RIAA v. The People, Now in Blog Form

Via Brad Hill comes this new blog:

“I am a lawyer in New York City. I am a member of Beldock Levine & Hoffman LLP.

“Through the Electronic Frontier Foundation I and my firm have undertaken to represent people in our area who have been sued by the Recording Industry of American (RIAA) for having computers whose internet accounts were used to open up peer-to-peer file sharing accounts.

“I find these cases to be oppressive and unfair, as large law firms financed by the recording industry sue ordinary working people for thousands of dollars.

“I have set up this blog in order to collect evidence and input about these oppressive lawsuits.”
He is apparently representing the White Plains woman who’s refusing to settle her case.

Publishers Keep Dragging Heels In Online Music Licensing

News.com reports on the breakdown in negotiations between subscription services and music publishers.  Good times:

“[The publishers have] asked that nearly 17 percent of subscription
services’ gross revenues go to songwriters and publishers. That’s far
above what publishers and songwriters typically get for a music sale,
which usually is around 5.25 percent for online radio or 8.5 percent
for digital downloads.

“The services say that figure is far too high, and have suggested 6.9
percent instead. Both sides have now stopped negotiating and are
trading angry letters instead.” (emphasis added)

All the more reason to reform Section 115 and restructure the way the composition right is dealt with. 

Let this be a reminder that the record labels’ position as the
unwilling intermediary has sometimes been overrated. relatively speaking - licensing the
composition right has also been unnecessarily difficult for online
services.

Future of Music Coalition Policy Summit, D.C., Sept 11-13

The always excellent FMC Policy Summit is right around the corner, Sept. 11-13 in D.C.  Highlights: 



And many more.  I’ll be speaking on Recommendation Engines and the 5 Cent Solution, featuring Professor Daniel Levitin, Metabrainz’s Robert Kaye, The Nation’s John Nichols, GartnerG2’s Mike McGuire, and mastermind Sandy Pearlman.  The so-called 5 Cent Solution is Sandy’s bag.  Among other things, Mike and I will be talking about our joint research into music taste-sharing tools, which I’ve written about before here.


Hope to see you there.  It’s not too late to sign-up.

A Correction Re: Google Print

I still want to do more substantive writing on Google Print, but for now a short correction.  Earlier,
I suggested that public domain books would be shown in full, but Google
allows people to see only a few pages from other books for a given
search.  They do - but only books explicitly authorized as
part of the Google publisher program. 
For all other books (now, all others that publishers haven’t explicitly
forbidden from inclusion), Google only shows bibliographic information
and a few sentences surrounding the search term. 

This seems even less objectionable and a particularly relevant point in light of Siva’s hypo involving poetry.
I know I shouldn’t fight the hypo, but I think this greatly narrows the
array of unique variations Google would have to deal with in order to
not show
the “heart” of a work.  This also further demonstrates why it’s critical to
focus on what Google actually displays, rather than the intermediate
copying of the entire book.

Middle Ground?

James DeLong’s recent comment on this article from Glenn Reynolds raises an intriguing question for me: where do groups like PFF and others who are normally at loggerheads with the EFF stand on proposed revisions to Section 115?

Let
me back up a step.  Reynolds laments the difficulties in licensing
podcasting.  One of the key problems is that podcasters not only
need licenses from holders of the recording copyright (typically record
labels), but also from holders of the composition copyright. 
What’s more, for a single use of a composition, podcasters are being
asked to pay twice - once to those who license performances (PROs),
once for those who grant mechanical licenses (Harry Fox Agency). 
Those organizations represent the same artist, but are effectively
competing with each other for licenses.

This problem doesn’t just affect podcasters.  As Register of Copyright Marybeth Peters explains, problems licensing compositions have held back all online digital music services.  In fact, basically everyone
in the music industry agrees that some change must be made to licensing
compositions and, more specifically, mechanical licensing, though they
haven’t been able to agree on the particulars.

Fred von Lohmann also applauded Peters’ reform proposal.  As he explains:

“The proposed legislation would
(hopefully) push (but not force) the composition rights holders to
consolidate all of their relevant digital music rights into voluntarily
formed collecting societies (known as “music rights organizations,” or
MROs), which would then be able to grant blanket licenses for online
uses, such as downloads, on-demand streaming, and podcasting.

Perhaps most importantly, these MROs
would have the power to grant blanket licenses to individual P2P
file-sharers, just as envisioned in EFF’s white paper, A Better Way Forward.

This is an important step in the right
direction, creating the prerequisites for a real, market-based solution
to the P2P dilemma.”

And that brings us back to James DeLong and PFF. They continuously
beat the drum of market-based solutions.  They must recognize that carefully structuring and allocating rights can be crucial to achieving efficiency,
just as Peters appears to.  DeLong urges laws in this context that
would reduce transaction costs and ease licensing of novel digital
music services, without incorporating “compulsory licenses and
price-fixing.”  Peters’ proposal is precisely that sort of
proposal; it even eliminates the Section 115 compulsory.

Thus we might have found at least some elusive middle ground. 
At least I hope we have.  If I’m wrong and this proposal (or other
similar proposals) isn’t something PFF could get behind, then I’d love
to know why.  Hopefully, they will allow an exception to the Everything Fred is False (EFF) axiom, which states that the right answer is opposed to whatever Fred von Lohmann avers.

