Art

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Click on the above to dig one of the best photosets I’ve shot in a while. I was driving to a Radio Shack to pick up a volt-ohm meter, so we could monitor the browning out of electrical service, when I saw the sun setting through the smoke from the fire, and knew instantly that I could get a good angle on that through the Mission in silhouette. So I turned the corner, and sure enough. Got it.

Any blogger or news service that wants to use any of those shots should feel free to grab any of them. Give me photo credit if you like, but it’s not necessary. Just here to help.

(tag: sbgapfire. Hashtag: #sbgapfire)

I’m not a car nut — I could never afford to be, lacking both the money and the time — but I do enjoy and appreciate them as works of arts, science, culture and plain necessity. So, about a month ago the kid and I joined Britt Blaser at the Concours d’Elegance in Newport Harbor, looking at an amazing collection of antique cars and motorcycles, all restored or preserved to a level of perfection you hardly find in new cars off the production line.

We also got to hang with new friends from Iconic Motors, who are making a very hot little sports car designed and made entirely in the U.S., mostly by small manufacturers of obsessively perfected goods. Took a lot of pictures of both, which you’ll find by following the links under the photos.

I discovered JazzFM91 on a recent trip to Toronto, and keep going back. It’s sooo good. Right now Danny Marks is talking to … who is it? dunno, just tuned in. (Later… it’s Terry Gilespie.) But the subject is John Lee Hooker.

The music that follows reminds me of the time John Lee gave one of the best live performances I’ve ever seen. It was in St. Joseph’s Church in Durham, I’d guess around 1980. I was in front pew on the right. John Lee walked in with an orange suit and his guitar, said “Stand up!” to the audience, and all obeyed. There was no way to sit for the rest of the service. It was just amazing. Just remembered I wrote about this, and a funny JLH story, back in ‘01.

Here’s JazzFM91’s stream.

Hallelujah

There’s a light at the end of the digestive tunnel. (Sorry, can’t resist.) Four bowls of broth, two teas, a bit of jello, four glasses of water and an Italian ice have all made it past my pancreas, now once again the cooperative beast it was for close to 61 years before it revolted a week ago, dropping me into a trough of pain and inconvenience.

In the morning I get my first solid food, then start careful eating habits for the duration. If my pancreas agrees, I’m outa here by noon.

Which brings me to this comment by my buddy Chip, pointing to Leonard Cohen performing his song Hallelujah on German television, I’d guess in the mid-80s. (Cohen wrote the song in ‘84.) It blew my mind. Cohen is a transcendant poet and songwriter, but also a performer of such unusual calm and grace that I’m stunned by how well his schtick works, even in a hokey TV stage setting.

And these lyrics just give me chills:

  There’s a blaze of light in every word.
It doesn’t matter which you heard.
The holy or the broken Hallelujah.

  I did my best, it wasn’t much.
I couldn’t feel, so I tried to touch.
I told the truth. I didn’t come to fool ya.
And even though it all went wrong,
I’ll stand before the lord of song
with nothing on my tongue but Hallelujah.

“Hallelujah” has been covered out the wazoo. It’s the Pachelbel Canon of poetic ballads. On YouTube alone, you’ll find outstanding covers by the quartet of Kurt Nilsen, Espen Lind, Askil Holm and Alejandro Fuentes, the Shrek soundtrack, Allison Crowe, Sheryl Crowe, Damien Lieth, Rufus Wainwright, Bon Jovi, Amanda Jenssen, k.d. lang, k.d. lang (again), The OC, Jeff Buckley (many from him) John Cale

I’ve listened to all of them, some several times, and still I like Cohen’s the best, maybe because his is the only one with the lines I quoted above.

Among my resolutions for life after Liberation is to sustain my love of music, rekindled here in the hospital. It’s not hard, that love. We all have it. Maybe that’s why I like the opening stanza of “Hallelujah”, as everybody sings it. Dig.

Bonus song. Another.

Bear with me while I rehabilitate with radio. If that doesn’t do it for ya, tune out now. It’s cool.

Gotta say that I’ve been learning to love WMBR/88.1, MIT’s student station, on Saturday mornings. Been listening for the last half hour or so to Doug Gesler’s excellent “Lost Highway”: Country music for folks without boots, a hat or a lasso… Doug just did a nice job reviewing the last set, while talking over two of the best instrumentals ever recorded, without identifying those, mostly because he uses it as is background fill. But it gives me an excuse to fill in the blanks. Both were from Mike Auldridge, who plays the loveliest dobro you’ll ever hear. The first tune was “This Aint Grass”, and the second was “8 more miles to Louisville” from his amazing Blues & Bluegrass album, now available as part of a 2-album compilation called Dobro.

I’d guess it was in ‘74 or ‘75 that I was sitting with my neighbor and buddy John Curry, listening to WDBS, the station I worked for at the time, when a song called “Bottom Dollar” came on, and stopped both John and I cold. I called the station, found out it was by Mike Auldridge, the dobro player with the Seldom Scene, a great DC-area bluegrass band. So we both went out and bought a copy of the album. I’ve loved his music ever since.

Great to catch up on his website, too. The style is pure gray-background 1995, and has html an amateur can actually read. More importantly, it has a wonderful sampling of .mp3s from various highly worthy albums. Plus introductions to Mike’s nothing-else-like-it Resophonic guitars. Beautiful things. Check it out. Take your time.

Still no food, by the way. It’s past 9am. Isn’t that a little late for a hospital to be delivering breakfast? Anyway, the listening continues.

Rise & Boogie

Two of the greatest songs ever recorded are both called “Pride & Joy”. Marvin Gaye did the first. Stevie Ray Vaughan did the second. That’s what I’m listening to right now on Radio Paradise.

Wish the “food” would come. I’m so ready to boogie outa here. (Not really, but that’s how I feel.)

WERS rolls

Finally ready to listen to a little radio. I gotta say that it’s pretty freaking hard to beat WERS. “Music for the independent mind.” Yes indeed. I’m not familiar with most of the music they play, but I like a helluva lot, especially since I’m sure I’m 3x the age of many of its programmers and listeners.

