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	<title>Comments on: Some advice for artists with websites</title>
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	<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/</link>
	<description>Same old blog, brand new place</description>
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		<title>By: Webdesign für Bands - 5 Links &#124; 20 Greatest</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-140094</link>
		<dc:creator>Webdesign für Bands - 5 Links &#124; 20 Greatest</dc:creator>
		<pubDate>Sun, 08 Mar 2009 23:19:20 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-140094</guid>
		<description>[...] Doc Searls Weblog · Some advice for artists with websites [...]</description>
		<content:encoded><![CDATA[<p>[...] Doc Searls Weblog · Some advice for artists with websites [...]</p>
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		<title>By: Doc Searls Weblog &#183; Are humans an itch the Earth wants to scratch?</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-78196</link>
		<dc:creator>Doc Searls Weblog &#183; Are humans an itch the Earth wants to scratch?</dc:creator>
		<pubDate>Fri, 22 Aug 2008 00:45:25 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-78196</guid>
		<description>[...] to feed    &#171; Live and kicking &#160;&#8226;&#160; Some advice for artists with websites [...]</description>
		<content:encoded><![CDATA[<p>[...] to feed    &laquo; Live and kicking &nbsp;&bull;&nbsp; Some advice for artists with websites [...]</p>
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		<title>By: Doc Searls</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-38260</link>
		<dc:creator>Doc Searls</dc:creator>
		<pubDate>Tue, 15 Apr 2008 03:53:44 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-38260</guid>
		<description>Right on all counts, I&#039;m sure. Seems to me the band hired a &quot;design&quot; firm to make its onlne music for it. Sad.</description>
		<content:encoded><![CDATA[<p>Right on all counts, I&#8217;m sure. Seems to me the band hired a &#8220;design&#8221; firm to make its onlne music for it. Sad.</p>
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		<title>By: Ben James</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-38069</link>
		<dc:creator>Ben James</dc:creator>
		<pubDate>Mon, 14 Apr 2008 18:45:56 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-38069</guid>
		<description>Hi Doc,

The Doors&#039; website is what I expect from a website probably produced with no input from the band and designed to sell the band&#039;s &quot;coolness&quot; to the MySpace generation with a gritty, visually engaging experience.

What annoys me most is that (in Firefox on Vista) the flash seemingly captures my mouse&#039;s scroll wheel but does nothing with the input - leaving me unable to scroll with my mouse.

I was of course horrified at first to see all that text-as-image, but a look at the markup reveals that the content is actually available in the HTML so people with screen readers or text-only browsers can still read it.

But on closer inspection I noticed that one of the paragraphs of text is completely different from the image version it is supposed to represent. That says to me that the producers of the site are merely box-ticking for accessibility and not properly testing, nor really caring. These people are only interested in finding the balance between outlay on development costs and fraction of the target audience reached, not art.</description>
		<content:encoded><![CDATA[<p>Hi Doc,</p>
<p>The Doors&#8217; website is what I expect from a website probably produced with no input from the band and designed to sell the band&#8217;s &#8220;coolness&#8221; to the MySpace generation with a gritty, visually engaging experience.</p>
<p>What annoys me most is that (in Firefox on Vista) the flash seemingly captures my mouse&#8217;s scroll wheel but does nothing with the input &#8211; leaving me unable to scroll with my mouse.</p>
<p>I was of course horrified at first to see all that text-as-image, but a look at the markup reveals that the content is actually available in the HTML so people with screen readers or text-only browsers can still read it.</p>
<p>But on closer inspection I noticed that one of the paragraphs of text is completely different from the image version it is supposed to represent. That says to me that the producers of the site are merely box-ticking for accessibility and not properly testing, nor really caring. These people are only interested in finding the balance between outlay on development costs and fraction of the target audience reached, not art.</p>
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	<item>
		<title>By: CAF Consejos: Para sitios web de artistas &#124; XKOD</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29955</link>
		<dc:creator>CAF Consejos: Para sitios web de artistas &#124; XKOD</dc:creator>
		<pubDate>Sun, 30 Mar 2008 09:32:17 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29955</guid>
		<description>[...] En CreActivity Focus desarrollamos sitios web: para empresas, medios de comunicación, profesionales o personas particulares. Ayer conversando con nuestro equipo de usabilidad, comentábamos sobre algunos problemas típicos, en sitios web de artistas: [...]</description>
		<content:encoded><![CDATA[<p>[...] En CreActivity Focus desarrollamos sitios web: para empresas, medios de comunicación, profesionales o personas particulares. Ayer conversando con nuestro equipo de usabilidad, comentábamos sobre algunos problemas típicos, en sitios web de artistas: [...]</p>
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		<title>By: Internet: Algunos consejos para web de un artista - ALT1040</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29526</link>
		<dc:creator>Internet: Algunos consejos para web de un artista - ALT1040</dc:creator>
		<pubDate>Wed, 19 Mar 2008 20:17:26 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29526</guid>
		<description>[...] Some advice for artists with websites     &#8592; Anterior &#124; Inicio  Comparte esta anotación   [...]</description>
		<content:encoded><![CDATA[<p>[...] Some advice for artists with websites     &larr; Anterior | Inicio  Comparte esta anotación   [...]</p>
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		<title>By: Doug</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29329</link>
		<dc:creator>Doug</dc:creator>
		<pubDate>Fri, 14 Mar 2008 16:31:03 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29329</guid>
		<description>Thanks Doc,

The gist of what they do (and they admit) is they work with labels to distribute half songs, noise, looping video to p2p/bittorrent sites. Essentially to dilute those sharing services. On their side they think they are providing a service to the labels and music industry as a whole. However they are just adding more noise to the already noisey landscape. It has become so easy for someone to post music online, it has become harder and harder to find the right &quot;signals&quot; that we individually enjoy.

