Yesterday we went to visit the De Cordova Museum in
Concord Lincoln, where we were looking forward to seeing the museum’s iconic pink pig sculpture along with other exhibits in the museum and its Sculpture Park.
Rounding a curve on the road through the park heading into the museum, we were shocked and saddened to see that a tree from the center of a nearby grove had fallen squarely across the pig, smashing it right in the middle. No expert could have dropped the tree more squarely. It was amazing that, given 360 possible compass degrees that the tree might have fallen, it picked exactly this one.
Later we learned that the tree had fallen just that morning, no doubt because its rooting had been weakened by gound saturated with rain over the past few days.
Then this morning I was surprised to find no mention of the news in blog or the Boston Globe. So I just started uploading a bunch of pictures taken with my pocket camera. The lighting wasn’t good, but there are plenty of shots for anybody to use, should they like, up here at Flickr. If you’re a journalist of any kind, feel free to take and use them.
Originally exhibited in the 2004 Navy Pier Walk: The Chicago International Sculpture Exhibition, Trojan Piggybank comes to DeCordova Museum’s Sculpture Park with a playful warning from its collaborative team of artists, Gail Simpson and Aristotle Georgiades, who caution, “Sometimes things are not what they appear to be.”
From a distance, the large pink wood piggybank appears friendly. A closer look reveals military camouflage colors painted around the snout, suggesting a recent wallow in filth, while imparting an additional and foreboding meaning. The artists intend this familiar military pattern to represent the greed associated with our ever-expanding military industrial complex. This visual stratagem is furthered by grates protecting Trojan Piggybank‘s eyes, and a hatch door on the underbelly hinting at hidden invaders inside. A large silver coin waits at the ready in the piggybank’s slot. As Simpson and Georgiades observe, “The pleasures of consumer culture are accompanied by less desirable social consequences. When we impose one way of life onto another, the bad goes along with the good. The playful piggybank has a hidden agenda.”
No wonder our first thought was that the tree across the pig was itself a sculpture, or an improvisation on the original.
Well, in a way it was, no?
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