You might say that fresh radio moved in where stale TV moved out.

Here’s some background. When TV in the U.S. finally went all-digital several months back (June 12, to be precise), one wide hunk of spectrum, from 54 to 88Mhz—where channels 2 through 6 used to be—turned into “white space“. In other words, empty. For most of us this doesn’t matter except in one little spot at the very bottom of the FM dial: 87.7 FM. It’s the first click on nearly every FM radio, yet the FCC licensed no FM stations there, because that notch belonged to TV channel 6 audio. From January 1963 until June 2009, you could hear Channel 6 (WLNE-TV) at that spot on the dial, across much of Southern New England, including the Boston metro. When analog television shut down in June, WLNE moved to Channel 49 with its digital signal. After that, 87.7 was white space too. (Some more background here.)

In a few cases (New York and Los Angeles, for example), somebody would get a license (New York, Los Angeles) to operate a low power analog Channel 6 TV station, leave the picture off and just broadcast the audio, creating a virtual FM station that most listeners didn’t know was licensed as picture-less TV. (LPTV stations are exempt from the digital requirement.) That was pretty clever, but it was also pretty rare. For the most part, 87.7 was all-hiss, meaning it was open for anybody to put up anything, legal or not.

Such as here in Boston. It was a matter of time before somebody put up a pirate signal on 87.7. That happened this week when “Hot 97 Boston,” an urban-formatted Internet station, appeared there. Hot 97 is also known as WPOT, according to this thread here.

I checked here and here to see if it’s legal (on FM), and can find no evidence. But it does sound like a real station. If you’re into urban radio with a local Boston flavor (also with no ads), check it out. The signal isn’t big, but it’s not bad, either. And it’s worldwide on the Net.

[Two days later...] I figured by now the Boston Globe and/or the Boston Phoenix would pick up on this story. So I just tweeted a bulletin. Let’s see what happens.

[Later still...] Dean Landsman reminded me that Brian R. Ballou of the Globe had a report on TOUCH-FM in June 2008. TOUCH is another pirate that appears from its website still to be active, at least on the Web (though at the moment I can’t get it on either FM or the station’s “click here/listen now” link). [And later again (October 13) ...] TOUCH-FM is still on the air. It’s pretty obliterated by other signals here in Cambridge, but I got it well enough to follow this morning in the car when I drove to Boston and back.

The arguments here were foreshadowed in the architecture of the Web itself, the essence of which has been lost to history — or at least to search engines.

Look up Wikipedia+Web on Google and you won’t find Wikipedia’s World Wide Web entry on the first page of search results. Nor in the first ten pages. The top current result is for Web browser. Next is Web 2.0. Except for Wikipedia itself, none of the other results on the first page point to a Wikipedia page or one about the Web itself.

This illustrates how far we’ve grown away from the Web’s roots as a “hypertext project”. In Worldwide: Proposal for a Hypertext Project, dated 12 November 1990, Tim Berners-Lee and Robert Callao wrote,

Hypertext is a way to link and access information of various kinds as a web of nodes in which the user can browse at will. Potentially, Hypertext provides a single user-interface to many large classes of stored information such as reports, notes, data-bases, computer documentation and on-line systems help…

…There is a potential large benefit from the integration of a variety of systems in a way which allows a user to follow links pointing from one piece of information to another one. This forming of a web of information nodes rather than a hierarchical tree or an ordered list is the basic concept behind Hypertext…

Here we give a short presentation of hypertext.

A program which provides access to the hypertext world we call a browser. When starting a hypertext browser on your workstation, you will first be presented with a hypertext page which is personal to you: your personal notes, if you like. A hypertext page has pieces of text which refer to other texts. Such references are highlighted and can be selected with a mouse (on dumb terminals, they would appear in a numbered list and selection would be done by entering a number)…

The texts are linked together in a way that one can go from one concept to another to find the information one wants. The network of links is called a web . The web need not be hierarchical, and therefore it is not necessary to “climb up a tree” all the way again before you can go down to a different but related subject. The web is also not complete, since it is hard to imagine that all the possible links would be put in by authors. Yet a small number of links is usually sufficient for getting from anywhere to anywhere else in a small number of hops.