Right now it’s Yo La Tengo with “Take Care”. Take care not to hurt yourself. Be ready to ask for help. Thanks for that. Right now it helps. Before that it was Thao with “Bag of Hammers”. David Bowie’s outstanding “THV 15” ran before that. Was that Dr. John on piano? Before that Coldplay with “Speed of Sound”. Now it’s Gnarls Barkley: “Who’s Gonna Save My Soul”. They’ve been playing that one a few times. Deservedly. And now, for geezers like me, Van Morrison with “Caravan“. Radio. Turn it up. So you know. Radio. Takes me back. Keeps me up. From the Moodance album. 1970. Also The Last Waltz. Gives me chills. Progressive rock stations loved to play that song, mostly because it spoke from original dream of radio. What it was, and what it will be again, better than ever. Thanks to WERS for holding the flame high.

Man, this goes on. Now it’s Leonard Cohen with So Long, Marianne”. Another perfect oldie. Followed by Cat Power, “Aretha, Sing One For Me”.

[At this point I got a call from Steve Gillmor, and we recorded a brief impromptu podcast. I’m fading now, and heading for bed. Night, all.]

Just wondering

How many gallons of drool does the average baseball club spit in the course of a game?

Yes, you can vote in the Ugliest Dog Contest.

Even though no pooch will ever out-ugly the late and still great Sam, (above) whom we first vetted here.

I didn’t really know Maarten Lens-Fitzgerald before this last week, except by emails and a delightful interview he did with me at in December. But I fell in love with the guy after he and his associates brought me to Amsterdam to talk at Mobile Monday and do a couple consulting gigs there (which he set up for me). Besides being a smart guy and a great host, Maarten is just a good dude and a true mensch. Gracious, caring, upbeat and much more. You can see it in these two photosets from MoMo. Maarten, his family and whole social network made my visit to Amsterdam a joy from start to finish. It’s a great city anyway, but it’s lucky to be graced with folks as good as this whole bunch.

On Wednesday, the day I flew home, Maarten went to the doctor to check out a coughing problem. Turns out he had a tumor, bigger than his heart, right in front of it. Since then he’s not been far from my own heart, as well as my mind.

I wasn’t going to write about it, because I didn’t know how private Maarten wanted to be. But it turns out he’s both tweeting and blogging what he calls his new journey. So is his wife, Lori. So we’re together with him on this thing. Such is the nature of what Twitter calls following.

He’ll find out more about the tumor tomorrow. I’m praying hard it’ll just be an oddball thing they can cut out and be done with.

You fly enough and they bump you up to Business Class whether you want it or not. That’s how United Airlines works, and for most passengers that’s not a bad thing. In my case I often don’t want it because it means giving up a window seat I’ve carefully chosen back in what we used to call Coach.

But that’s what happened last Wednesday, when I flew from Amsterdam to Chicago. I got bumped to an aisle seat in the Business Section. Worse, nearly everybody with a window seat closed their shades. For viewing we might as well have been in the cargo hold.

The “air show” system that displays flight progress on a map was also down, although a couple times I was able to tell where I was with my GPS, which (amazingly) was able to pick up the 4+ satellites required to to quadrangulate our location 38,000 feet over the Earth.

So I knew when we got to Greenland — my favorite place to shoot from on high . I asked my seatmate, who had the window, if she’d mind if I took some pictures of the land below. She said okay, we opened her shade, and that’s how I got these shots here.

The conditions were less than ideal. It’s never good to shoot out the sunny side of a plane in any case, because the direct light illuminates all the scratches, debris depositions and other imperfections in the windows, which are optically awful to begin with. This window was average or worse in those respects, and on this day Greenland was also hazy, with lots of clouds amidst the mountains. Still, I got some decent shots — enough, at least, to slake my thirst for geographic and geological spectacle and knowledge-building.

I took more shots a bit later, after we crossed the white expanse of Greenland’s middle (at just above the 63rd parallel, which is just 3 degrees south of the Arctic Circle), but need to work instead. Meanwhile, if any Flickr freaks want to help me name some of the mountains, glaciers and other features I shot in that series (or any of the others), please do. I found a few details on Google Earth and filled them in.

The caption for the above reads,

The water body is a glacial bay called Norrivig. Behind it is an island in the midst of which is “Azimuthbjerg” lat=63.4333333, lon=-41.6666667. Here is NotSoGreen on the same area, which also points to this Jason Sloan photo on Flickr. This is all in the Tunu or East Greenland, one of four large Greenland counties, or administrative districts. East Greenland is known natively as Ostgrönland. The glacier or gletcher emptying into Norrivig Bay is Thrym. The mouintain beyond is Hvidbjørn Bjerg, at
N 63° 31′ 0” W 41° 49′ 0”, or 63.51667 / -41.81667, with GeoNameId : 3423410.

Hope that helps the curious find out more.

If you’re interested in Greenland — and I would highly recommend it, because it’s not only beautiful but melting — check out NotSoGreen. Wonderful service.

Buy George

So we walked into the Boston public library this evening at 6:15 to return some books, and encountered a serendipitous bonus: A sign in the lobby said that George Lakoff was speaking upstairs at 6:30. So we intercepted George a few minutes later, sat in on a great talk (his sixth of the day), and then I enjoyed a long dinner with George and Andrew Dunn, a recent Harvard Law grad doing work on human rights. The whole thing was pure coincidence and lots of fun. I’ve been meaning for a long time to talk to George about Framing the Net, among other things — and here I didn’t need to go to Berkeley or try to sync our two complex schedules.

We covered much ground in the conversation, and I learned a great deal that I’d love to write down if it weren’t 1:08 in the morning and my wrist wasn’t killing me (where it was stabbed for an IV they used during an MRI earlier in the day). So that’ll have to wait.

Meanwhile, George’s new book is out. I already had it on order and look forward to reading it.

