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I’ve got 58,765 photos on Flickr, so far. These have 8,618,102 views at the moment, running at about 5,000 a day. The top count this last week was 11,766. Not that I’m into stats. I just want to make clear that I’m deeply invested in Flickr, as a photographer. I’m also a “Pro” customer, meaning I pay for the service.

But man, it’s trying me lately.

The main thing isn’t the UI changes, which are confusing, and seem to be happening constantly. (Though I’m sure they’re not. I just seem to be discovering new or changed things constantly.)

No, the main problem is that large quantities of photos I don’t want being automatically uploading are uploading to Flickr: 6,788 so far, all in an album called “auto uploads.” (All are private as well, so you can’t see them.) I don’t know where they’re coming from — other than me — or how they’re getting up there.

I thought maybe it was the new Uploadr app, which I downloaded a while back but never set up. To check, I just logged into it and went through a setup series that included these:



Interesting that the default is to suck every photo off your computer and put it on Flickr. Also a bummer that Flickr assumes that photographers live entirely inside Apple’s photo silos. But those things are beside the point, because I keep approximately no photos on my laptop. In fact, I’m glad that Apple, with its latest rev of the Photos app (which replaces the late iPhoto), includes this:


See, I shoot a lot of photos with my iPhone. (As the saying goes, the best camera is the one you have with you.) The iPhone only exports its shots to Apple’s Photos app. I don’t keep mine there, though. So it’s good that I can now “Export Unmodified Original” — which I do to an external drive, since my MacBook Air only has a 500Gb drive, which isn’t big enough for lots of photos.

(With the old iPhoto app, dragging photos from the app stripped out all the metadata, including EXIF fields. To avoid that, one needed a hack of sorts: exposing the “package contents” —hidden — finding “masters” and copying the originals out of there. So thanks, Apple for fixing that.)

Okay, I just checked with IFTTT to see if I’m running a rogue “recipe,” but there’s nothing close.

Could it be Dropbox? I’ve done nothing with it since early June, and many of the photos I’m seeing are not in my Dropbox, far as I know.

So any ideas you have are welcome.

No rush. I’ll be offline for the next few days. But I do want to solve the problem.

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“I make my living off the Evening News
Just give me something: something I can use
People love it when you lose
They love dirty laundry.

Don Henley, “Dirty Laundry”

Look up “Wikipedia loses” (with the quotes) and you get 20,800 results. Look up “Wikipedia has lost” and you get 56,900. (Or at least that’s what I got this morning.) Most of those results tell a story, which is what news reports do. “What’s the story?” may be the most common question asked of reporters by their managing editors. As humans, we are interested in stories — even if they’re contrived, which is what we have with all “reality” television shows.

Lately Wikipedia itself is the subject of a story about losing editors. The coverage snowball apparently started rolling with Volunteers Log Off as Wikipedia Ages, by Julia Angwin and Geoffrey A. Fowler in The Wall Street Journal. It begins, is the fifth-most-popular Web site in the world, with roughly 325 million monthly visitors. But unprecedented numbers of the millions of online volunteers who write, edit and police it are quitting.

That could have significant implications for the brand of democratization that Wikipedia helped to unleash over the Internet — the empowerment of the amateur.

Volunteers have been departing the project that bills itself as “the free encyclopedia that anyone can edit” faster than new ones have been joining, and the net losses have accelerated over the past year. In the first three months of 2009, the English-language Wikipedia …

That’s all you get without paying. Still, it’s enough.

Three elements make stories interesting: 1) a protagonist we know, or is at least interesting; 2) a struggle of some kind; and 3) movement (or possible movement) toward a resolution. Struggle is at the heart of a story. There has to be a problem (what to do with Afghanistan), a conflict (a game between good teams, going to the final seconds), a mystery (wtf was Tiger Woods’ accident all about?), a wealth of complications (Brad and Angelina), a crazy success (the iPhone), failings of the mighty (Nixon and Watergate). The Journal‘s Wikipedia story is of the Mighty Falling variety.

The Journal’s source is Wikipedia: A Quantitative Analysis, a doctoral thesis by José Phillipe Ortega of Universidad Rey San Carlos in Madrid. (The graphic at the top of this post is one among many from the study.) In Wikipedia’s Volunteer Story, Erik Moeller and Erik Zachte of the Wikimedia Foundation write,

First, it’s important to note that Dr. Ortega’s study of editing patterns defines as an editor anyone who has made a single edit, however experimental. This results in a total count of three million editors across all languages.  In our own analytics, we choose to define editors as people who have made at least 5 edits. By our narrower definition, just under a million people can be counted as editors across all languages combined.  Both numbers include both active and inactive editors.  It’s not yet clear how the patterns observed in Dr. Ortega’s analysis could change if focused only on editors who have moved past initial experimentation.