This myopic view of the industry is why they are hemorging money in my opinion. Take for example the experience we all get to this day (probably for the last 8 years) of clicking on a music file. A white screen with a quicktime (or other) player. Now there is the solution. Great article here - http://fistfulayen.com/blog/?p=127</description>
		<content:encoded><![CDATA[<p>Thanks Doc,</p>
<p>The gist of what they do (and they admit) is they work with labels to distribute half songs, noise, looping video to p2p/bittorrent sites. Essentially to dilute those sharing services. On their side they think they are providing a service to the labels and music industry as a whole. However they are just adding more noise to the already noisey landscape. It has become so easy for someone to post music online, it has become harder and harder to find the right &#8220;signals&#8221; that we individually enjoy.</p>
<p>This myopic view of the industry is why they are hemorging money in my opinion. Take for example the experience we all get to this day (probably for the last 8 years) of clicking on a music file. A white screen with a quicktime (or other) player. Now there is the solution. Great article here &#8211; <a href="http://fistfulayen.com/blog/?p=127" rel="nofollow">http://fistfulayen.com/blog/?p=127</a></p>
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		<title>By: Doc Searls</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29313</link>
		<dc:creator>Doc Searls</dc:creator>
		<pubDate>Fri, 14 Mar 2008 02:57:02 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29313</guid>
		<description>Jeff, I&#039;m not sure Jim Morrison would have used Flash. In their day The Doors were a band that was very inventive with rather spare technology. 

My main problem to Flash is the same as my main problem with .pdfs. It&#039;s one company&#039;s proprietary system. Yes, it&#039;s open in many ways, but not fundamentally, and that&#039;s where it&#039;s at variance from the spirit of the Net and the Web.

My other problem is the one I detailed in the post: too many implementations flat-out suck. The Doors&#039; is an outstanding example: it fails on all three platforms I run here. Maybe it works for you, but not for me. Forgive me for finding that sucky.

If I want to &quot;experience&quot; The Doors on their site, I&#039;d rather opt into it than opt out. Especially when opting out consists of crashing my machine.</description>
		<content:encoded><![CDATA[<p>Jeff, I&#8217;m not sure Jim Morrison would have used Flash. In their day The Doors were a band that was very inventive with rather spare technology. </p>
<p>My main problem to Flash is the same as my main problem with .pdfs. It&#8217;s one company&#8217;s proprietary system. Yes, it&#8217;s open in many ways, but not fundamentally, and that&#8217;s where it&#8217;s at variance from the spirit of the Net and the Web.</p>
<p>My other problem is the one I detailed in the post: too many implementations flat-out suck. The Doors&#8217; is an outstanding example: it fails on all three platforms I run here. Maybe it works for you, but not for me. Forgive me for finding that sucky.</p>
<p>If I want to &#8220;experience&#8221; The Doors on their site, I&#8217;d rather opt into it than opt out. Especially when opting out consists of crashing my machine.</p>
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		<title>By: Doc Searls</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29312</link>
		<dc:creator>Doc Searls</dc:creator>
		<pubDate>Fri, 14 Mar 2008 02:48:39 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29312</guid>
		<description>Doug, if what I read &lt;a href=&quot;http://en.wikipedia.org/wiki/MediaDefender&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt; is true, Media Defender is at the very least a creepy company. But, without knowing more, I&#039;d rather not forward an opinion. I&#039;ll look into it, though.</description>
		<content:encoded><![CDATA[<p>Doug, if what I read <a href="http://en.wikipedia.org/wiki/MediaDefender" rel="nofollow">here</a> is true, Media Defender is at the very least a creepy company. But, without knowing more, I&#8217;d rather not forward an opinion. I&#8217;ll look into it, though.</p>
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		<title>By: Doug</title>
		<link>http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/comment-page-1/#comment-29311</link>
		<dc:creator>Doug</dc:creator>
		<pubDate>Fri, 14 Mar 2008 02:32:02 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.law.harvard.edu/doc/2008/03/12/some-advice-for-artists-with-websites/#comment-29311</guid>
		<description>Doc, I would love to hear your opinion of the tactics that Media Defender uses to &quot;combat piracy&quot;.</description>
		<content:encoded><![CDATA[<p>Doc, I would love to hear your opinion of the tactics that Media Defender uses to &#8220;combat piracy&#8221;.</p>
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