While recovering from a pulmonary embolism, more cautions were raised about various things that come up as one gets older. So I went in for an MRI today. Dunno the results yet. I’m a born optimist, so I’m defaulting in that direction.

Then a few minutes ago I heard that a friend half my age has a tumor the size of a fist in his chest. We’ll find out soon the nature of that as well.

Kinda brings up some perspective. Life, a priest once told me, is a miraculous exception. Death is standard. “To be or not to be” may have been a question for Hamlet, but “not to be” is a final fact for us all. If nothing else gets us, aging is still the fatal disease we all share. Mine is more advanced than most, though my elders are still sufficiently numerous to buoy my optimism.

On the way to Frankfurt the other day I watched The Bucket List. It’s the story of a couple older guys finding joy and bringing it to each other before they die. The “bucket list” is of stuff one wants to do before they die.

I don’t think so much of what I want to get done as what I want to get started. Puts a much better spin on “finished.”

This is mostly true:

This one is my fave.

There is no business I wish more that I had thought of than Despair.com. Just freaking brilliant. And humbling.

My grandmother, who was born in 1882 and died in 1990, came from sturdy Irish and German stock. It’s a combination that yields what I like to call “very organized party people”. She lived longer than her sisters, but not by a huge sum. The other three all lived into their 80s and 90s.

Grandma was the third of four daughters whose parents were Henry Roman Englert and Catherine Trainor. Catherine died in her thirties, so I assume that when this picture was taken, the girls were without a mother — although grandma often spoke fondly of her Aunt Mag, Catherine’s sister. I still remember lessons handed down from Aunt Mag. Such as, “You’ve got it in your hand. Put it away.”

Catherine Trainor Englert was the daughter of Thomas Trainor and (as I recall) Catherine McLaughlin. Thomas emigrated from Ireland in 1825 at age 15 and worked as an indentured servant to Catherine McLaughlin’s dad in Boston, learning the carriage trade. After marrying Catherine he moved to New York, living at a farm in Harlem while running a successful carriage business on Lower Broadway, where the World Trade Center later stood and fell. The Trainors had two daughters and at least two sons. As I recall one of them fought in the Civil War and died of injuries not long after the war was over. As the family story goes, the son arrived home on Christmas in a box.

Henry Englert was the son of Christian Englert and Jacobina Rung, who emigrated from the Alsace region of Germany in the mid 1800s. Henry was the head of the Steel & Copper Plate Engraver’s Union in New York City. The family’s home was at 742 E. 142nd Street in the Bronx. Grandma described the site as a paradise for the girls growing up.

Grandma was third of the four girls. Fourth was Florence, with whom Grandma stayed closest all their lives. Grandma Married George Washington Searls and had three children. The middle of those was my father. His older sister was Ethel and his younger was Grace. Florence married John Jackson “Jack” Dwyer, and had three children: William, Catherine and Jack Junior. William died at 19, a tragedy that was still fresh many decades later when I was growing up. Catherine married Donald Burns and had two sons, Martin and Kevin. Jack Junior had many kids with his wife Ruth. This all added up to more cousins and second cousins than I can count.

From the late 1940s into the early 1960s, our extended family maintained three adjacent properties on the edge of the New Jersey pine barrens. In one, called “Bayberry” lived Grandma and Aunt Ethel — Grandma’s oldest daughter and my father’s older sister. Ethel was a successful businesswoman, running a Newark office of the Prudential Insurance company. As I recall she held the highest position of any woman in the company, which says a lot about glass ceilings in those days. In another lived Aunt Florence and Uncle Jack. In the third lived us. We were summer inhabitants, while Grandma and Aunt Florence became year round somewhere in the middle of the Fifties.

This post, written in summer of 2003, gives a good sense of what a wonderful place and time that was. I still remember vividly Aunt Florence and Uncle Jack’s 50th wedding anniverary, on June 8, 1960. (The photo series from that day begins here.) Now even the kids pictured in that post and those pictures are getting old. All but a few from our parents generation passed on years ago. Notable exceptions have been my aunt Grace and Catherine Burns, the mid-born among Florence and Jack’s three kids, and the third Catherine in four generations.

Grace will be 96 next month, and is doing fine living up in Maine. Yesterday, however, came news that Catherine had passed on Sunday. She was 94.

While I haven’t seen Catherine in many years, I’ve kept up a warm correspondence with her son Martin (pictured with the cat in that last link — a cat that he recalls scratching him while we were posing for Uncle Jack, who set up a large view camera on a sawhorse).

Catherine did an amazing job over several decades studying the genealogy of her family’s roots, and adjacent ones (such as the Searls) as well. Nearly all the photos in this collection are from her archives. Her studies informed many of the notes in the captions as well.

I’ll try to make it up to Portsmouth this evening for the visitation announced in Catherine’s obituary.  Meanwhile, it is moving to look back through her early life in this series here. It shows how the children and adults we were and become stay alive in us, and in our loved ones.

Love is life. To give it is to live it, and vice versa. I thank Aunt Catherine for giving us so much for so long.

Click on the above for a nice series of shots I took while flying out of Chicago in the evening, looking east toward the skyline with the sun behind me in the west. Early on is a nice series of the Bensenville Yard, one of the most impressive, and busy, rail yards in the world.

Here’s the slide show.

Shot this series of pictures, mostly of islands in Boston Harbor, while ascending to the skies out of Logan on Sunday, en route to San Francisco. The one above is Rainsford Island. (And my shot is a lot prettier than the one at that last link, on Wikipedia. They can use it if they like.)

Like many islands and hills in the Boston area, Rainsford is a drumlin or two. Given its shape, I’d call it Fish Island.

Got a lot more pictures from that trip, but they’ll have to wait. Meanwhile, here’s a slide show from the last cross-country trip.

Very nice to discover, via many excellent comments on a Flikr fotoset, that the Minuteman Bikeway has a blog.

Here’s the beginning. Good story.

