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f/k/a archives . . . real opinions & real haiku

October 18, 2008

just another (almost-Halloween, election season) autumn weekend

Filed under: Haiga or Haibun — David Giacalone @ 10:12 am

.. with a new haiga (orig.) .. ..

haunted hayride
the weekend dad
holds on tight

photo: Arthur Giacalone (2000)
poem: David Giacalone

uncle eats all
the trick-or-treat candy
October 18

dagosan

.. and some new Haibun: To be ghastly frank, the old fuddy-duddies here at f/k/a prefer their haibun — short pieces of narrative prose with a subtly-linked poem — to have customary punctuation and initial caps (and, indeed, actual prose).  Nonetheless, substance is more important than style, and editors and authors wiser than we have selected some rather interesting haibun by a pair of our Honored Guest Poets for the latest issue of Frogpond (Volume 31:3, Fall 2008).  We’ve typed two of them up for you to enjoy on this mid-October weekend:

Food Fair
by w.f. owen

scraping something from my shoe this food varied as the people attending attired in creative colors and fabrics every ethnicity smells of concoctions intermingling wafting through the throng booths offering samples delivered with oversized plastic gloves hairnets never quite covering yet from the mimes to free magnets to cartoon characters to that guy on stilts with the constant smile everything fits.

puppet show she guides her husband into his seat

… by w.f. owenFrogpond (Volume 31:3, Fall 2008)

Security
by Michael Dylan Welch

The line through security moves slowly, but eventually we empty our pockets and doff our light jackets, place our belongings in plastic containers, and step through the metal detectors.  The Parliament tour is busy, but now we’re inside, just under the Peace Tower, in a waiting area as the tour guide describes the fire that destroyed the original buildings.  Today, we’re among the endless rounds of tourists who will visit the Hall of Honour, the library that survived the fire thanks to two iron doors, and the opulent senate chamber, with carpet and upholstery all in red to symbolize royalty.  As we wait, a video screen repeats views of the rooms where we’ll be walking.

last tour of the day —
the guide’s shoelaces, and mine,
untied

….. by Michael Dylan WelchFrogpond (Volume 31:3, Fall 2008)

.. And, don’t forget the haibun “Ghostly Figures,” by Ron Moss, which you can find in the Frogpond Sampler for Fall 2008.

Finally, what scares you these days (other than the stock market)?

  • How about a grown man with a law degree (Craig S. MacGlashan) stooping to putting this trash up on the otherwise-contentless Sacramento County Republican Party website (click to enlarge):

The offending images have been taken down from the site, but were captured by Cynthia Foster at The Shark weblog and the Sacramento Bee. (via Ambrogi at Legal Blog Watch)

  • And, speaking of bottom lines, some pampered barrister bottoms might be in for an unaccustomed rough time: It seems at least one large law firm is tightening its belt by buying economy toilet paper. See Above the Law (via Elefant at Legal Blog Watch). Oh my, sounds like rough justice.

September 29, 2008

don’t miss our October 2008 haiga calendars

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 11:14 am

.. click for printable calendar pages ..

Haiga are pictures (paintings, sketches, or photos) that incorporate a subtly-linked haiku or similar poem. It’s not too late to enjoy f/k/a‘s free “haiga calendars” — the “artsy” Giacalone Bros. Haiga Calendar 2008 (with photos taken by my brother Arthur) and the nostalgic fka Haiga Memories Calendar 2008 (with shots snapped in the 1950’s by Mama Giacalone).  The poetry is written by your Editor, “dagosan”.  Click on “more” to go below the fold, where you will find larger images, the text of October’s poems, and links to the original haiga used for the October calendars.

(more…)

August 26, 2008

our September 2008 haiga calendars

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 10:28 pm

dem donkey gray.

. . With a pause in the major action at the Democratic Convention, I thought I’d do some non-demanding administrative work this evening here at f/k/a, and tell you about the two haiga calendar pages we created for September 2008.

Below are sample-sized calendar pages for September from both of our free online 2008 haiga calendars — the “artsy” Giacalone Bros. Haiga Calendar 2008 (with photos taken by my brother Arthur) and the nostalgic fka Haiga Memories Calendar 2008 (with shots snapped in the 1950’s by Mama Giacalone). See our prior post from last December for descriptions and links to the full 12-month calendars. [FYI: Haiga are pictures (paintings, sketches, or photos) combined with a subtly-linked haiku or similar poem. The poetry is written by your Editor, “dagosan”.)

Just click on the sample calendar pages below to go to a printable full-size version. A link is also provided to a larger version of each of the original haiga used for the calendars.

– from the 2008 Giacalone Haiga Calendar

[full-sized for printing]

lull in the parade
small hands reach
for the same balloon

– poem: David Giacalone; photo: Arthur Giacalone

– orig. full-color haiga version pub., with earlier version of the poem, in the 45th WHA Haiga Contest (May 2007); photo by Arthur Giacalone; also posted at MagnaPoetsJF in b&w (July 27, 2007)

And, from the 2008 f/k/a Haiga Memories Calendar

full-sized for printing –

Sunday afternoon –
after braciole
a little bocce

Poem: David Giacalone

Photo: MAMA G (1951)

[original haiga, Magnapoets JF, April 7, 2007]

Bocce Bonus: This afternoon, I had the honor and pleasure to help Yu Chang “initialize” a new set of bocce balls across from his house, in Schenectady’s Central Park (the location of our first-ever Haijin Snow Bocce Festa in January 2006. We played with Paolo Seganti, Yu’s son-in-law and grandson Marcello (who let us old guys win).

Here are a few of dagosan‘s bocce haiku and senryu to celebrate.

night game –
bocce balls kissing
the harvest moon

pallino gets
the only kiss –
blind date bocce

greatgrandpa’s bocce balls – bocci
three generations
choose sides

backyard bocce –
tonight we’re
the noisy neighbors

girls against guys —
white (wine)
beats red (wine)

afterwords (Aug. 28, 2008): Thanks to a post at Above the Law, I learned this afternoon that the nearly-600-lawyer Venable LLP law firm in Washington, D.C., offers its attorneys the perk of “bocce on the roof” at its offices (575 7th St. NW, right near my old office at the FTC). Despite preferring lawn bocce, I think I could enjoy a roof-top game on a summer evening — especially if it were mosquito-free, and a few non-lawyers got to play, too.

