f/k/a . . .

        . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  . . . . . . . . . . . .

 

after all these years

ankle deep

in the other ocean

 

daybreak

shifting his sack of cans

shoulder to shoulder

 

spring green

on the scaffold a workman

swinging his feet

amela Miller Ness has honored us with the first of many visits.

Hers is one of the “emerging voices” featured in A New Resonance 2 (2001); the

editors note that Pamela explores tribulation, consolation and patience in her

quietly powerful haiku.  She lives and teaches English in NYC, and is the

newletter editor for the Haiku Society of America.

• 
  
  by dagosan:

interlopers
tour my old house
the owner and I

        [dag, 06-06-04] 

        . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  . . . . . . . . . . . .

 

after all these years

ankle deep

in the other ocean

 

daybreak

shifting his sack of cans

shoulder to shoulder

 

spring green

on the scaffold a workman

swinging his feet

amela Miller Ness has honored us with the first of many visits.

Hers is one of the “emerging voices” featured in A New Resonance 2 (2001); the

editors note that Pamela explores tribulation, consolation and patience in her

quietly powerful haiku.  She lives and teaches English in NYC, and is the

newletter editor for the Haiku Society of America.

• 
  
  by dagosan:

interlopers
tour my old house
the owner and I

        [dag, 06-06-04]