Here’s the link, and here’s the text:

Additionally, we have awarded two special prizes for the initiatives we considered groundbreaking. The VRM project lead by Doc Searls is from our point of view a very innovative approach to bring the concept of user-centric identity to customer management. During the VRM Unconference 2008 this topic has been intensively discussed for the first time in Europe. The second special prize goes to open source projects Higgins and Bandit, which we consider the most important open source initiatives in the field of Identity Management.

And here’s Bart Stevens’ blog post with photographic proof as well.

Big thanks to Joerg, Martin and all the folks at Kuppinger Cole for hosting and for welcoming all the participants from the VRM crew to EIC2008.

We have many more events coming up. In addition to regularly (and irregularly) scheduled ones in the U.K and elsewhere in Europe (need to get everything on the wiki), we have the VRM sessions at the next IIW, plus the first VRMW (VRM Workshop, unless we come up with a better name for it) at Harvard on 9-10 July. Mark your calendars.

After brunch at yesterday, we caught the — a rope jumping team of high schoolers from Torrington, CT — putting on an amazing demonstration of skill and enthusiasm, outside the Davis stop on the Red Line in Somerville. Turned out they were there to help promote , a movie showing that afternoon, and this evening, right next door at the Somerville Theater, as part of Boston’s .

I’m trying to put up one of the short videos I shot with my little Canon still camera, and it hasn’t appeared yet. Check here to see it it’s showed up. Meanwhile, here are a couple of Forbes Flyers’ own from their collection on YouTube.

So, after going to a museum at MIT for about an hour or so, we returned and caught the movie, and with it an enthusiasm both for the sport and the Xtremely Fine Job that Helen Wood Scheer, Scott B. Morgan and crew did putting the movie together. It’s one of the best documentaries I’ve ever seen, on any subject.

It’s showing again tonight at 7:30, and next in San Francisco (Wednesday), Santa Cruz and Charleston. Check this page for details. Also the Jump! movie blog.

At , this time for more than a few minutes. Observations…

I can’t post a question using the question tool.

I’m at a panel on fame, and I don’t know any of the panelists. (They are, in fact, moot of 4chan, Randall Munroe, and Ryan North of Dinosaur Comics. They are arranged according to size: moot, Randall, Ryan.)

I am >2x the age of 90% of the people here. I may be 2x the age of ANY of the people here. (Not true, but it seems that way.) Worse, I’m dressed to “go out” to some place nice later, so it’s like I’m in costume.

A sport here: being first finding the too-few power outlets. (That’s the headline reference, btw. Figger it out.)

Neo-Cantabrigian observation: MIT does wi-fi right, while Harvard does power outlets right. At MIT, it’s a snap to get out on the Net through the wi-fi cloud, but there are too few power outlets, and some of them have no power. At Harvard, there are power outlets for everybody in all the classrooms (at least at the Law School, to which most of my experience is so far confined), and getting out on the Net requires a blood sample. From your computer.)

Great question from the floor… “At what time have you been most afraid of what you’ve created?” Answer: “Right now.” At which point Anonymous Thinker — a guy dressed in a suit and a fedora with a black stocking pulled over his head — just made a bunch of noise from the back of the room. Near as I can tell. I’m in the mid-front, and can’t turn my head that far. Still, funny.

Best question on the Question Tool: “SUDO MAKE NEW QUESTION.” Top vote-getter: “What is your zombie defence plan?”

Unrelated but depressing: The lobby for US-style copyrights in Canada has gone into overdrive, recruiting a powerful Member of Parliament and turning public forums on copyright into one-sided love-fests for restrictive copyright regimes that criminalize everyday Canadians.

I don’t have the whole fotoset up yet, but it’ll be here.

Randall just called blogs a “four letter word”. Blogs are very outre here.

To get (and stay) in shape, I’ve been spending more time off-grid. Less blogging and twittering, more time communing with nature. Some of that time I’m not indulging my curiousities. Or at least I’m resisting them. No electronics, for example. It was on one of those walks that I became curious about the story of infrastructure, past and present. What were these metal plates doing in the ground? Why were they there? Why were there so many of them? What were their different purposes? Which ones were remnants of services or companies no longer in existence? Which ones had found new uses? Why do so many carry the signatures of companies and utilities long dead?

I started on the Minuteman Bikeway, which passes close to our home not far from Harvard, where I’m headquartered these days. With a minimal slope, it’s perfect for active but low-stress strolling or biking. And it connects a lot of interesting historic sites. At one end is the Alewife “T” stop on the Red Line subway. At the other is something in Belmont I haven’t reached yet, because I usually go only as far as Lexington. Most of the stretch runs through Arlington, which combines the former villages of West Cambridge and Menotony. This is roughly the path along which the British soldiers retreated from Lexington on April 19, 1775, losing men (mostly boys, actually) and killing colonials of many ages. Thus started the Revolutionary War.

The Middlesex Central Railroad was born in 1846 and died in 1982. Part of it was better known as the Lexington and West Cambridge Railroad. It began as a vein of commerce, carrying goods from mills and ponds along its path. The Earth was colder in the early days of the railroad, and the winters were longer. Ice cut from Spy Pond was shipped all over the world from docks in Boston. This past winter the pond was thick enough to support skating for about three days.

But I’ve become more interested in the infrastructure story. So, over the last couple weeks, as Spring breaks out along the trail, I’ve been shooting pictures, mostly of stuff on the ground, before it gets haired over with vegetation, in faith that patterns will start making sense to me. I’ve also shot a lot around Cambridge, Boston and other places, but haven’t put those up yet. Right now I’m adding descriptions to the photos in this set here.

This is part of a long-term project, methinks. We’ll see how it goes. If you’re interested in following the same threads, tell me in the comments below.

Clicking on the picture above will take you on a slideshow tour of the Grand Canyon, shot from the right side of an LAX-bound 757 that departed from Boston. I have no idea what movie was showing at the time; though I do know I refused, as I usually do, to close my windowshade to reduce ambient light on the ancient crappy ceiling-mounted TV screens. The scene outside upstaged the movie in any case, as it has been doing for the last several million years, as the Kaibab Plateau has pushed its dome upward and the Colorado has stayed roughly where it had been since the many millions of years before that, when it wandered lazily across a flat plain.