July 28, 2008

our August 2008 haiga calendars

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 8:46 am

July rains and wanes, and it’s time to remind you that we’ve created two haiga calendar pages for August 2008 for your use and enjoyment. Below are sample-sized calendar pages for August from both of our free 2008 haiga calendars — the artsy Giacalone Bros. Haiga Calendar 2008 and the nostalgic fka Haiga Memories Calendar 2008.  See our prior post from last December for descriptions and links of the free 12-month calendars. (FYI: Haiga are pictures — paintings, sketches, photos —  combined with a subtly-linked haiku or similar poem.)

Just click on the sample calendar pages below to go to a printable full-size version. A link is also provided to a larger version of each of the original haiga used for the calendars.

– from the 2008 Giacalone Haiga Calendar

[full-sized for printing]

a blue tongue
and a red mustache –
trading snow cones

poem: David Giacalone -orig. pub. Frogpond (Winter 2008)

photo: Arthur Giacalone

– larger orig. haiga – also posted at MagnaPoets JF, in b&w (July 27, 2007)

And, from the 2008 f/k/a Haiga Memories Calendar

full-sized for printing –

the lifeboat
suddenly too small —
his guilty face

Poem: David Giacalone

Photo: MAMA G (1952)

[original haiga, Magnapoets JF, April 24, 2007]

June 27, 2008

our July 2008 haiga calendars

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 1:35 am

As June wanes, it’s time to remind you that we’ve created two haiga calendar pages for July 2008 for your use and enjoyment. Below are sample-sized calendar pages for July from both of our free 2008 haiga calendars — the artsy Giacalone Bros. Haiga Calendar 2008 and the nostalgic fka Haiga Memories Calendar 2008. (See our prior post from last December for descriptions and links. Haiga are pictures combined with a subtly-linked haiku or similar poem).

Just click on the sample calendar pages below to go to a printable full-size version. A link is also provided to a larger version of each of the original haiga used for the calendars.

– from the 2008 Giacalone Haiga Calendar

[full-sized for printing]

catnap onshore –
a wake sinks
the dream flotilla

poem: DAVID GIACALONE
photo: ARTHUR GIACALONE

orig. pub. in color at HaigaOnline Vol. 8-1 (June 2007);
and in grayscale at Magnapoets JF (July 8, 2007)

And, from the 2008 f/k/a Haiga Memories Calendar

full-sized for printing –

tomato plants
on stakes —
not quite ripe

Poem: DAVID GIACALONE
Photo: MAMA G (1952)

[original haiga, Magnapoets JF, May 6, 20077]

May 29, 2008

our haiga calendars for June 2008

Filed under: Haiga or Haibun,Haiku or Senryu,q.s. quickies — David Giacalone @ 1:00 pm

June is almost here, and the procrastinating f/k/a Gang has taken time off from preparing a serious posting to help you get organized (and inspired) for the coming month. Below are sample calendar pages from both of our 2008 haiga calendars — the artsy Giacalone Bros. Haiga Calendar 2008 and the nostalgic fka Haiga Memories Calendar 2008. (See our prior post from last December for descriptions and links. Haiga are pictures combined with a subtly-linked haiku or similar poem).

Just click on the sample calendar pages below to go to a printable full-size version. A link is also provided to a larger version of each of the original haiga used for the calendar.

– from the 2008 Giacalone Haiga Calendar

[full-sized printable version]

drawn butter
and chardonnay —
he sets the trap

. . . Poem: David Giacalone
. . . Photo: Arthur Giacalone

. . see it in . .

– – see the original haiga here; and in grayscale at Magnapoets JF

And, from the 2008 f/k/a Haiga Memories Calendar

[full-sized printable version]

fine print on her t-shirt
she glares at me
for squinting

. . . Poem: David Giacalone
. . . Photo: Mama G. (1950)

– see the original haiga here and at Magnapoets JF

p.s. Yes, that is Your Editor on his first birthday in the above photograph, which was apparently taken before our county had a Child Protective Services unit.

May 4, 2008

our haiga calendars for May

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 10:59 pm

Another Boomer Braino Revealed: The f/k/a Gang had planned to start each month of 2008 by posting the month’s calendar page from both of our 2008 haiga calendars — the artsy Giacalone Haiga Calendar 2008 and the nostalgic fka Haiga Memories Calendar 2008. But, frankly, we keep forgetting to post them. Here — better a little late than never — are the calendar pages for May. Each month has a “photo haiga” — a picture with a subtly-linked haiku.

You can click on the sample calendar pages below to go to a full-size page suitable for printing. Or, see a larger version of each original haiga by clicking here (for “fresh graves”) and there (for “mother’s day”).

Rather than rely on the memory-challenged f/k/a Gang to bring you each month’s calendar page, we suggest you click the links above to obtain printable versions of each complete haiga calendar (see our prior post from last December for descriptions and links).

fresh graves
for civilians –
gang colors everywhere

……. by dagosan

dad on the sofa,
mom at the stove —
it’s mother’s day

…………………… by dagosan

p.s. On a more serious note, see Geoffrey Rapps’s post “They Shoot Horses Don’t They” at Sports Law Blog (May 4, 2008; hat tip to Ed at Blawg Review), which notes that runner-up Eight Belles broke both ankles and had to be put down at the end of yesterday’s Kentucky Derby.  He points to Kentucky’s Cruelty to Animals Statute, and says:

“Imagine if every year, one player died in the Superbowl. Or if a player died every year during the NBA finals. Would we tolerate such a result? Should it matter that the athletes who are pushed beyond the quite literal breaking point are animals?”

fruitstand apples-
the rich smell of horses
on my hands

by Billie Wilson : HSA Northwest Region Members’ Anthology, 2000

the great lord
forced off his horse…
cherry blossoms

is that dew
the horse’s tears?
rice blossoms

………. by Kobayashi Issa , translated by David G. Lanoue

February 17, 2008

spring comes early at Simply Haiku (along with a little haiga controversy)

Filed under: Haiga or Haibun,Haiku or Senryu,viewpoint — David Giacalone @ 10:17 pm

Gray on gray is the predominant color scheme in Upstate New York this time of year. My friend Yu Chang lives here in Schenectady (teaching electrical engineering at Union College and bringing the haiku spirit to all he does), so he knows that fact all too well. Nonetheless, if you stopped at the website of Simply Haiku Journal this weekend, you would have found a colorful reminder of the promise of Spring (beginning with the cover photo by Carol Raisfeld). Indeed, the Spring 2008 issue of Simply Haiku (Vol. 6:1) includes a portfolio of modern photo-haiga by Yu, which are guaranteed to overcome any light-deprivation-sadd-ness you might be suffering during the ides of February. [Haiga is a haiku-related genre that combines a painting, photo or other graphic image with a “linked” poem.]