Even more importantly, the findings reported by the Wall Street Journal are not a measure of the number of people participating in a given month. Rather, they come from the part of Dr. Ortega’s research that attempts to measure when individual Wikipedia volunteers start editing, and when they stop. Because it’s impossible to make a determination that a person has left and will never edit again, there are methodological challenges with determining the long term trend of joining and leaving: Dr. Ortega qualifies as the editor’s “log-off date” the last time they contributed. This is a snapshot in time and doesn’t predict whether the same person will make an edit in the future, nor does it reflect the actual number of active editors in that month.

Dr. Ortega supplements this research with data about the actual participation (number of changes, number of editors) in the different language editions of our projects. His findings regarding actual participation are generally consistent with our own, as well as those of other researchers such as Xerox PARC’s Augmented Social Cognition research group.

What do those numbers show?  Studying the number of actual participants in a given month shows that Wikipedia participation as a whole has declined slightly from its peak 2.5 years ago, and has remained stable since then. (See WikiStats data for all Wikipedia languages combined.) On the English Wikipedia, the peak number of active editors (5 edits per month) was 54,510 in March 2007. After a more significant decline by about 25%, it has been stable over the last year at a level of approximately 40,000. (See WikiStats data for the English Wikipedia.) Many other Wikipedia language editions saw a rise in the number of editors in the same time period. As a result the overall number of editors on all projects combined has been stable at a high level over recent years. We’re continuing to work with Dr. Ortega to specifically better understand the long-term trend in editor retention, and whether this trend may result in a decrease of the number of editors in the future.

They add details that amount to not much of a story, if you consider all the factors involved, including the maturity of Wikipedia itself.

As it happens I’m an editor of Wikipedia, at least by the organization’s own definitions. I’ve made fourteen contributions, starting with one in April 2006, and ending, for the moment, with one I made this morning. Most involve a subject I know something about: radio. In particular, radio stations, and rules around broadcast engineering. The one this morning involved edits to the WQXR-FM entry. The edits took a lot longer than I intended — about an hour, total — and were less extensive than I would have made, had I given the job more time and had I been more adept at editing references and citations. (It’s pretty freaking complicated.) The preview method of copy editing is also time consuming as well as endlessly iterative. It was sobering to see how many times I needed to go back and forth between edits and previews before I felt comfortable that I had contributed accurate and well-written copy.

In fact, as I look back over my fourteen editing efforts, I can see that most of them were to some degree experimental. I wanted to see if I had what it took to be a dedicated Wikipedia editor, because I regard that as a High Calling. The answer so far is a qualified no. I’ll continue to help where I can. But on the whole my time is better spent doing other things, some of which also have leverage with Wikipedia, but not of the sort that Dr. Ortega measured in his study.

For example, photography.

As of today you can find 113 photos on Wikimedia Commons that I shot. Most of these have also found use in Wikipedia. (Click “Check Usage” at the top of any shot to see how it’s been used, and where.) I didn’t put any of these shots in Wikimedia Commons, nor have I put any of them in Wikipedia. Other people did all of that. To the limited degree I can bother to tell, I don’t know anybody who has done any of that work. All I do is upload shots to my Flickr site, caption and tag them as completely as time allows, and let nature take its course. I have confidence that at least some of the shots I take will be useful. And the labor involved on my part is low.

I also spent about half an hour looking through Dr. Ortega’s study. My take-away is that Wikipedia has reached a kind of maturity, and that the fall-off in participation is no big deal. This is not to say that Wikipedia doesn’t have problems. It has plenty. But I see most of those as features rather than as bugs, even if they sometimes manifest, at least superficially, as the latter. That’s not much of a story, but it’s a hell of an accomplishment.

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First, links to a pair of pieces I wrote — one new, one old, both for Linux Journal. The former is Linux and Plethorization, a short piece I put up today, and which contains a little usage experiment that will play out over time. The latter is The New Vernacular, dated (no fooling) April 1, 2001. Much of what it says overlaps with the chapter I wrote for O’Reilly’s Open Sources 2.0. You can find that here and here.