As ranking canyons go, the Grand Canyon is almost too grand. It’s freaking huge. From the air I find it far more dramatic to peer down into its narrower regions, such as the one above, which is early in the Colorado’s course through the canyon. The series follows the canyon from east to west, from not far below Glen Canyon dam and the Vermillion Cliffs area to Vulcan’s Throne and Lava Falls, where relatively recent flows have slopped their blackness down across the canyon’s iconic layer-cake strata.

What is most amazing to me about this corner of The West is that it was obviously placid through so many time stretches across the last almost two billion years. The West is painted with the colors of long periods of relative quiet, as sands and silts and gravel and cobbles were deposited by braided rivers and transgressing seas.

All of the Grand Canyon’s strata were laid down before the age of dinosaurs. Younger layers such as those comprising the Vermillion Cliffs to the East, the Grand Staircase upstream in the Glenn Canyon area, in Canyonlands, Arches, and most of Utah’s most colorful layer-cake displays — Bryce, Zion, Capitol Reef, Cedar Breaks, San Rafael Reef and Swell — are comprised of younger rock eroded off the top of the Kaibab Plateau.

Some of the shots were taken with my Canon 30d, and others with my tiny PowerShot 850. which does a better job of shooting straight down through the window. Its smaller lens distorts less through the plane’s multiple layers of bad glass and plastic windows. And the display on the back lets me shoot without looking through an eyepiece. It’s not perfect, but not bad, either.

I still miss my Nikon Coolpix 5700, which took lots of great pictures out plane windows, and was frankly much better at that job than the Canon, mostly because the Coolpix’ objective lens was smaller (again, better for looking at angles through the terrible optics of plane windows), and partly because the camera’s flip-out viewer allowed me to hold the camera to the window at angles I could not put my face, but where I could still see and frame the view.

Here’s a slide show compiled from shots from a left side window (6A) of a United 737 flying from Dulles to Logan. Featured are Baltimore, Philadelphia, New Jersey’s refinery districts, New York and BostonProvidence. Even from half a dozen miles up and more than that away, you can see the bright lights of Yankee Stadium and Camden Yards, where the Yankees and Orioles were playing that evening. Also the Verazano-Narrows and George Washington bridges, along with many others draped across the black waters below.

In Web World of 24/7 Stress, Writers Blog Till They Drop, headlines the New York Times. “They work long hours, often to exhaustion. Many are paid by the piece — not garments, but blog posts. This is the digital-era sweatshop”, it begins. It’s about blogging for bucks. Marc Orchant and Russell Shaw, both of whom died recently, and Om Malik, who recently survived a heart attack, serve as instructive examples of “toiling under great physical and emotional stress created by the around-the-clock Internet economy that demands a constant stream of news and comment”.

Mike Arrington “says he has gained 30 pounds in the last three years, developed a severe sleeping disorder and turned his home into an office for him and four employees. ‘At some point, I’ll have a nervous breakdown and be admitted to the hospital, or something else will happen…This is not sustainable’.”

The piece goes on:

One of the most competitive categories is blogs about technology developments and news. They are in a vicious 24-hour competition to break company news, reveal new products and expose corporate gaffes.

To the victor go the ego points, and, potentially, the advertising. Bloggers for such sites are often paid for each post, though some are paid based on how many people read their material. They build that audience through scoops or volume or both.

Since this system does not feature the ‘chinese wall’ between editorial and advertising that has long been a fixture of principled mainstream journalism — or rather because writing, publishing and advertising are much more intimately mashed up in this new system than it was in the old one — I suggest a distinction here: one between blogging and flogging.

I brought that up on The Gang on Friday and got as nowhere as I did when I put up the post at the last link. So far it has no comments at all.

Still, I think distinctions matter. There is a difference in kind between writing to produce understanding and writing to produce money, even when they overlap. There are matters of purpose to consider, and how one drives (or even corrupts) the other.

Two additional points.

One is about chilling out. Blogging doesn’t need to be a race. Really.

The other is about scoops. They’re overrated. Winning in too many cases is a badge of self-satisfaction one pins on oneself. I submit that’s true even if Memeorandum or Digg pins it on you first. In the larger scheme of things, even if the larger scheme is making money, it doesn’t matter as much as it might seem at the time.

What really matters is … Well, you decide.

Before crashing in bed at 3am, I heard the last (third) movement of what may be my favorite piece of music: Beethoven’s Violin Concerto. It was an amazing version, subtle and silky-smooth, yet highly emphatic. The phrasing verged on speech. Turns out it was Anne-Sophie Mutter with the Berlin Philharmonic, conducted by Herbert Von Karajan. I’m not surprised, being a Von Karajan fan. I’m exceptionally fond of his 1963 recordings of the nine Beethoven symphonies with the Berlin Philharmonic. (I have two sets in vinyl and one on CD.)

Anyway, I just went looking for the recording, and here it is on YouTube. Sounds a bit more allegro than what I just heard on the radio, but I’m sleepy and not sure. It’s giving me chills, again. There just isn’t a more beautiful piece of music. Nice. Check it out.

Overheard lawyers talking: “It’s easier to pass the bar if …”

I’ve always liked cars. Never owned a great one, unless you count an ‘85 Camry that ran forever with the fewest possible repairs. I did have a hand in my wife’s purchase of a ‘92 Infiniti Q45a — a fabulous piece of work, sadly dulled by the maker in subsequent models. It was sadly repair-prone and finally croaked somewhere north of 200k miles, when the active suspension gave out. Still, for quite a few years it was an exceedingly pleasing car to drive.

These days my aging eyes and slower reflexes caution me against car fantasies that would be too pricey in any case. But I still harbor wishes for a car market not dominated by inefficient manufacturers of cookie-cutter vehicles, but rather populated by an infinite variety of designs that combine the best of invention, engineering, light manufacture and customer input on design — a value constellation rather than a value chain.

