<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:creativeCommons="http://backend.userland.com/creativeCommonsRssModule"
>

<channel>
	<title>Modern Books and Manuscripts &#187; Marginalia</title>
	<atom:link href="http://blogs.law.harvard.edu/houghtonmodern/tag/marginalia/feed/" rel="self" type="application/rss+xml" />
	<link>http://blogs.law.harvard.edu/houghtonmodern</link>
	<description>Houghton Library, Harvard College Library, Harvard University, Cambridge, MA 02138</description>
	<lastBuildDate>Mon, 30 Nov 2009 16:29:02 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.4</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/3.0/us/</creativeCommons:license>
		<item>
		<title>Ezra Pound reading Galdós</title>
		<link>http://blogs.law.harvard.edu/houghtonmodern/2009/09/22/ezra-pound-reading-galdos/</link>
		<comments>http://blogs.law.harvard.edu/houghtonmodern/2009/09/22/ezra-pound-reading-galdos/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 15:34:44 +0000</pubDate>
		<dc:creator>houghtonmodern</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[American lit.]]></category>
		<category><![CDATA[Association copies]]></category>
		<category><![CDATA[Marginalia]]></category>
		<category><![CDATA[Spanish lang.]]></category>

		<guid isPermaLink="false">http://blogs.law.harvard.edu/houghtonmodern/?p=352</guid>
		<description><![CDATA[We&#8217;ve just received a new addition to our collection of association copies, an 1897 edition of Benito Pérez Galdós&#8217;s realist novel, Doña Perfecta, owned and annotated by American intellectual Ezra Pound (1885-1972).
Pound probably acquired the work in 1905, and annotated the text with numerous notes and translations.  In a letter written to Iris Barry, circa [...]]]></description>
			<content:encoded><![CDATA[<p>We&#8217;ve just received a new addition to our collection of association copies, an 1897 edition of Benito Pérez Galdós&#8217;s realist novel, <em>Doña Perfecta</em>, owned and annotated by American intellectual Ezra Pound (1885-1972).</p>
<p>Pound probably acquired the work in 1905, and annotated the text with numerous notes and translations.  In a letter written to Iris Barry, circa 1916, Pound wrote, &#8220;Spain has one good modern novelist, Galdós.&#8221;</p>
<p style="text-align: center"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2009/09/Pound.jpg" rel="lightbox[352]"><img class="size-full wp-image-355 aligncenter" src="http://blogs.law.harvard.edu/houghtonmodern/files/2009/09/Pound.jpg" alt="Pound" width="478" height="357" /></a></p>
<p style="text-align: left"><a href="http://discovery.lib.harvard.edu//?itemid=%7clibrary%2fm%2faleph%7c001431513" target="_blank">*2009-181</a>.  Purchased with the P.D. Howe fund.  Houghton Library, Harvard University.  Image may not be reproduced without permission.</p>
]]></content:encoded>
			<wfw:commentRss>http://blogs.law.harvard.edu/houghtonmodern/2009/09/22/ezra-pound-reading-galdos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	<creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/3.0/us/</creativeCommons:license>
	</item>
		<item>
		<title>Runaway Groom</title>
		<link>http://blogs.law.harvard.edu/houghtonmodern/2009/08/19/runaway-groom/</link>
		<comments>http://blogs.law.harvard.edu/houghtonmodern/2009/08/19/runaway-groom/#comments</comments>
		<pubDate>Wed, 19 Aug 2009 19:50:05 +0000</pubDate>
		<dc:creator>houghtonmodern</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[Book collecting]]></category>
		<category><![CDATA[Great Britain]]></category>
		<category><![CDATA[Marginalia]]></category>
		<category><![CDATA[Women]]></category>

		<guid isPermaLink="false">http://blogs.law.harvard.edu/houghtonmodern/?p=338</guid>
		<description><![CDATA[Modern has recently acquired the Report of the Proceedings in the Cause of Mary Alice Orford, versus Thomas Butler Cole, Esq. for a breach of promise of marriage&#8230;, published in 1818 following the trial on March 30th of that year.

