basically iTunes with a slightly different
GUI.  When you search for a song, you’re not taken to a list of
people who are sharing the file; you go to a page devoted to that song,
album, or artist just like you would in iTunes.  I don’t expect
many consumers will perceive a significant
difference between other digital music services and this one.

Yet More on File-Sharing: FvL’s Comment

In response to my previous post, Fred von Lohmann wrote the following:

“Derek — I think wide-open, unhindered file sharing is a great
thing. Any music fan who used Napster in 2000 will immediately
recognize the viceral truth of this statement. And I think we need to
emphasize the many virtues of fan-driven, wide-open file sharing. We
ought not abandon the fans and join the chorus telling them to hang
their heads in shame for building the greatest music library in the
history of the world.

The problem, of course, was the lack of compensation to artists and
owners. On this point, I agree with you — file-sharing without
compensation is not realistically sustainable, nor good in the long run
for those who care about music or the Internet. But recognizing that,
and working on a solution for that problem, is not the same thing as
saying that file-sharing is wrong. All the instincts that made file
sharing so successful are exactly the right instincts for a vibrant
creative, cultural and innovation environement.”

I’d like to unpack this in more depth later.  For now, just a brief response and some questions.

We do share the premise that  “file-sharing without
compensation is not realistically sustainable, nor good in the long run
for those who care about music or the Internet.” We also agree that we
should be working on figuring out how to match that activity with
compensation and that a scheme that does so would be an optimal result.

However, I disagree that recognizing that entails encouraging and
excusing file-sharing without compensation.  I’m not talking about
shaming people, but how can we simply ignore the harm that activity can
do if that’s our premise?  Sure, generally speaking, file-sharing
isn’t wrong; however, if file-sharing without compensation is harmful,
how do we not say that, at some level, it is wrong? 

Furthermore, how is doing so incompatible with supporting what is
great about file-sharing?  Can’t we disaggregate those benefits
and talk about how we might go about achieving those without at the
same time supporting widespread infringing file-sharing?

Yahoo! Makes Strong Music Subscription Push

See News.com’s and Postplay’s
reports on Yahoo! Music Unlimited.  According to the latter, for
as low as $5/month you can get a Janus-DRM based portable subscription,
and they will not provide a non-portable option. I think it’s a smart
move to simplify the offering in that way.  On a broader level,
great to see some real price competition. 

More on File-Sharing and the Commoners’ Common Platform

Seth wrote a solid post responding to my discussion of file-sharing and forming a commoners’ common platform.

I think Seth is right that it’s unnecessary and ineffective to try to
ensure “moderation in everyone in the cause.”  I don’t expect DHB
or other similarly-thinking groups to change their stances. 
However, to the extent we jointly try to define “what’s at stake in the
fight for digital rights” and synthesize into a common cause, that
platform should be built on shared values.  Maybe it’s impossible
to do that, as Seth suggests, but if we’re going to try, it’s important
to outline what those shared values are (or aren’t).

But allow me to cut away from that objective, for, in the
midst of my discussing the shared platform, perhaps the following point
did not come across clearly enough. DHB’s going to have their own
particular stances, other activist groups and copyfighters will have
their own, too.  So, irrespective of shared platforms, what stance should they take on widespread
infringing P2P file-sharing? As I argued, I think it should be, with
some nuance, that they do not support it.  That shouldn’t be said
to pick a fight with or denounce anyone, but rather because it’s the
right position. I think that the position must be made clear enough to
not get associated with the opposite position. Encouraging and excusing
widespread infringing file-sharing is not only an untenable position,
but also greatly harmful to advancing other positions in the
copyfight. 

Again, I don’t expect everyone will take this position.  However, I think it would be better if more did.

More Broadcast Flag Fallout

Susan Crawford points out the broader implications of the broadcast flag ruling.  One immediate effect: it seems the digital radio mandate proceedings won’t go forward, right?

Bye Bye Broadcast Flag, For Now

Jason Schultz reports that the D.C. Circuit has ruled 3-0 that the FCC does not have jurisdiction to mandate the broadcast flag.  Haven’t read the opinion
yet, but what catches my eye is the 3-0 - that means even Judge Sentelle, who was
convinced that the ALA et al had no standing, was swayed by the
supplementary briefing.

And back to Congress we go.

What the i2hub Lawsuits are About

So we speculated before on why the RIAA was going after i2hub users in particular.  Cary Sherman published this piece in the Pittburgh Post-Gazette.  Here’s a snippet:

“And while the music industry can sue to help arrest the growth of
this illegal activity, the universities themselves can be the most
powerful leaders in curbing theft of copyright materials on campus.

Through filtering and other technical means, universities can prevent
this mass piracy. Proactively, they can partner with legal music
services to offer students legitimate music downloads — as have 44
other universities (including Penn State).”

And if universities should filter, why not all ISPs? 

The Commoners’ Common Platform

Downhill Battle recently released their Fort Culture site. It gives me an opportunity to talk out some things I’ve been thinking about lately in regards to what the Commoners’/Free Culture common platform should be - that is, what planks, from the array of diverse interests involved in the copyfight, can we synthesize into one common cause. Talking this out in this post will partly take the form of criticizing Fort Culture and Downhill Battle, but I really don’t mean to pick on them in particular. I don’t like to criticize them, because I have respect and appreciation for much of what they do. 3 Notes and Runnin’ was a brilliant way of bringing attention to sampling issues, and both it and the Grey Tuesday campaign took real courage. The tools they create are an important, practical way of actually effecting change. In particular, I look forward to the release of their desktop video player and “broadcast machine.”