The texts are known as nodes. The process of proceeding from node to node is called navigation. Nodes do not need to be on the same machine: links may point across machine boundaries. Having a world wide web implies some solutions must be found for problems such as different access protocols and different node content formats. These issues are addressed by our proposal.

Nodes can in principle also contain non-text information such as diagrams, pictures, sound, animation etc. The term hypermedia is simply the expansion of the hypertext idea to these other media. Where facilities already exist, we aim to allow graphics interchange, but in this project, we concentrate on the universal readership for text, rather than on graphics.

Thus was outlined, right at the start, a conflict of interests and perspectives. On one side, the writer of texts and other creators of media goods. On the other side, readers and viewers, browsing. Linking the two is hypertext.

Note that, for Tim and Robert, both hypertext and the browser are user interfaces. Both authors and readers are users. As a writer I include hypertext links. As a reader with a browser I can follow them — but do much more. And it’s in that “more” category that Sidewiki lives.

As a writer, Sidewiki kinda creeps me out. As Dave Winer tweeted to @Windley, What if I don’t want it on my site? Phil tweeted back, but it’s not “on” your site. It’s “about” your site & “on” the browser. No?

Yes, but the browser is a lot bigger than it used to be. It’s turning into something of an OS. The lines between the territories of writer and reader, between creator and user, are also getting blurry. Tools for users are growing in power and abundance. So are those for creators, but I’m not sure the latter are keeping up with the former — at least not in respect to what can be done with the creators’ work. All due respect for Lessig, Free Culture and remixing, I want the first sources of my words and images to remain as I created them. Remix all you want. Just don’t do it inside my pants.

I’ll grant to Phil and Google that a Google sidebar is outside the scope of my control, and is not in fact inside my pants. But I do feel encroached upon. Maybe when I see Sidewiki in action I won’t; but for now as a writer I feel a need to make clear where my stuff ends and the rest of the world’s begins. When you’re at my site, my domain, my location on the Web, you’re in my house. My guest, as it were. I have a place here where we can talk, and where you can talk amongst yourselves as well. It’s the comments section below. If you want to talk about me, or the stuff that I write, do it somewhere else.

This is where I would like to add “Not in my sidebar.” Except, as Phil points out, it’s not my sidebar. It’s Google’s. That means it’s not yours, either. You’re in Google-ville in that sidebar. The sidewiki is theirs, not yours.

In Claiming My Right to a Purpose-Centric Web: SideWiki, Phil writes,

I’m an advocate of the techniques Google is using and more. I believe that people will get more from the Web when client-side tools that manipulate Web sites to the individual’s purpose are widely and freely available. A purpose-centric Web requires client-side management of Web sites. SideWiki is a mild example of this.

He adds,

The reaction that “I own this site and you’re defacing it” is rooted in the location metaphor of the Web. Purpose-centric activities don’t do away with the idea that Web sites are things that people and organizations own and control. But it’s silly to think of Web sites the same way we do land. I’m not trespassing when I use HTTP to GET the content of a Web page and I’m not defacing that content when I modify it—in my own browser—to more closely fit my purpose.

Plus a kind of credo:

I claim the right to mash-up, remix, annotate, augment, and otherwise modify Web content for my purposes in my browser using any tool I choose and I extend to everyone else that same privilege.

All of which I agree with—provided there are conventions on the creators’ side that give them means for clarifying their original authorship, and maintaining control over that which is undeniably theirs, whether or not it be called a “domain”.

For example, early in the history of Web, in the place where publishing, browsing and searching began to meet, a convention by which authors of sites could exclude their pages from search results was developed. The convention is now generally known as the Robots Exclusion Standard, and began with robots.txt. In simple terms, it was (and remains) a way to opt out of appearance in search results.

Is there something robots.txt-like that we could create that would reduce the sense of encroachment that writers feel as Google’s toolbar presses down from the top, and Sidewiki presses in from the left? (And who-knows-what from Google — or anybody — presses in from the right?)