If you’re more than a bit tired of grayscale, just click the link next to these b&w thumbnails from two of the haiga by Yu, to feel the magic of Spring:

[orig. haiga]

spring —
pink robe
at her ankles

…………………

[orig. haiga]

May morning
a window
ajar

…………………. by Yu Chang, from Modern Haiga in Simply Haiku Journal (Spring 2008, Vol. 6:1)

In addition to four other pictures by Yu Chang, you’ll find many more antitdotes to wintry grays and whites in the new issue of Simply Haiku — including haiga images from Pris Campbell and Collin Barber, as well as Carol Raisfeld and Ashe. And, for some forward-looking commentary, check out George Swede’s last “Tracks in the Sand” column, where he talks about his new duties as editor of Frogpond.

mid-argument–
a bumblebee
stumbles in clover

………………………………….. by Matt Morden – Stumbles in Clover (2007)

Despite trying to avoid stressful online arguments lately, I don’t feel that I can in good conscience refer you to the Modern Haiga at Simply Haiku without raising an important issue concerning the essence of haiga excellence. Beyond my chronic complaint over the use of far too many “tell-em”/”psyku” poems (which tell you rather than “showing” you what is on the poet’s mind), I’ve been seeing far too many haiga that incorporate what I call “label-ku” — poems that describe what is happening in the accompanying graphic image, rather than being “subtly linked” to that image; the haiku appears to be a caption or title describing the image.

My introduction to modern haiga came through the intervention and inspiration of my friend Aurora Antonovic, who is the Haiga Editor at Simply Haiku (and much more). She encouraged me to try my hand at creating photo haiga (resulting, e.g., in this portfolio at SH). From the start, Aurora made it clear to me: quality haiga have subtly-linked poems. As she says in her Introduction to Modern Haiga at Simply Haiku:

Haiga, of course, is poem-art, but it is so much more than a three or five-line poem accompanying an image. The poem must not merely describe the image, nor is it to be confused as a slogan, but rather as an integral part of the whole. . . .

Work must possess simplicity, modesty, minimalism, beauty, and truth. Both image and haiku must be strong enough to stand alone, but together, form a completely new and enhancing artistic expression that would not have been possible otherwise.

The haiku and image need not be overtly associated with the other. In fact, the subtlest and gentlest associations often work best.

Here’s a haiga that fits Aurora’s description, from Simply Haiku (Spring 2008):

[orig. haiga]

village common
showers of snow melt
on someone’s cobs

……………. by Matt Morden

Because I’ve taken Aurora’s words to heart, I have been rather disheartened by some of the haiga selected for inclusion in Simply Haiku and other well-known haiga forums over the past year — journals that set the standard and teach by example. There have been far too many “label-ku-haiga.” As I suggested with tell-ems, I believe that haiga editors should be sending promising haiga that include label-ku back for a re-write, rather than putting them into top-tier publications — no matter how respected the haijin might be who submitted the piece.

Rather than point here to the work of a haijin who I do not know well and do not admire, I’m going to link to the new SH portfolio by one of our f/k/a family favorites, Matt Morden [see our rave review of his recent haiku collection Stumbles in Clover, from Snapshot Press]. At his weblog, Morden Haiku, Matt habitually illustrates his fine haiku with intriguing, often gorgeous, photography. Or, we might say, he uses intriguing haiku and senryu to help describe or explain his fine pictures.

Nowhere at Morden Haiku does Matt call his work haiga. I have always assumed that Matt did not use that term, because he does not consider the mere combination of a picture (no matter how artistically successful) with a poem that describes it (again, no matter how artistically successful) to be sufficent to create a haiga (at least not journal-worthy haiga that lives up to the Morden name for haikai excellence). Therefore, when I saw Matt’s name included in the Modern Haiga section of the new Simply Haiku, I was thrilled — anticipating great haiga that would fuse his fantastic photography and haiku-writing skills, and show us neophytes (as well as haiga veterans) how to create the “new and enhancing artistic expression” that is the goal of haiga, through the subtle linkage between words and image.

Sadly — and I truly hate to say this, because I have long admired his poetry (and photography) and Matt has so often said encouraging and generous things about my own — I was disappointed when I clicked through his new haiga portfolio. Except for the one haiga shown above, the selections simply failed to offer “subtle or gentle” associations between the words and often striking images. Because of the source — created by Matt Morden and selected by Aurora Antonovic for Simply Haiku — I am afraid that publishing such haiga gives the wrong signals, or gravely confusing ones, about what makes great haiga.

Sure, it’s possible that I’m too simple-minded, new to the genre, or definition-bound, to understand the subtleties in the concept of “subtle linkage.” If so, I humbly seek more instruction and explanation. It cannot simply be that “label-ku” [called “captional style” haiga by some experts] are acceptable if the picture or the words are each individually superb, or somehow offer many layers of interpretation and meaning. Every first-rate photo and first-rate poem is packed with myriad layers — or the potential to evoke them from the reader/audience. For me, the subtle link is at the core of the best haiga. Without it, we have illustrated haiku, not publication-worthy haiga.

I can find beautiful photos and excellent haiku in many places. When I go to the best haiga journals (which receive untold numbers of haiga from which to choose for publication), I expect much more than label-ku. To my haijin friends, Matt and Aurora, I apologize for raising this issue and giving us all more agita; I know you are both more than capable of withstanding the bite of this little gadfly. I will listen with an open, “beginner’s mind” to your responses, and to those of other haiga lovers, creators, and editors.

update (Feb. 19, 2008): With his usual class, Matt Morden has pointed his readers to this posting, saying: “Those of you who worry that an ingratiating culture of mutual congratulation may eventually lead to English-langauge haiku eating itself, will enjoy the folks at f/k/a‘s critique of my own attempts at something that may resemble haiga.” Of course, I’m still hoping he’ll weigh in on the questions I’ve raised about the essence of quality haiga and using captional-style haiku with photographs.