(For what it’s worth: in the post Patrick Ross cites,
Fred doesn’t say that rights holders should simply “throw up their
hands” in the face of the Darknet.  Instead, he lays out the
options we have given that the DMCA is and will be entirely
inefficacious in preventing widespread infringing distribution of
copyrighted works online.  Some options do involve heightened
enforcement of various kinds.  Fred suggests voluntary “collective licensing”,
which is, of course, what Register Peters is also supporting.  At
no point does Fred demand that we “junk the current copyright system”
in favor of compulsory licensing.  In fact, EFF’s white paper
specifically says, “Government involvement [through compulsory
licensing], however, should be a last resort.”)

Yahoo! Unlimited to Launch Formally With Same Low Price

Rafat Ali brings the news
Yahoo! Unlimited is going to keep its 5 bucks/month price point when it
formally launches.  Rafat writes, “I have it from reliable sources
that the initial feedback and pickup from users is lower than company expectations,
and some of the aggressive pricing decision may have stemmed from
that.”  Whatever users they acquired came with hardly any
advertising.  Now, Yahoo’s about to start a major ad-push,
including a spot during the MTV Video Music Awards.  I’m betting
it will not suck as much as the Napster Super Bowl ad (hard to beat that one).

Participatory Culture Foundation Launches DTV

Check it out - the Downhill Battle
folks have launched a beta of their DTV software, an open source
platform for  acquiring and viewing video online.  It’s Mac-only
right now, so I haven’t had a chance to try it out, but it looks terrific.  You can also use their Broadcast Machine to publish “channels” of your own content or video from around the Web.

More on Google Print

Siva’s got a follow-up in which he expands his analysis, clarifies his positions, and responds to some of my points. 
I have a great deal of respect for Siva in general, whether I
ultimately agree or disagree on the particulars, and this issue is no
different - his post is well-worth your attention.  This post is more convincing to me, but
I’m still not sure I can agree with his positions in this case. 
Perhaps I’ll have more to say about it soon.

Siva also points to this legal analysis
of Google Print.  Like Siva, the author finds that the service
probably would not be considered a fair use.  However, the paper
also demonstrates that the issue is considerably nuanced - Google Print
does not clearly “[fail] every possible fair use test ever tried”, nor
does its legality necessarily depend on “copyright nihilism.” 

Laura Quilter also has an excellent response, with even more analysis of American Geophysical Union.

That Was Sarcasm, Right?

I’m having trouble following Siva’s reaction to Google’s pausing its Google Print program.

Siva is quick to point to fair use cases counting against Google -
that’s odd, considering that in many contexts he would readily
criticize bad strands of copyright caselaw.  Google Print is
making intermediate copies of the entire works in order to display a
few pages from those books.  With respect to books under
copyright, the entire book is not displayed.  Is Siva saying that
any intermediate copying of an entire work by a corporation is
unfair?  What would that mean for reverse engineering?   It’d
be an admittedly tough case for Google to win, but I’m not so sure that
Google actually is dead in the water under caselaw.  If it is, I
don’t think it ought to be.

Regardless, the caselaw doesn’t amount to what Siva implies it does.  Though it’s only a
brief citation, it seems Siva seriously misreads American Geophysical Union v.
Texaco
.  The court didn’t rule against Texaco because it was a
corporation. In fact, the appeals court specifically disagreed with the
district court’s “undue emphasis” on the for-profit nature of Texaco.

In the end, Texaco’s copying of research papers for achival was found
unfair under the first factor, for reasons closely connected to the
fourth factor (market impact).  And, on that point, I’m not sure
what Siva’s applauding.  This case followed a broad reading of the
works’ potential market so that it includes any
“traditional, reasonable, or likely developed markets.”  That does
not comport with Sony’s
more constrained reading of this factor - it certainly seems
“reasonable” that the television program copyright holders could and
would develop a market that time-shifting undermines.  The court
also suggested that if the copyright holder is offering licenses for a
use, then that’s a developed market.  This is one
case in the dangerous, gradual expansion of this factor - see Mp3.com and Napster.

In American Geophysical Union, the court did note that the first factor (and thus the fourth, at least under Sony)
was more likely to be considered
fair under the first factor where it “produces a value that benefits
the broader public interest.” Reverse engineering would fit that
category; Texaco’s didn’t.  It seems that it is here that Siva
seriously takes issue with Google. 

We can put aside caselaw and go to straight-up normative analysis -
Siva thinks that this Google Print is bad, bad, bad.  What I see is gross
hyperbole.  What Google’s doing is nothing like widespread
infringing file-sharing on P2P.  Sure, they’re copying the entire
book, but they’re only providing small selections.  I don’t see
how that amounts to a “copyright meltdown.” (I know that you can try to
do different searches to over time accumulate the whole book, but
Google does enough to frustrate that, I think.)

Libraries good, corporations bad doesn’t ring true for me. 
Without a doubt, I’m glad that people are becoming more skeptical of
Google, despite their “we’re not evil” mantra.  However, in this
case, Google was providing an important public service, one that
happened to benefit the company commercially, but one that also did not
pose a serious threat to copyright holders (in fact, it probably would
help them), and for those reasons I think Google Print should be lawful. 

As
Jason put it: “This is a clear example of copyright failing the public in the digital
age. Google isn’t selling the books; they just need to scan them to
help Internet users find what they’re looking for. The fact that
publishers are able to hold up this process works against consumers and
the marketplace, not in their favor.”

Around and About

Though I haven’t been posting much here, I’ve been chipping in over at EFF Deep Links.  I should have some posts back up here soon, once I rejuvenate my bloggie energies.

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