One such maker is Iconic Motors. The brightest star in its constellation is Claudio Ballard, an inventor whose obsession with automotive perfection is matched by his commitment to small, high-quality U.S. manufacturers. Together they’re producing the GTR:

Its a beautiful thing, and so hot it’s scary. It packs more than 800 horses in body that barely outweighs a Miata. It will rocket you past 200 miles per hour, and carve around curves on a suspension that’s as close to Formula One as you’ll find off a speedway.

They’re only producing a hundred of them in their first run. They are also interested in input as well as interest from fellow enthusiasts. This is the open source part of the story, and one of the big reasons I’m interested in it. (Besides having gotten to know Claudio over the past few months.) To get that ball rolling they’re hosting a reception at 7pm tomorrow night at the New York Auto Show. Wish I could be there, but I can’t.

They don’t have a link up yet, but will soon. I’ll add it here, soon as they do.

Got some nice pictures of the Cornwall Coast, while still ascending out of Heathrow en route to Washington and Boston.

The shot above is of Padstow Bay, with Trebetherick and the Polzeaths on the right, above Padstow and Daymer Bays. (The latter is the lower, or southern, one.)

Interesting to see how the surf hits the Polzeaths at full force. Some pretty big waves there. You can also see the corduroy surface of the ocean, as the waves advance from a swell coming in from the west.



Often as I fly over eastern Canada, I’ve somehow always missed Newfoundland. It has always been nighttime, or clouded under, or too far from the plane’s route. Well, not this last time. When I flew from London to Boston via Washington (LHR-IAD-BOS) on the first day of March, I could see on the plane’s map that we were headed straight over the southeastern corner Newfoundland — the Avalon Peninsula, where St. John’s lies next to the easternmost point on mainland North America. Then, as we approached, the plane veered slightly left, toward the south, and we missed St. John’s by fifty miles or more. But it was a clear day, so I got a few shots of St. John’s anyway, and then much better shots as we flew just south of the southern capes.

I got some nice shots of Trepassy Bay, Biscay Bay and St. Mary’s bay, all on the “Irish Loop” of Highway 10. The towns along and near the loop — Portugal Cove South, Trepassy, St. Shotts — are fishing villages more akin to settlements. So far I’ve found surprisingly little about them on the Web, most of which I’ve put into links in captions under some of the pictures. Maybe some of ya’ll can fill me in.

NewsGang up

Friday’s NewsGang, with Dennis Haarsager, Stephen Hill (of Hearts of Space), host and yours truly, is up. It was long (1:25) but very good. Here’s the MP3.

The main topic was Dennis’ new job as iCEO of . I was on a panel with Dennis just a few weeks ago. He’s a great guy, very sharp, extremely aware of the challenges, and much more.

He even seemed to agree with the ten prophesies and one fond wish that I presented during our panel. (That talk was a compression of this post here.) It won’t be easy for him, but I’m extremely encouraged with the prospects.

In my last post I quoted some Doors lyrics. Uncharacteristically, I did not do any linking.

I didn’t link to The Doors’ site because it’s full of Flash and other crap that is not only at stylistic variance from the spare and artful nature of The Doors’ work, but likely to either annoy you or crash something. (My Linux box can’t see or hear the Flash stuff, my Windows box wants to download all kinds of stuff and then fails with it anyway, and my Mac just flat-out crashes on it. I don’t recall any other site recently that actually brings down a computer. But that’s what The Doors site did in this case.)

I didn’t link to any lyrics pages because all of them, far as I can tell, bury what the reader wants — just the lyrics, please — inside walls of advertising. Go do a phrase/keyword search for “When the music’s over” and “doors”, on Google. Click on the top results and you’ll find that every one has a pop-up window, plus lots of other advertising jive. Of course, you can block those in your browser; but still, pop-up windows suck. They break the Web’s social contract, which says (among other things) that the publisher should not abuse the reader’s intentions. Nobody goes to a page saying “I want a pop-up window”.

These lyrics pages exist for a good (though bad) reason: most artists don’t publish their own lyrics. People want to see lyrics, however, so the advertising baiters publish the lyrics anyway. Copyright be damned.

So my advice to artists such as The Doors is to publish their own lyrics, in ways that respect the music and their own artistry — as well as the readers’ good will and good intentions.

And while they’re at it, quit making the sites so damn fancy and complicated. Quit burying text inside graphics (where the type can’t scale up and down). Make the pages into blogs that are live and written, rather than static and built. It’s cheaper, too.

I say this, by the way, as a fan of the Doors since the band was new. At one time or another I’ve bought every album, both in vinyl and CD form. I’d love it if the band (or whoever constitutes them now) would just give us a nice simple site that’s easy on readers and their browsers.

Yesterday we went to visit the De Cordova Museum in Concord Lincoln, where we were looking forward to seeing the museum’s iconic pink pig sculpture along with other exhibits in the museum and its Sculpture Park.

Rounding a curve on the road through the park heading into the museum, we were shocked and saddened to see that a tree from the center of a nearby grove had fallen squarely across the pig, smashing it right in the middle. No expert could have dropped the tree more squarely. It was amazing that, given 360 possible compass degrees that the tree might have fallen, it picked exactly this one.

Later we learned that the tree had fallen just that morning, no doubt because its rooting had been weakened by gound saturated with rain over the past few days.

Then this morning I was surprised to find no mention of the news in blog or the Boston Globe. So I just started uploading a bunch of pictures taken with my pocket camera. The lighting wasn’t good, but there are plenty of shots for anybody to use, should they like, up here at Flickr. If you’re a journalist of any kind, feel free to take and use them.