[orig. haiga]

metropolitan museum
i join the line
to mesopotopia

………… by Yu Chang, Simply Haiku (Spring 2008)

Afterthoughts (Feb. 19, 2008): Unlike myself, the folks at HaigaOnline have given a lot of thought to the theory of image-poem linkage in haiga. For example, see “HAI + GA: Exercises in Linking Test and Image,” written by its editor Linda Papanicolaou, for the journal’s current edition (Issue 8-2, autumn/winter 2007). You are hereby encouraged to peruse and muse over Linda’s Haiga Workshop essay and associated display of photos and haiku. It begins:

“Modern haiga encompasses a wide range of approaches and styles, but every artist works towards the same goal—an art that’s more than the sum of its parts. The secret is in the link: how the text and the image relate to one another. In good haiga, both haiku and image should be able to stand on their own aesthetically, yet in juxtaposition with each other find new, deeper or richer resonance. The haiku does not simply describe the image—there’s a shift that creates openness in their relationship. This allows readers to engage and complete the meaning through their own experience.”

Linda is very reluctant to have “shoulds” and “musts” — believing it is better to show than to tell about haiga linkage theory and practice. As she says, “However one chooses to name the various modes of linking, the only real way to learn how they apply to haiga would be to choose a photo and haiku it in as many ways as possible.” Therefore, using four pictures taken by photographer-poet Ray Rasmussen, the Workshop — with nine participating authors experienced in haikai linkage — has “assembled the haiga in flash slideshows that give each text its turn with the image,” and includes a comparison chart to use as you click on the thumbnails and page through the workshop results. It’s an intriguing and helpful exercise.

Linda tells us:

“In the end, indeed, we found that the poetry of haiga depends on an open relationship between text and image. As one participant said, ‘I like the idea of the haiku capturing the mood of the haiga without repeating exactly what’s in the photo.”

February 13, 2008

giacalone haiga at MagnaPoets Japanese Form

Filed under: Haiga or Haibun — David Giacalone @ 9:26 pm

My contributions to the now-defunct MagnaPoets Japanese Form group weblog (under the proprietorship of the enviably multi-talented Aurora Antonovic, editor of the MagnaPoets Journal) were too numerous and too enjoyable to risk losing them as the Journal goes through changes.    So, I’ve decided to collect many of them here at f/k/a for future reference.  Most of the posts were haiga, but there were also many single haiku and senryu, along with an occasional sequence of poems.  Included are dozens of “Nostalgia Haiga” incorporating photos taken by my mother (Mama G.) over half a century ago.  [update: I did not finish this project, but am glad to have salvaged quite a few of the haiga.]

The photos in the haiga below were taken by my lawyer brother Art Giacalone, or by my mother Connie M. Giacalone, a/k/a Mama G (plus one by Yu Chang and one by myself). They are presented in reverse-chronological order.

February 11, 2008:

a broken heart carved
on the frozen pond —
fish bucket empty

photo & poem: David Giacalone; poem published at Simply Haiku (Haiku Section, vol. 6 no. 3, Fall 2008)

January 30, 2008

sunset stroll –
searching snowbanks
for butterflies

photo: Yu Chang; poem: David Giacalone (in mem Arthur P. Giacalone, see post)

June 27, 2007

lull in the parade
small hands reach
for the same balloon

– orig. version of poem in a haiga, 45th WHA Haiga Contest (May 2007)
– above haiga, with poem slightly revised (thanks AA), at MagnaPoetsJF (June 1, 2007)

May 25, 20007

Memorial Day

fireworks

and fireflies

 

– Forest Lawn Cemetery, Buffalo, NY

May 22, 2007

POEM: DAVID GIACALONE
PHOTO: ARTHUR GIACALONE

May 17, 2007

POEM: DAVID GIACALONE
orig. pub. in different form
Roadrunner Journal V:4
PHOTO: MAMA G.

May 16, 2007

POEM: AURORA ANTONOVIC
PHOTO: MAMA G.

May 13, 2007

[Mama G. and the boys, 1950]

POEM: DAVID GIACALONE
PHOTO: UNKNOWN

May 10, 2007

POEM: DAVID GIACALONE
PHOTO: ARTHUR GIACALONE

May 9, 2007

POEM: DAVID GIACALONE
PHOTO: MAMA G (1952)

May 6, 2007

POEM: DAVID GIACALONE
PHOTO: MAMA G

May 4, 2007

LETCHWORTH STATE PARK, NY [”Grand Canyon of the East”]

Poem: DAVID GIACALONE
Photo: ARTHUR GIACALONE

May 2, 2007

Haigathelawncrunchesmagna_3

the lawn crunches
Spring’s first bocce match
postponed

.

poem: DAVID GIACALONE
photo: ARTHUR GIACALONE

ORIG. PUB. Simply Haiku 5:1 (Spring 2007)

May 1, 2007

Vhaloneatduskmagna_2

alone at dusk
footsteps approach
from behind

poem: DAVID GIACALONE
photo: ARTHUR GIACALONE

ORIG. pub. in color WHA Haiga Contest #44 (April 2007)

April 28, 2007

Nhgrandmasrosesmagna_2

grandma’s roses
still standing
bocce balls back in their sack

poem: DAVID GIACALONE
photo: MAMA G.

(contrast with prior sunday afternoon haiga)

April 26, 2007

Haigahoopapril04magna_4

lipstick on his
coffee mug –
steam rising

photo: ARTHUR GIACALONE
poem: DAVID GIACALONE

April 25, 2007

Haigawrightlightshowmagnag

light show
behind eyelids –
free admission

poem: DAVID GIACALONE
photo: ARTHUR GIACALONE

April 24, 2007

Nhwadingpool52magna

the lifeboat
suddenly too small –
his guilty face

poem: David Giacalone
photo: Mama G.

