Homemade videos in China highlight the internet as an alternative to state-run TV
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Celebrated Chinese film director Chen Kaige (Farewell My Concubine) has threatened to sue Hu Ge, a 31 year-old Shanghai audio engineer, with copyright infringement–because of a homemade spoof about steamed buns. Hu was so disappointed with Chen’s latest film, The Promise, that he put together The Steamed Bun Murder, a 20-minute parody of the film, and posted it on the internet. Hu’s parody has become an overnight sensation in China, and something of a cause c�l�bre.
From The Times:
[Hu’s] satire, unprecedented in China’s carefully monitored media, has
attracted millions of viewers, almost certainly many more than paid to
see The Promise. The film has proved to be something of a box-office flop, although distributors say it has earned �15 million.
Chinese collapse in gales of laughter as they watch Mr Hu’s spoof. The Steamed Bun Murder
not only parodies the most expensive film made in China, but also pokes
fun at state television. He uses a poker-faced presenter and stuffy
communist terminology in his tongue-in-cheek report of the
investigation into the humble bun murder.
If Chen pursues a legal case it is unclear if Chinese courts would allow a parody fair-use defense. Such parodies are rarely produced or broadcast by the strictly controlled state-run traditional media, so these might be untested legal waters.
There is a developing trend of homemade spoofs gaining phenomenal popularity over the internet in China (e.g., the Back Dorm Boys, whose goofy dormroom webcam video of themselves performing Backstreet Boys tracks was such a sensation it landed them an advertising deal with Motorola). Clearly, Chinese consumers see the internet as a source of alternative content that’s in tune with the modern Chinese urban experience in a way that the conservative state-run media is not. Hu’s spoof is a salient example, taking direct shots at a state-run media perceived as stuffy.