More about the pig. It is a work of Gail Simpson and Aristotle Georgiades of Actual Size Artworks. Its title is Trojan Piggybank, and it is on loan from the artists. From the writeup two links back:

Originally exhibited in the 2004 Navy Pier Walk: The Chicago International Sculpture Exhibition, Trojan Piggybank comes to DeCordova Museum’s Sculpture Park with a playful warning from its collaborative team of artists, Gail Simpson and Aristotle Georgiades, who caution, “Sometimes things are not what they appear to be.”

From a distance, the large pink wood piggybank appears friendly. A closer look reveals military camouflage colors painted around the snout, suggesting a recent wallow in filth, while imparting an additional and foreboding meaning. The artists intend this familiar military pattern to represent the greed associated with our ever-expanding military industrial complex. This visual stratagem is furthered by grates protecting Trojan Piggybank’s eyes, and a hatch door on the underbelly hinting at hidden invaders inside. A large silver coin waits at the ready in the piggybank’s slot. As Simpson and Georgiades observe, “The pleasures of consumer culture are accompanied by less desirable social consequences. When we impose one way of life onto another, the bad goes along with the good. The playful piggybank has a hidden agenda.”

No wonder our first thought was that the tree across the pig was itself a sculpture, or an improvisation on the original.

Well, in a way it was, no?

Film on paper

Sorry I won’t be in Santa Barbara to see the premiere of the documentary Citizen McCaw this Friday. The film’s subject is Wendy McCaw and her “war” to keep her paper, the Santa Barbara News-Press, independent of everything but herself (as best I can put it this morning, anyway). There will be a DVD on sale pretty soon. Here’s the trailer. And here’s an FAQ.

The flight from Heathrow to Dulles took more than nine hours, which was long enough to watch parts of seven different movies three times. Since one of those movies was No Country for Old Men, none of the other movies stood a chance. By the time we arrived, I had become a student of the movie. I just hope it isn’t in my dreams tonight.

The central figure, Anton Chigurh, played by Javier Bardem, is a psycopathic killer who personifies death and chance in unequal measure. It’s a landmark performance. Every performance in the film is strong, but none of the characters stand out like Chigurh’s.

His motives? His quarry is money, but that’s just a point on a path. There is no doubt that he will get the money, and that people will die along the way. But death itself has no motive. It is merely inevitable. Like Anton Chigurh. The Terminator, the Alien, the guy DiNiro played in Cape Fear… all the relentless bad guys we’ve known… don’t compare easily with Chigurh. Because all the others could be, and were, defeated.

Death can’t be defeated. In Chigurh, it could only be wounded, because he is death in human form. But he is still death.

Which is on my mind more as I get older. The old men in the movie — Tommy Lee Jones and cohorts of his generation — are barely older than me, if they’re older at all.

Being older, if not yet “old”, requires increased acquaintance with the certainty that Your Time Will Come.

I plan to procrastinate. For some things that’s a helpful skill.

Meanwhile, a highly recommended movie.

I just discovered that is also useful for astronomy. You go under View and click on Switch to Sky. Suddenly your screen is a planetarium. It’s not quite the equal yet of KStars, Starry Night or Carinasoft’s Voyager (the three programs I know best), but it’s not bad for a start, and with call-outs that integrate well with the Web.

Meanwhile, back on Earth, I’m wondering if there’s an easy one-click way to copy lat/lon from an x/y location on the Earth. Or to copy the geotag.

Another question… Is there an easy way to make Google Earth display the names of mountains and rivers? Seems the only way is by angling down with the tilt slider (the horizontal one above the compass tool), to an elevation barely above that of the mountain — and then using your mouse, keyboard, or that joysticky whatever-that-is in the middle of the compass, to fly like a plane toward the mountain’s crest, hoping that at some point the name of the mountain will appear in blue above it. Any of you geo-hackers know a better way? Hope there is one.

And one more… Is there a way to use normal, non-3D fonts?

Oh, and these questions don’t just apply to Google Earth.

My main purpose is to geotag pictures I put up here. No way to label them all, since there are around 18,000 of them. But I’d like to label a few, at least. Easily.

Looking grand

That’s a shot of the Lava Falls section of the Grand Canyon. It’s one of my favorite scenes: of lava from the Uinkaret Lava Field slopping down into the canyon over the north rim. Atop Lava Falls itself is Vulcan’s Throne, a volcanic vent about 73,000 years old.

This may seem old, but the lava is among the newest features of the Grand Canyon. The Kaibab Limestone over which the lava flowed was laid down in early Permian time, around 290 million years ago. All the rocks below are older, on down to the Vishnu group at the bottom of the canyon, around 1.7 billion years ancient.

That set is one of many that came out of my most recent trip out west by plane. I’m in London now, and still getting them up.

My old friend Steve Lewis and I fell out of touch for almost a quarter century after college, leading almost entirely different lives in different parts of the world. We diverged on graduation in 1969, after having both been philosophy majors. I went on to careers in journalism, retailing, frozen produce wholesaling, ice cream truck driving and radio, among too many others to mention. Steve stayed on an academic track, leveraging Fulbright scholarships and other graces into research and work that had him become fluent in a number of languages and rich in knowledge and experience about countless arcane aspects of history and cuture in the far corners of Europe.

But one thing we had in common: we both also labored in the fields of marketing communications when we weren’t doing other things we enjoyed more.

In his latest Hak Pak Sak blog post, Steve revisits a number of remarkable texts, including a Flemish novel whose lead protagonist’s work recalls some of our own. He describes it this way:

  The Journal, Boorman boasts, has print runs in the millions despite its paid circulation of zero and a full-time staff of nobody. In fact, the publication is an archetypal promotional magazine. Customers can place glowing written and visual portraits of their companies and products in the journal merely by committing themselves to purchasing tens or hundreds of thousands or even millions of copies of off-prints which they pay for in cash or in kind.

An interesting commentary on what’s a little too true about way too much of what at least two of us have had to do for a living.

Ze bones

The interesting thing to me about the footprints above, aside from their nature as photography fodder, is that they resemble the layout of the two intersecting paths at Winthrop Park, where I took the shot.