April 22, 2007

Haigathinicemagnap

round and round with you
dancing
on thin ice

poem: David Giacalone (discussion)
photo: Arthur Giacalone (orig.photo)

April 20, 2007

Nhdosvaquerosmagnaanother

another
horeseless carriage
we doff our hats

poem: DAVID GIACALONE
photo: MAMA G.

April 18, 2007

Haigagatesapemoonmagna_2

first date
sneaking a peek
at the full moon

poem: DAVID GIACALONE
photo: ARTHUR GIACALONE

April 15, 2007

Nhtaxdeadlinemagna

tax deadline
we count dependents
and contributions

poem: DAVID GIACALONE
photo: MAMA G.

April 12, 2007

boundary issues?
double-occupancy
womb

.
.Nhtwins51boundarymagna
.
.
.
poem: DAVID GIACALONE
photo: MAMA. G.

April 11, 2007

Nhdavidatbatmagna

April 7, 2007

Nhgrandsmiles51magna3

sunday afternoon –
after braciole
a little bocce

poem: DAVID GIACALONE
photo: MAMA G.

April 4, 2007

Jameseggswingmagna

easter snow
the egg hunt
lasts a little longer

poem: david giacalone
photo: arthur giacalone

April 2, 2007

Weddingruined3grain on
my bald spot –
recalling dry-scalp Aprils

. . . . . david giacalone

photo: MAMA G.(1970)

April 1, 2007

Mangiapoets

MangiaPoets
you cut and
i’ll choose

poem: DAVID GIACALONE
photo: MAMA G.

March 31, 2007

Ballglove57magna2

spring in the air . . .
santa brings grandpa’a
last baseball glove

poem: DAVID GIACALONE
photo: MAMA G.

– see/hear npr on Baseball Haiku

March 30, 2007

Spring53peeps

Spring arrives –
peeps melting
on the dashboard

poem: DAVID GIACALONE, orig. pub Simply Haiku (Winter 2005)
photo: MAMA G.

March 29, 2007

Easter52_3

Palm Sunday
we polish off
the Easter candy

poem: David Giacalone
photo: Mama G.

not really in a valentine mood

Filed under: Haiga or Haibun,Haiku or Senryu,q.s. quickies — David Giacalone @ 1:03 pm

update/lowdown (Feb. 15, 2008):

Feb. 15
he buys himself
a half-priced heart

………………… by dagosan

Afterthought (9 PM; Feb. 13): An article in today’s New York Times has helped me understand that there are far worse things in life than dining alone on Valentine’s Day. See “I Love You, but You Love Meat” (by Kate Murphy, Feb. 13, 2008). This excerpt may or may not whet your appetite and open your heart to the Diety of Dietary Differences:

“Sharing meals has always been an important courtship ritual and a metaphor for love. But in an age when many people define themselves by what they will eat and what they won’t, dietary differences can put a strain on a romantic relationship. The culinary camps have become so balkanized that some factions consider interdietary dating taboo.

“No-holds-barred carnivores, for example, may share the view of Anthony Bourdain, who wrote in his book “Kitchen Confidential” that “vegetarians, and their Hezbollah-like splinter faction, the vegans … are the enemy of everything good and decent in the human spirit.”

“Returning the compliment, many vegetarians say they cannot date anyone who eats meat. Vegans, who avoid eating not just animals but animal-derived products, take it further, shivering at the thought of kissing someone who has even sipped honey-sweetened tea.”

a single
mimosa
– hold the toast

………………. by dagosan

2HeartsV Another ya-ya-less Valentine’s Day. Sigh. Regular readers of this weblog will recall our love-hate relationship with the holiday made for lovers. See

Valentine’s Day –
I forget to get
the garbage out

…………..……. by Tom ClausenUpstate Dim Sum (2005/II)

Heimliched out of me
pink candy heart
wordless now

…………… by Randy Brooks from School’s Out

At our postings linked above, we’ve presented an assortment of Valentine-related haiku and senryu, and you will surely find something to fit almost every V-Day perspective. Of course, when it comes to mixed feelings about love and romance, nobody says it better than lawyer-poet Roberta Beary. Sometimes referred to as “Cheery Beary” by her habitually-romantic husband Frank Stella, Roberta came through for Valentine’s Day 2008, with this little haibun [short prose with a linked poem] from the brand new edition of Modern Haiku (Vol. 39:1, Winter 2008):

What I Mean Is heartarrowV

everyone knows everything old people know only the good die young and kids know parents don’t know it all and teachers know students wait until the day before the project is due and you and i both know that love doesn’t conquer anything in fact it doesn’t even come close

as if it mattered
i pocket
a red leaf

………………………………… by Roberta Beary, Modern Haiku 39:1 (2008)

This might be a good time to remind husbands of Joshua Foer’s 2006 Valentine op/ed piece, “A kiss isn’t just a kiss,” in the International Herald Tribune (Feb. 13, 2006), where he points out:

“A study conducted during the 1980’s found that men who kiss their wives before leaving for work live longer, get into fewer car accidents and have a higher income than married men who don’t.

“So put down this newspaper and pucker up. It does a body good.”

valentine’s day
we do nothing
different

valentine’s day
the sensous curves
of a snow drift

…………. by ed markowski mail neg

Valentine’s Day —
the new sign says
“Thin Ice”

February 14
a handful of cards
from relatives

alone at home –
the hermit counts
his Valentine savings

………………………… by dagosan

As I said in 2005, George Swede’s quiet moments of romance are more my style (even when I am home alone on Valentine’s Day):

at the height
of the argument the old couple
pour each other tea

almost unseen embraceGS
among the tangled driftwood
naked lovers

on the face
that last night called me names
morning sunbeam

sunrise
I forget my side
of the argument

…………………… by George Swede from Almost Unseen: Selected Haiku of George Swede

p.s. On the other hand, an article in today’s New York Times makes me glad I’m no longer representing children in custody disputes in family and divorce court. See “Religion Joins Custody Cases, to Judges’ Unease” (NYT, Feb. 13, 2008)

custody hearing
seeing his arms cross
i uncross mine

…………………………………. by roberta bearypocket change; and New Resonance 2

update (Feb. 14, 2008): It’s shocking for regular folks, but — as I learned in law school and Family Court — some lawyers can’t distinguish between “unfun” and “unfair.”