I don’t know.

I do know that we need more and better tools in the hands of users — tools that give them independence both from authors like me and intermediaries like Google. That independence can take the form of open protocols (such as SMTP and IMAP, which allow users to do email with or without help from anybody), and it can take the form of substitutable tools and services such as browsers and browser enhancements. Nobody’s forcing anybody to use Google, Mozilla, any of their products or services, or any of the stuff anybody adds to either. This is a Good Thing.

But we’re not at the End of Time here, either. There is much left to be built out, especially on the user’s side. This is the territory where VRM (Vendor Relationship Management) lives. It’s about “equipping customers to be independent leaders and not just captive followers in their relationships with vendors and other parties on the supply side of the marketplace”.

I know Phil and friends are building VRM tools at his new company, Kynetx. I’ll be keynoting Kynetx’ first conference as well, which is on 18-19 November. (Register here.) Meanwhile there is much more to talk about in the whole area of individual autonomy and control — and work already underway in many areas, from music to public media to health care — which is why we’ll have VRooM Boston 2009 on 12-13 October at Harvard Law School. (Register here.)

Lots to talk about. Now, more places to do that as well.

Bonus Links:

• Small Pieces Loosely Joined, which digs deeply into many of the core issues touched upon here — and embodies in its title an ideal of the Web, which is that no big entities should be controlling it.
• User Driven Services, by Joe Andrieu
• VRM One-Pager, by Adriana Lukas
• VRM and the Four Party System, by yours truly. Is Sidewiki a fourth party service? Let’s bring it up at the workshop.

[Later...] Lots of excellent comments below. I especially like Chris Berendes’. Pull quote: I better take the lead in remixing “in my pants”, lest Google do it for me. Not fair, but then the advent of the talkies was horribly unfair to Rudolf Valentino, among other silent film stars.

The internet is a copy machine. At its most foundational level, it copies every action, every character, every thought we make while we ride upon it. In order to send a message from one corner of the internet to another, the protocols of communication demand that the whole message be copied along the way several times. IT companies make a lot of money selling equipment that facilitates this ceaseless copying. Every bit of data ever produced on any computer is copied somewhere. The digital economy is thus run on a river of copies. Unlike the mass-produced reproductions of the machine age, these copies are not just cheap, they are free.

Consider the implication of this for the concept of copyright, then ponder the pile of law that first defined it in 1790 (in the U.S.) and has expanded on it ever since.

I won’t offer an opinion about that here, but instead turn our floor over to a pair of brilliant opponents on the subject: William F. Patry and Ben Sheffner. Bill is the author of Moral Panics and the Copyright Wars and a blog by the same name, subtitled “A blog about copyright discourse”—and a copyright attorney in the employ of Google (though he is careful to add, everywhere it makes sense, that “This is a personal blog, not a Google blog”.) Ben is a “copyright/First Amendment/media/entertainment attorney and former journalist” with a long list of credentials in the sidebar of his Copyrights & Campaigns blog, subtitled “Ben Sheffner’s notes on copyright, First Amendment, media, and entertainment law, and political campaigns”. Bill and Ben have been enjoying a very civil and illuminating debate, which Bill outlines this way:

• My reply to Ben’s reply
• Ben’s Reply to Bill
• My Reply to Ben
• Ben Sheffner’s Reply
• Are There Any Lessons in the P2P Trials?
• Moral Panics in the Copyright Wars

Given the reverse-chronological nature (or LIFD–Last In, First Dug) nature of both blog publishing and geology, the first post is the bottom one on that list. Start there and work upward. I guarantee you will be smarter by the time you get to the top, and hungry for more.

As a pair of bonus links, I’ll point to Edward Samuels’ The Illustrated Story of Copyright, and Michele Boldrin and David K. Levine’s Against Intellectual Monopoly. I’ve read the first, but not the second. Basically I’m just sharing my reading list here. Again, no opinions. Yet.