You can see the paths on Google Maps if you look for the intersection of JFK and Mt. Auburn in downtown Cambridge — one block south of Harvard Square (which isn’t), or you can hope that clicking on the “Link to this page” link for the park itself will work; but for some reason Google Maps (on this laptop, at least, in two different browsers) shows you the park while it’s loading, then jumps to another part of Cambridge. It’s 2:33am, however, and I’m not going to try to debug whatever I might be doing to cause that.

In any case, the pidgeon prints drew a map of the park paths.

The park is also Wintrop Square. Unlike most squares in Boston, it actually has corners that are right angles. It was the city’s original marketplace, and therefore dates, as does the city, from 1630. It was called Newtowne then. It became Cambridge eight years later.

Change is in the air at WUMB is a story ran ran in the Boston Globe yesterday, about trouble the U Mass Boston radio station is having with the label for most of its programming: folk. And perhaps the programming itself. It begins:

  Money changes everything, at least for WUMB-FM (91.9). Thanks in part to a recent grant that allowed it to evaluate its mission, the public station may well drop wide-ranging music programs “Mountain Stage” and “Afropop Worldwide” by March 1. The station may even end up dumping its identification as “folk radio.”

  But in exchange, say those in charge, listeners will be getting a station that is more responsive to the community’s needs.

  The impetus for these changes is a station-renewal grant from the Corporation for Public Broadcasting. One of five awarded in July to stations across the country, the grant of approximately $500,000 has allowed WUMB, which is based at the University of Massachusetts at Boston, to poll listeners and conduct focus groups about what the station should be as it finishes its first 25 years on air.

Hey, WUMB: poll me. I like the station. I don’t have a problem with “folk radio” — although the label does call to mind an old Martin Mull line: “Remember the Folk Music Scare of the Sixties? That fiddle and banjo crap almost caught on.”

WUMB’s music isn’t even close to “all fiddle and banjo”. It’s an artfully eclectic mix of what might better be called “traditional” or “americana”. But how do you draw a categorical line around the Subdudes, David Lindley, Shawn Colvin, Goeff Muldaur, JJ Cale, Dolly Parton, Sleepy John… except to say you can’t. You’ve gotta listen to tell.

I started listening on line (in Santa Barbara) before I got to town, and on the radio ever since I moved here in September. My car radio has a button on WUMB, and my Webio runs its streams.

Hope they don’t give me a reason to change that.

[Later…] Actually, the station’s main problem is really its signal. The transmitter puts out only 660 watts at a height of just 207 feet above average terrain. It also doesn’t come from the campus on the shores of Dorchester Bay, but rather from the corner of a golf course in Quincy, a few miles southeast of town. Its signal to the northwest (say, Cambridge and beyond) is too weak to stop “scan” on a car radio. At my house I need the hands of a safecracker to tune it in on our kitchen radio dial.

As an old radio engineering type, I know the dial is too packed with existing signals to offer much if any elbow room for moving the transmitter or raising the power or antenna height; but I’d suggest putting some of that new money toward, say, a booster transmitter on one of the downtown buildings currently shadowing the signal. Or toward buying one or more other stations around the edge of the market. I’ll bet that some of the AMs would come for a bargain. And with “HD” radio coming, some of those signals could carry music at sound qualities that are higher than the current legacy technology allows. In any case, it’s worth some study (if that isn’t happening already).

To its credit, WUMB has a bunch of other signals (actually, stations), two others of which are also on 91.9. That helps. But with money perhaps more could be done.

As for “the community”, I have some other thoughts about that, which I’ll link to here after I put them up.

[Later still…] This morning’s Guest Set features bassist John Troy, providing faves from the Pousette-Dart Band, Little Feat, NRBQ, Tower of Power, Chris Smither, Sal Baglio… Wow. Great, great radio.

Back to the Globe article…

  “There is a definite call to replace some of the syndicated programs with live shows,” says Pat Monteith, general manager of the station, which also broadcasts at 91.7 FM in Newburyport and 1170 AM in Orleans. “Some shows,” she learned, “people want more of.”

  Perhaps most startling, she said, was the reaction to the station’s ID. “Several people [said], ‘I hadn’t listened before, because I really don’t like “folk” music, but when I listen to your station I like it,’ ” Monteith explained. “Even our heaviest listeners find the word ‘folk’ very challenging.”

Hence the headline above.

Man blogs

I like Remodeling for Geeks, subtitled code snippets for your house.

Bonus snip.

Sez du day

As a shameless fan of the Lolcat language, the Lolcat Bible (including the Ceiling Cat Prayer) and the Lolcat blog (I Can Haz Cheezeburger?), I find myself seeking translation to Lolcat of this fine quote from Don Marti:

  Becoming a blog-friendly company by chattering on blogs is like becoming a cat person by clawing your own couch and crapping in a litter box.

Perhaps,

  Wantingz ta mak blahs purr wit sef purringz et blahs iz lak sharpeningz da sleeping playz or poopingz in da howz soil.

Feel free to add your own.

Haze set

There’s this great haze effect you sometimes get in the mountains of Southern California in the evening. It’s not smog, though sometimes that’s involved. It’s just enough moisture in the air, nicely layered, to give you these amazing silhouettes that look like Japanese paintings. Or something.

And that’s what I saw whille driving from Las Vegas to Los Angeles last Thursday evening, right after CES, when I passed through some low mountains between Barstow and Victorville on I-15. Google Earth is woefully deficient in the mountain-naming department, so I’m not sure what these are. The near ones are close to the road. The far ones are probably in the San Gabriel Mountains, which frame the Los Angeles basin on the north, and the Mojave Desert on the south. At this point I’m on the Mojave side, facing southwest. In any case, I got some nice shots in the set behind the picture above.

And here’s the same effect, in the San Gabriels, shot from an inbound plane.

Gang up

The latest Gillmor, um, news Gangs are up. Recorded last Thursday. I participated from a spot on the floor behind a curtain somewhere in the Sands, in Las Vegas. Listen via the links at Part I and Part II.

Bonus post: Flakes on a Plane.