Fort Culture, to some extent, also has a great deal of value. It is useful to synthesize the different related issues. Not only is it helpful to introduce others to these issues, but also it’s also useful to bring related groups together in the fight for free culture

However, I am deeply uncomfortable with their excusing and encouraging widespread, infringing P2P file-sharing, and I particularly disagree with their doing so as a means to destroy the major record labels. I think that association with this stance poses the greatest danger to succeeding in the copyfight.

We can argue that lawsuits against file-sharers will not reduce infringing file-sharing and, in turn, help provide sufficient compensation for artists (and rights holders). In that light, we can argue that the lawsuits are bad on the whole and that a VCL would be an optimal resolution. We should care about ensuring sufficient compensation, and we can do so without saying that we want to do whatever it takes to ensure it no matter the costs. We can recognize that not all file-sharing is harmful and that there is not firm evidence that it has already done significant harm.

But we can say all that without supporting widespread infringement on P2P and, indeed, by actually saying, don’t infringe. Not to say it without any nuance, but still to say in general, as Lessig is willing to do, “I have no patience for people who download music contrary to the wish of the original copyright owner. ”

In fact, we should take seriously what the merits would be if widespread infringing file-sharing withered away - the benefits of a scenario in which, contrary to what may be our projections, the direct infringement lawsuits effectively reduce widespread infringement. We should take seriously the legitimate, long-run economic argument that widespread infringement will do harm. If we are interested in getting artists compensated, we cannot reject these arguments out of hand. And if we’re going to defend certain types of file-sharing, we should be clear about the types we don’t condone.

Perhaps you feel that file-sharing, of any kind, shouldn’t actually be against the law. Simply legalizing all file-sharing seems like a terribly rash course to take - is that really the position we want to defend? The VCL is still predicated on a continued right to control copying and distribution, and I think part of its draw for many is that it’s still a market-oriented approach that does not involve the government or completely remove compensation for distribution of copies.

Furthermore, when we rationalize infringement as a means to our legitimate ends, or when we condone potentially infringing activity uncritically, we weaken our pursuit of those ends. We may make pursuit of free culture look like a cover for getting music for free.

We might worry, for instance, about the end of file-sharing leading to the rise of more DRMed systems, but let’s argue about how we should treat the DMCA and DRM. If DRM is the worry, we should be addressing it head on, without using activity we’d otherwise consider improper as a means to our desired end.

I also do not see how widespread infringing file-sharing is a legitimate means to changing the music industry. So many times I hear people throw around ideas like “civil disobedience” to justify this practice, and I worry that many take on such justifications recklessly. If you don’t like the majors, if their business model is really so bad, then don’t buy their music and help compete with it - promote alternative channels of marketing and distribution, fight for their protection, build those tools, and empower artists and consumers to use them. Deeming it an illegitimate business model by itself doesn’t provide a sufficient rationale for infringement. If it’s really a “cartel”, we have legitimate, legal means to deal with it (and maybe we need better ones). You may prefer a VCL, but those ends don’t justify the means either.

There certainly is room for important nuance and gray area in considering these issues. For instance, I still share music with my brother - I’ll give him CDs of MP3s, and he’ll do the same. Could we say that activity is indistinguishable from most infringing file-sharing? I suppose. Still, at a very basic level, I can’t find much reason to get upset at myself or others for such activities. This is a conversation we should have (one Ernest has long urged), but it feels like a different conversation, built around different goals and ideas, than talking about widespread infringing P2P file-sharing in general.

Some say that Downhill Battle helps make other groups like EFF or PK seem more moderate by contrast. I worry that, instead, other groups who do not share these views get lumped in with Downhill Battle. I worry that, for instance, the EFF’s Let the Music Play campaign gets interpreted as expousing similar views, and that, when the EFF supports building a tool like Tor, it’s interpreted as merely a means to shield unlawful online activities.

We have worked hard to distance ourselves from extremes, the alls and the nones, as Lessig likes to call them. This cavalier stance on file-sharing seems to pull us back toward those who want no IP at all. I recognize some, like Downhill Battle, will still want to pursue it. Regardless, it seems like an infirm basis to create a shared platform for all commoners and to define collectively “what’s at stake in the fight for digital rights.”

Rhapsody Downloads Pricing Quirks

Last week,
I pointed out that Rhapsody 3.0 introduced what amounts to a price hike
and a price drop for purchasing individual tracks and albums.  At
least for the time being, there is a way for Rhapsody users to have
their cake and eat it, too.  Because many users were dissatisfied
with the 3.0 beta, Real posted a link
to downloads for those who’d rather run v2.1.  I now have both a
copy of Rhapsody 3.0 and 2.1 installed on my system and, apparently, I
can choose to purchase tracks through either one. So when buying single
tracks, I can still get the 79 cent rate through 2.1, but when buying
album with more than 11 tracks, I can pay the $8.99 per album rate
through 3.0.  Of course, this does not apply for songs only available through the Real Music Store.

(Note: I only investigated this because I had to downgrade my desktop computer
to 2.1.  Using Rhapsody 3.0,  I cannot
browse the Web without the streams popping and clicking. 
Apparently many others are having the same problem.  Hurray for RealNetworks software.)

Gigi Talks Telecom 2006

Harvard Professor Harry Lewis and MIT Professor Hal Abelson are jointly teaching a course called “Bits”
this semester.  From all indications, it seems like quite a treat
- it’s great to see a class cover these issues from both the technical
and policy perspectives.  Too bad I haven’t been able to attend more sessions.

I did have the opportunity to hear Gigi Sohn talk today about the possibly forthcoming Telecommunications Act of 2k6.  Here are my notes.

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