Oh, one more recommendation: Adam Gopnik’s Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life. Among many of its quotable nuggets is this one: “Law is the practice of rules in a context of deals, and Lincoln believed in both.” Keep that in mind when reading all the above.

Rock legend Bob Dylan was treated like a complete unknown by police in a New Jersey shore community when a resident called to report someone wandering around the neighborhood.

Dylan was in Long Branch, about a two-hour drive south of New York City, on July 23 as part of a tour with Willie Nelson and John Mellencamp that was to play at a baseball stadium in nearby Lakewood.

A 24-year-old police officer apparently was unaware of who Dylan is and asked him for identification, Long Branch business administrator Howard Woolley said Friday.

“I don’t think she was familiar with his entire body of work,” Woolley said.

I know how he feels.

WritingHanna singing “Coffee Ditty“: 704 views, 101 ratings.

Hannah sounds a lot like Maria Muldaur, no?

I’ve just created a new mode for the elmcity calendar aggregator. Now instead of creating a geographical hub, which combines events from Eventful and Upcoming and events from a list of iCalendar feeds — all for one location — you can create a topical hub whose events are governed only by time, not by location.

Then he works on curation:

I spun up a new topical hub in the elmcity aggregator and started experimenting.

That ran into problems from sources. Still it was…

…great for personal use. But I’m looking for the Webjay of Net radio. And I think maybe elmcity topical hubs can help enable that.

So Jon leverages what Tony Karrer described in Second Calendar Curator Joins to Help with List of Free Webinars, and adds,

What Tony showed me is that you can also (optionally) think in terms of meta-curators, curators, feeds, and events. In this example, Tony is himself a curator, but he is also a meta-curator — that is, a collector of curators.

I’d love to see this model evolve in the realm of Net radio. If you want to join the experiment, just use any calendar program to keep track of some of your favorite recurring shows. (Again, it’s very helpful to use one that supports per-event timezones.) Then publish the shows as an iCalendar feed, and send me the URL. As the meta-curator of delicious.com/InternetRadio, as well as the curator of jonu.calendar.live.com/calendar/InternetRadio/index.html, I’ll have two options. If I like most or all of the shows you like, I can add your feed to the hub. If I only like some of the shows you like, I can cherrypick them for my feed. Either way, the aggregated results will be available as XML, as JSON, and as an iCalendar feed that can flow into calendar clients or aggregators.

Naturally there can also be other meta-curators. To become one, designate a Delicious account for the purpose, spin up your own topical hub, and tell me about it.

I really like Jon’s idea. Sometime this weekend I’ll set up what he’s talking abouthere. Or try. I’ve always found Delicious a little too labor-intensive, but then blogging in Wordpress’ writing window (as I’m doing now) is a PITA too. (One of these days I’ll get my outliner working again. That’s so much easier for me.)

The new radio dial is a combination of tools and each other’s heads. Given how the Net has eliminated distance as a factor in”reception” (a rapidly antiquifying term), the new frontier is time — how we find it. Or, in radio parlance, how we tune across it to find what we want, and then listen live or off stored files, either in our own devices (podcasting) or in the cloud (on-demand).

As we develop whatever this becomes, we need to avoid the usual traps. For example, there is this tendency for developers — commercial ones, anyway — to believe that the only available paths are –

1. Making a commodity
2. Trapping the user

So they do the latter. That’s why we get stuff like the iTunes store, which works with only one brand of mobile devices (Apple’s), and which nearly every other phone maker now, derivatively, wants to copy. (iTunes’ radio tuner, which is nothing more than a directory, works with nothing but itself, near as I can tell. As with most of the iTunes environment, it veers far from Apple’s reputation for ease of use — in addition to being exclusive and non-interoperable.)

What Jon’s doing here is one more among many necessary steps by which control of the marketplace shifts from user-trappers to users themselves.

Speaking of which, there is plenty of user input to the new, improved, and still-improving UI on the Public Radio Player, which now finds programs as well as stations. So, for example, I’m going to be on The Conversation with Ross Reynolds today on KUOW in Seattle, taking about the new 10th Anniversary edition of The Cluetrain Manifesto. The show starts at noon (though my segment comes in a bit later). When I looked up “conversation” on the Player, I found Rick’s show in the list results, and went right there. This goes a long way beyond tuning the way it used to be. But it still has a long way to go.