February 10, 2008

the published haiku of david giacalone (2005 – 2009)

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 5:32 pm

boy writing flip My haiku were first accepted for publication in haiku journals in early 2005. This page is for anyone interested in following my “progress” in this poetic genre. I’ve compiled each of the poems — over 100 haiku and senryu — which were selected by journal or anthology editors for publication from 2005 through 2009.  They are presented below, in chronological order of their publication. Hyperlinks are provided to all of the pieces available online.  You can share this posting using the short URL: http://tinyurl.com/Dagosan

Rather than clutter this page with my personal reaction to the process of reviewing my “published haiku oeuvre,” I’ve offered a few inanities and banalities in a simultaneous posting here. If you insist on seeing more of my work, check out the dagosan haikai archives, or go to my ongoing (but sporadic) weblogs dagosan’s haiku diary and simply senryu.

2005

alone —
hugging
warm laundry

new paperback —
the sun sets
without me

– from The Heron’s Nest (March 2005); “alone” & “new paperback

 

frozen river–
snow hides
the elm’s reflection

Mainichi Daily News Haiku Column No. 669 (March 5, 2005)

 

to-read list
and summer corn
growing, growing

old dog and master
jostling
for the tiny spot of shade

 

storm alert
every kind of cloud
in one sky

 

blue sky
behind bare branches
year-end bonus

Legal Studies Forum XXIX:1 (2005; pages 275 – 276)

 

it’s pink! it’s purple!
sunset inspires
more bickering

Frogpond — the journal of the Haiku Society of America, (Vol. XXVIII: 2, 2005) – click to see a subsequent haiga incorporating this poem –

that little grunt
dad always made —
putting on my socks

Frogpond (XXVIII: 2, 2005); repub. in inside the mirror: Red Moon Anthology 2005; used in a memorial haiga, here.

 

Adirondack chair
upholstered
with snow

 

Spring arrives —
peeps
melting on the dashboard

 

first scull of the year
my arms ache
just waving

 

cherry tomatoes
on toothpicks — a vapor trail
spears the midday moon

 

her chocolate breath
mingles with mine —
easter sunset

 

– – Simply Haiku (Vol. 3, No. 4, Winter 2005)

 

fallen blossoms —
soon
just another tree

 

mom’s arthritis
acting up again–
I take two Advil

 

squinting to see him —
another generation
sent to right field

 

roadrunnerAA Roadrunner Haiku Journal (V:4, Nov. 2005; image: by Aurora Antonovic); “squinting to see him” – Tie, The Scorpion Prize for Best Haiku/Senryu of ISSUE V:4; repub. in Baseball Haiku (Ed. Cor van den Heuvel and Nanae Tamura; W.W. Norton Press 2007)

 

winding road —
under the influence
of a strawberry moon

………………. in The Heron’s Nest(VII: 4, Winter 2005)

2006

last week of the year
ice floes rush
to the waterfall

january thaw
motionless trees
tremble in the river

hazy winter moon
the face I met
when our skin was smooth

….. Roadrunner Haiku Journal Issue VI: 1 (Feb. 2006)

Indian Summer —
a squirrel tips over
the bag of rock salt

The Heron’s Nest VIII:I, March 2006 thnLogoG

falling blossoms —
soon
just another tree

Adirondack chair
upholstered
with snow

frozen river —
snow hides
the elm’s reflection

Legal Studies Forum XXX (March 2006)

last day of winter —
ice smothers
the early buds

c’mon, equinox —
anxious to plant
impatiens

storm windows off:
the old man curses
the noisy neighbors

– Nisqually Delta Review (Winter-Spring, 2006; errata page)

farewell picnic —
wind blows the blossoms
off the dogwoods

waking
to dogwood blossoms —
the boys like pink today

april showers!
trudging back
to fetch a snow brush

almost april —
baked apple season
lingers

spring arrives —
new snow bleaches
old snowbanks

the smile that humbles
the cherry blossoms –
too far to see her

rain
on my bald spot —
recalling dry-scalp Aprils

coldest day this winter —
the early buds
miscarry

brushing off the snow –
warm enough today
for a park bench moment

Haiku Harvest (Spring & Summer 2006, Vol. 6 No. 1)

low gray sky —
an afghan warming
on the radiator

The Heron’s Nest (VIII: 2, 12 #5, June 2006)

sculpting cloud peaks
from shampoo suds —
crooked fingers

muddy bootprints
in the kitchen –
spring follows us home

U-Haul tires
spin on the ice —
windchimes packed in a box

wintry mix
a snow buddha
and a mud buddha

mid-March winds –
a too-warm coat
suddenly too thin

hardboiled eggs –
the first one
peels easily

………………… in Clouds Peak #1 (July 2006)

at the crosswalk –
leaves and a garbage can
hurry past

autumn equinox —
awakening to
summer’s last cricket

rattle, whir, hum —
three-fan
august night

Columbus Day rain—
first cozy evening
since spring

too cold for fireflies—
campfire sparks
float past the rocks

perched on
the sumo’s belly–
one large pumpkin

– – Nisqually Delta Review (summer/fall issue 2006)
“too cold for fireflies—” & “autumn equinox –” – Editor’s Choice Selections

almost sunset
the weekend dad
drags a sled up the hill

hard-to-peel
tangerine —
her citrus-scented fingers

…………………. in Frogpond XXIX: 2 (2006)

sudden downpour —
no one wins
the wet-t-shirt contest

…………… tinywords Aug. 12, 2006

the pond ices over –
impressionist to
cubist overnight

early March —
the weather vane goose
still heading south

winter gale —
the crows fly farther
than the crow flies

small sad face
in the puddle —
last weekend’s snowman

a warm yule . . .
the ice-fishing hole
mostly hole

…….. Simply Haiku (Autumn 2006, Vol. 4 no. 3); “small sad face” – repub. a procession of ripples anthology (p. 18)

morning shadows –
the gunslingers wait
for high noon

the view
from the sofa –
April madness

HaigaOnline Issue 7-2 (Autumn-Winter 2006)
Click to see the original photo-poem haiga combinations –
morning shadows” & “view from the sofa