I link to those last two pieces because neither of them show up in a search for searls + glassie on Google, even though my name and that of Henry Glassie are in both. I also like them as an excuse to object to the practice — by WordPress, Flickr and (presumably) others of adding a rel=”nofollow” to the links I put in my html. I know nofollow is an attrribute value with a worthy purpose: to reduce blog and comment spam. But while it reportedly does not influence rankings in Google’s index, it also reportedly has the effect of keeping a page out of the index if it isn’t already there. (Both those reportings are at the last link above.)

I don’t know if that’s why those sites don’t show up in a search. [Later… now I do. See the comments below.] But I can’t think of another reason, and it annoys me that the editors in WordPress and Flickr, which I use almost every day, insert the attribute on my behalf. Putting that attribute there is not my intention. And I would like these editors to obey my intentions. Simple as that.

With the help of friends in Berkman‘s geek cave I found a way to shut the offending additions off in WordPress (though I can’t remember how right now, sorry). But I don’t know if there’s a way to do the same in Flickr. Advice welcome.

And while we’re at it, I’m still not happy that searches for my surname always ask me if I’ve misspelled it — a recently minted Google feature that I consider a problem and which hasn’t gone away. (To friends at Google reading this, I stand my my original guess that the reason for the change is that “Searles” is somewhat more common than “Searls” as a surname. Regardless, I prefer the old results to the new ones.)

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First, a big thanks to all the folks at Yahoo who ran down and helped fix the problem behind the post below. Turns out I had two IDs, one for Yahoo and one for Flickr, and that the two were never joined, or merged, or whatever it is. They still aren’t, but it’s cool. The only one I care about (at least at this point) is the Flickr one. I still don’t understand what went wrong, exactly, but at least now I know for sure what the logins and passwords are, for both accounts.

So I just celebrated by uploading some shots of the Channel Islands, which I took two days ago, en route from LAX to SFO. I have a huge backlog of shots to upload, but I’m too busy these days to keep up. But this is a nice batch, and labeling and tagging everything didn’t take too long.

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There’s a good chance that the best picture you can put on your HD screen doesn’t come from your cable or satellite TV company, but from your new HD camcorder. As time and markets march on, that chance will only get larger. That’s because the there is a trade-off between the number of channels carried and the quality of each channel. To squeeze in more channels, the carrier squeezes out picture quality through compression. The result is “artifacts.” See here:


The titles get “jaggies,” the football field gets pimples, and everything gets blurred and/or re-painted by he compression algorithm as an approximation of the original image.

Carriers compete more by the number of channels they carry than by the quality of each channel. (There are exceptions to this, but on the whole that’s the marketing think.) Meanwhile your camcorder quality only goes up.

And as camcorder quality goes up, more of us will be producing rather than consuming our video. More importantly, we will be co-producing that video with other people. We will be producers as well as consumers. This is already the case, but the results that appear on YouTube are purposely compressed to a low quality compared to HDTV. In time the demand for better will prevail. When that happens we’ll need upstream as well as downstream capacity.

So here’s a piece in Broadband Reports that shows how carriers can be out of touch with the future, even as they increase the capacities of their offerings. An excerpt:

In upgraded markets, Comcast is not only upgrading existing speed tiers ($42.95 “Performance” 6Mbps/1Mbps and $52.95 “Performance Plus” 8Mbps/2Mbps tiers became 12Mbps/2Mbps and 16Mbps/2Mbps), but is adding two new tiers to the mix ($62.95 “Ultra” 22Mbps/5Mbps and the aforementioned $139.95 “Extreme 50″ 50Mbps/10Mbps).

One recurring theme we’ve seen in our forums is that the new speeds have many users downgrading. In both forum threads and polls, many customers on Comcast’s 16Mbps/2Mbps tier say they’re downgrading to their 12Mbps/2Mbps tier — apparently because they don’t think an additional 4Mbps downstream is worth $10. Customers used to be willing to pay the additional $10 for double the upstream speed, but there’s no longer an upstream difference between the tiers.

That last line is the kicker. Comcast apparently still thinks that downstream is all that really matters. It isn’t. For anybody producing a lot of photography or video, upstream not only matters more, but supports activities where the user can see the difference.

In fact there isn’t a lot of perceived difference between 12Mbps and 16Mbps on the downstream side. Either is fast enough for a YouTube video. But on the upstream side, you can see the difference. In my case, that difference appears in the progress bars for pictures I upload to Flickr.

A few months ago I upgraded my Verizon FiOS service from 20/5Mbps to 20/20Mbps. The difference was obvious as soon as it went in. The difference will be a lot more obvious to a lot more people once those people start sharing, mashing up and co-producing higher-definition videos.

Just watch.

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