We’ll get us there.

1. Mars, the Bringer of War
2. Venus, the Bringer of Peace
3. Mercury, the Winged Messenger
4. Jupiter, the Bringer of Jollity
5. Saturn, the Bringer of Old Age
6. Uranus, the Magician
7. Neptune, the Mystic

… he wondered what ours might be called. “Earth, the Bringer of __ ?”

“Lunch,” I suggested.

A debate followed, at the end of which we agreed that 8. Earth, the Bringer of Lunch was clearly the winner.

A bit of levity. Now sleep. Then another school year back in Cambridge. See ya there.

According to Bloomberg, the deal goes like this:

• “Univision will pay Times Co. $33.5 million to swap broadcasting licenses and shift its WCAA broadcast to 96.3 FM from 105.9 FM, which will become WQXR… WCAA will get 96.3 FM’s stronger signal.”
• “WNYC will pay Times Co. $11.5 million for 105.9 FM’s license and equipment and the WQXR call letters.”

WQXR was for a long time an AM/FM operation. The AM was on 1560, with a 50,000 watt signal out of a four-tower facility in Maspeth, Queens. The FM was for many years atop the Chanin Building, where it still maintains an auxilliary antenna. I have shots of the old and new antennas here and here. In 2007 the Times Co. unloaded its AM station, then (and still) called WQEW, to Walt Disney Co. for $40 million. It’s now Radio Disney, a kids’ station.

Since the 60s WQXR has shared a master antenna atop the Empire State Building with most of New York’s other FMs. This was their status in 1967. Wikipedia has a good rundown of what’s up there today. Scott Fybush also has a comprehensive report from 2003.

An open question is whether WQXR will remain a beacon on the dial. While other signals on the Empire State Building master antennas run 5000 to 6000 watts, the one on 105.9 is just 610 watts. According to WQXR’s  Web site, the station and has an audience of nearly 800,000 weekly listeners. How many of those will lose the signal? Coverage maps from radio-locator.com for 96.3 and 105.9 are here and here.

For the fully obsessed, here is a current rundown of everything on FM hanging off the Empire State Building, or within 1km of it.

Meanwhile, says here WBCN in Boston, a progressive rock radio landmark, is also getting yanked. You’ll still hear it on the Web, or if you are among the appoximately five owners of an “HD” radio receiver and close enough to WBCN’s transmiter on Boston’s Prudential Building in the Back Bay. Meanwhile Boston will get more of the usual: talk sports and “Hot AC” music. (To me “Hot AC” always sounded like an climate control oxymoron, while “adult contemporary” sounded like a euphemism for pornographic furniture.)

I’ve blogged about WERS before. My mind hasn’t changed. I can’t stress too strongly how good this station is. You may not like everything on there. (It would be odd if you did.) But the quality is always good, and the goods always original.

There are original stations out there too, of course. KPIG, Radio Paradise, WIOZ, KGSR…  the list goes on. I’d continue, but I have to drive.

Jan was sharp and funny and appreciative of good writing, which was about all I had to offer back then. I helped her on the side while I prospected for my North Carolina based advertising agency, which was brand new in the Valley and looking for action.

We got plenty of action not long after that, and Jan moved on to other things, including her original passion, which was music. She was a vocalist and poly-instrumentalist with a number of bands. It was Jan who turned me on to KFAT, KHIP and KPIG, which were (and are) serial incarnations of the same crew, and the same mutant approach to music that one jock at KPIG called “mutant cowboy rock & roll.”

Anyway, Jan has a fun YouTube video up. It’s called Mamas Don’t Let Your Babies Grow Up To Be Bankers. Fun stuff. (And love the hat.)

Bonus Link: Jan with the Remington Riders, performing I’m a YouTube Junkie. Dig it. In fact, dig all the Remington Riders’ pieces on YouTube.