her words sting —
the mosquitos take me
just as I am

Frogpond, XXIX: 3 Fall 2006

Mother’s Day–
admiring lilacs
just past their peak

The Heron’s Nest (VIII: 4, December 2006) –

rubbernecking
the sunset geese —
our tailgater honks

tinywords – December 12, 2006

2007

curtain time:
the stage crew as silent
as the props

snowmelt
sunset
comes too soon

the lawn crunches
Spring’s first bocce match
postponed

 

april storm —
borrowing the neighbor’s
rock salt

a foot of snow
a month too soon
candles for nightlights

his face frozen —
just like mama
always said

Simply Haiku Journal, Modern Haiga, Vol. 5 no. 1 (Spring 2007); photos by Arthur Giacalone; see the original photo-poem haiga by clicking on these links:
curtain time:” – “snow melt” – “the lawn crunches” –
april storm —” – “a foot of snow” – “his face frozen –”

alone at dusk
footsteps approach
from behind

– from World Haiku Association 44th Haiga Contest (April 2007)

squinting to see him
another generation
sent to right field

law office picnic
the ump consults
his Blackberry

BaseballHaikuCover – in Baseball Haiku (Cor van den Heuvel and Nanae Tamura, eds., W.W. Norton Press, April 2007) “squinting” – org. pub. Roadrunner Haiku Journal (V:4, Nov. 2005; tie Scorpion Prize)

lull in the parade
small hands reach
for the same balloon

– orig. version of poem in a haiga, 45th WHA Haiga Contest (May 2007)
– above haiga, with poem slightly revised (thanks AA), first at MagnaPoetsJF in b&w version (June 1, 2007)

*

*

three feet of snow
the firehouse dog
follows the hose

early thaw
she serves the canard
a l’orange

drawn butter
and chardonnay –
he sets the trap

ladybug
in the spider’s web –
yesterday’s horoscope

catnap onshore –
a wake sinks
the dream flotilla

on the novice trail –
climbers wave
from the peak

….. in HaigaOnline Spring/Summer 2007 Vol. 8-1
– see the original photo-poem haiga by clicking on these links:
three feet of snow” – “early thaw” – “drawn butter” –
ladybug” – “catnap onshore —” – “on the novice trail –-”

mommy, look!
an early moon floats
above the setting sun

…. The 49th. WHA Haiga Contest (10/2007) "mommy look" haiga - WHA

first the scent –
lilac bushes
’round the corner

blustery day
one tulip
keeps his head

blossoms on the breeze —
the tilt
of illegible gravestones

full morning moon —
the working girl’s
gauzy blouse

fireworks finale!
her eyes return
to the fireflies

— – Simply Haiku, Autumn 2007, vol 5 no 3 –

“full morning moon” – repub. in dust of summers: The Red Moon Anthology of English-Language Haiku 2007 (Red Moon Press, 2008)

first snowfall –
a city-full
of student drivers

………. in tinywords November 23, 2007

cloud-covered night–
no moon, no fireflies,
no goodnight kiss

. . . in “Lanterns: a firefly anthology” (Edited by Stanford M. Forrester, Bottle Rockets Press, 2007}

hazy harvest moon
the face I met
when our skin was smooth

…….. The Heron’s Nest (Vol. IX: 4, Dec. 2007)
[Note: This poem was re-written to commemorate the 60th Wedding Anniversary of Arthur & Connie Giacalone; the original version appeared in Roadrunner Haiku Journal Issue VI: 1 (Feb. 2006)]

(more…)

January 30, 2008

RMA 2007 is here!

Filed under: Haiga or Haibun,haijin-haikai news,Haiku or Senryu — David Giacalone @ 1:32 pm

dust of summers: The 2007 Red Moon Anthology of English-Language Haiku,” edited by Jim Kacian and the Red Moon Editorial Staff, Red Moon Press, Winchester, VA, USA, 172 pages, ISBN: 1-978-893959-68-2, $16.95; see cover)

day moon
we windowshop
caskets

…………………….. by Roberta Beary, USA, – dust of summers: RMA 2007; orig. pub. NOON 5

RMPLogo In the haikai community, the annual edition of the Red Moon Anthology is even more anticipated than Groundhog’s Day. Each volume in the much-honored RMA series attempts to collect “the best English-language haiku and related writings from around the world” published in the prior calendar year, as selected by the dozen distinguished members of its editorial board. Seeing which poems are included and savoring/judging them individually and collectively is an addiction for many poets and readers of the genre.

The new volume of RMA is not usually available before February, so when it’s out before Punxsutawney Phil shows his cute, furry head, it’s easy to predict an especially good and timely year for the oft-pokey haiku press. The twelfth volume in the RMA series is “dust of summers: RMA 2007.” My copy should arrive by the weekend, but I wanted to let f/k/a‘s readers know they can already get RMA 2007 from Red Moon Press. I also wanted to speculate a little before seeing this edition — wondering if some unaccustomed criticism in 2007 had any effect on this year’s version of 2007, and whether controversy will spur sales, as it does in so many other literary fields.

big sky: rma 2006 BigSkyRMA2006

As you may recall, I lamented last June that at least 25 of the 165 haiku and senryu chosen for “big sky” by RMA’s editors as “the finest haiku . . . published around the world in English in 2006” were tell-ems — poems in which the poet “tells” what is on his or her mind (by stating an insight or intellectual conclusion, or naming an emotional state) rather than “showing” us through images based on sensory experiences. My original “psyku” essay last year, and the follow-up anchovie piece at year-end, argue and assert that tell-ems — no matter how interesting the notion presented or how honored their authors — are second-rate representations of the haiku genre, which (as Prof. Yabut might say) deserve rewriting, not rewards. They rarely, if ever, belong in our best journals, much less in contests and anthologies proclaiming to present the very best haiku and senryu. So, I’m hoping that dust of summers will be kind to my haiku psyche, and not inspire an undue amount of agita and anchovy-parodies.

A far more prominent criticism of big sky: rma 2006 came from Robert Wilson, the managing Editor of Simply Haiku, in a book review published in his e-journal’s Summer 2007 edition. Robert’s basic complaint was that — for an anthology purporting to be “the best haiku” — there were simply too many senryu in RMA 2006, and they were not labeled as such to distinguish them from the haiku. Although he found a few excellent senryu, Wilson worried that many readers will be “confused about the difference between the two genres,” and he opines:

“There are some brilliant English language poets, but many are missing from Big Sky in favor of some of the above [senryu] inclusions. Perhaps the anthology’s editors didn’t look hard enough. I hope they dig deeper for next year’s anthology. And will be more up front next time and identify any senryu as such. “

I’m eager to see whether either criticism had any influence on this year’s selection by the RMA Editorial Board. As Red Moon noted when it unveiled big sky, “this most decorated series in haiku history [has been] winner of the Haiku Society of America Merit Book Award for Best Anthology virtually every year since its inception.” For whatever reasons (perhaps those noted above), RMA 2006 did not receive the Merit Book award this year. I hope and expect that dust in summers will be a major contender again for that coveted prize.

The Red Moon website tells us that dust of summers includes “150 poems, 25 linked pieces and half a dozen critical works which encapsulate the very best writing of the haiku world in English this year.” Despite my personal preferences and concerns, and my knowing how tenuous the “best of” notion can be, I can assure you that the majority of the poems selected for RMA 2007 will indeed — in Robert Wilson’s words from last year — be “wonderful and refreshing” and “deserve a wider audience.”

Since our Honored Guest poets are often among the most-frequently selected poets in RMA, I asked a couple of them yesterday to share their chosen poems for this preview. Here are a few, plus a haibun, to pique your interest. I’ll be presenting many more from the f/k/a haiku family once I have dust of summers in hand. [Update: for more poems by our Honored Guests from Dust of Summers, see our posts “more treats from Dust of Summers” (Feb. 7, 2008); and “a peek inside Dust of Summers: RMA 2007” (Feb. 3, 2008)]

retreating glacier–
how long since we’ve heard
the black wolf’s song

…………………………. by Billie Wilson USA – dust of summers: RMA 2007 (Red Moon Press, 2008); orig. pub. Modern Haiku 38:1

circle of lamplight–
I complete the baby quilt
begun for me

…………………………. by Carolyn Hall – dust of summers: RMA 2007; orig. pub. Heron’s Nest Award, HN IX:1

magnolias
opening
the moon roof

………………………….. by Peggy Willis Lyles — dust of summers: RMA 2007; orig. pub. Mayfly #43, Summer 2007

full morning moon —
the working girl’s
gauzy blouse

……………….. by David Giacalone — dust of summers: RMA 2007; originally published in Simply Haiku 5:3

In the Night Kitchen

the boyfriend’s in her room and i can hear sounds coming from up there i don’t know if they are giggles or groans or what i just want him to leave want to hear those boots coming heavy down the stairs and i know she has been away two years which means she has done all sorts of things she hasn’t told me the same way i never told mother only different because now i know what mother knew and what all mothers come to know in time

midnight
above a cluster of stars
one star

……………………… by Roberta Bearydust of summers: RMA 2007; orig. pub. Modern Haiku 38.1 (Spring 2007)

December 14, 2007

. . . and an “artsy” 2008 haiga calendar, too

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 11:39 am

As often happens around here, the f/k/a Gang ganged up on me last night, not long after I posted our message gratefully sharing the f/k/a Haiga Memories Calendar with our readers. My opinionated alter egos started complaining that I was ignoring all the f/k/a fans who might eschew cute baby pictures and the whole nostalgia shtick, and who expected something a bit more artistic from this weblog and its Editor — especially when it comes to the haiga genre. As usual, they had a point.

I’ve therefore spent the morning putting together a more “artsy” holiday gift calendar, and am happy to announce the online availability (for free, of course) of the Giacalone Haiga Calendar 2008.© Like the Haiga Memories edition, it’s a 12-month calendar, created as a printable Word document (14 pages, including the covers). The 13 included haiga each combine a full-color photograph taken by my brother Arthur Giacalone (the talented solo practitioner from East Aurora, NY) with a haiku or senryu by your Host [a/k/a dagosan]. Most of them have been published, or are pending, at the online journals Simply Haiku or HaigaOnline.

. . . the Giacalone Haiga Calendar 2008©

No matter which haiga calendar is your “cup of tea,” we all hope you’ll
enjoy them, with our thanks and best wishes for a joyous, prosperous,
creative New Year.

round and round with you
dancing
on thin ice

………………………………. dagosan

December 13, 2007

our gift to you: a 2008 haiga memories calendar

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 8:13 pm

The f/k/a Gang has had a lot of fun over the past year creating and sharing haiga (a picture with a linked poem) that combine photographs taken more than half a century ago by “Mama G” (Connie M. Giacalone) with haiku or senryu penned by her son, your f/k/a host, David Giacalone. The expressive faces — whether impish, sheepish, or cherubish — of Linda, Arthur and David, the three Giacalone sibs, bring back memories and suggest timeless childhood themes, many of which are echoed in our adult lives.

You can find many of those haiga scattered around the MagnaPoets Japanese Form group weblog, and in miniature form here and there at this website. But, to help spread the cheer and to thank our many readers this Holiday Season, I decided to bring a dozen of the Giacalone Nostalgia Haiga together in one place, and to give them an aura of utility by packaging them as a monthly calendar. Just click this link to find the fka Haiga Memories Calendar 2008. It’s presented as a printable Word document (in landscape mode), and comes to 14 pages, with the front and back covers.

You’re allowed to giggle and even snicker, but please-please don’t use what our “a” friend Aurora Antonovic (proprietress of MagnaPoets and haiga editor of Simply Haiku Journal) calls the “a-word” — adorable. Prof. Yabut would blush. Please enjoy — with our thanks and best wishes for a joy-filled, inspiring holiday season and New Year.

afterthought (Dec. 14, 2007):   As explained here, we’ve also created a more “artsy” (less kitschy) calendar for your pleasure throughout the New Year.  See the Giacalone Haiga Calendar 2008. .

. . . the f/k/a Haiga Memories Calendar 2008 ©

[Calendar Cover, Art & Connie Giacalone,
married September 13, 1947]

home for Christmas –
nana calls the baby
by her daddy’s name

………………………… by dagosan

twelve days ’til Christmas —
the tree and her cat
both shedding

……………………………… by dagosan

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