This sensational case was, according to The Times, &#8220;the subject of general conversation throughout the country [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2009/08/mary-alice-orford-title-page.jpg" rel="lightbox[338]"><img class="size-full wp-image-342" src="http://blogs.law.harvard.edu/houghtonmodern/files/2009/08/mary-alice-orford-title-page.jpg" alt="mary-alice-orford-title-page" width="214" height="361" align="left" /></a>Modern has recently acquired the <em>Report of the Proceedings in the Cause of Mary Alice Orford, versus Thomas Butler Cole, Esq. for a breach of promise of marriage&#8230;</em>, published in 1818 following the trial on March 30th of that year.</p>
<p style="text-align: center">
<p>This sensational case was, according to <em>The Times, </em>&#8220;the subject of general conversation throughout the country of Lancaster for several months&#8230; We do not remember any former occasion when the public curiosity was more excited.&#8221;</p>
<p>The plaintiff summarized the situation thus: &#8220;The declaration states, that in consideration that the plaintiff promise to marry the defendent, he, the defendent, undertook to marry the plaintiff; but that instead of doing so, he had married another woman.  The plaintiff pleads the general issue.&#8221;  The defense argued that the defendant was truly &#8220;the meanest reptile on earth&#8221; but concluded that Miss Orford had not lost much in losing her fiance to another woman.  The jury ruled on the side of Miss Orford, who was awarded a £7,000 settlement.</p>
<p><span id="more-338"></span></p>
<p>Aside from being an intriguing example of proto-feminism, the book has an equally intriguing association.  It belonged to book collector Frances Mary Richardson Currer (1785-1861), one of the first famous female book collectors in Europe.  Currer added several pages of her own manuscript notes to the book, agreeing with the defense that, &#8220;no one can think that Miss Orford sustained any loss of happiness, by her loss of Mr. Cole.&#8221;  Currer also lists several similar cases between Mr. Cole and other local women, one of whom claimed Cole attempted to leave her at the church door, &#8221; &#8216;No, no Mr. Cole, as we have got so far we will go on&#8217;, or words to that effect&#8230;As might be expected after living a short time together most unhappily, she left him&#8230;&#8221;</p>
<p style="text-align: center"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2009/08/mary-alice-orford.jpg" rel="lightbox[338]"><img class="size-full wp-image-343 aligncenter" src="http://blogs.law.harvard.edu/houghtonmodern/files/2009/08/mary-alice-orford.jpg" alt="mary-alice-orford" width="364" height="644" /></a></p>
<p><a href="http://discovery.lib.harvard.edu/?hreciid=%7clibrary%2fm%2faleph%7c004391142" target="_blank">*2009-109</a>.  Houghton Library, Harvard University.</p>
]]></content:encoded>
			<wfw:commentRss>http://blogs.law.harvard.edu/houghtonmodern/2009/08/19/runaway-groom/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	<creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/3.0/us/</creativeCommons:license>
	</item>
		<item>
		<title>Inspiration and Influence</title>
		<link>http://blogs.law.harvard.edu/houghtonmodern/2008/11/21/inspiration-and-influence/</link>
		<comments>http://blogs.law.harvard.edu/houghtonmodern/2008/11/21/inspiration-and-influence/#comments</comments>
		<pubDate>Fri, 21 Nov 2008 16:49:38 +0000</pubDate>
		<dc:creator>houghtonmodern</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[American lit.]]></category>
		<category><![CDATA[Harvard alumni]]></category>
		<category><![CDATA[Marginalia]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://blogs.law.harvard.edu/houghtonmodern/?p=176</guid>
		<description><![CDATA[By examining a reader&#8217;s annotations in the margins of a book, it can be possible to obtain insight into what might have influenced that reader&#8217;s own writing.   We recently acquired both a copy of J.W. Mackail&#8217;s Latin Literature owned and annotated by T.S. Eliot, as well as Allen Ginsberg&#8217;s copy of T.S. Eliot&#8217;s Collected [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left">By examining a reader&#8217;s annotations in the margins of a book, it can be possible to obtain insight into what might have influenced that reader&#8217;s own writing.   We recently acquired both a copy of J.W. Mackail&#8217;s <em>Latin Literature</em> owned and annotated by T.S. Eliot, as well as Allen Ginsberg&#8217;s copy of T.S. Eliot&#8217;s <em>Collected Poems, </em>in which Ginsberg extensively annotated &#8220;The Waste Land<em>.&#8221;</em></p>
<p style="text-align: left"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/eliot-latin-bookplate.jpg" rel="lightbox[176]"><img class="alignnone size-medium wp-image-179 alignleft" style="float: left" src="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/eliot-latin-bookplate-235x300.jpg" alt="" width="150" height="192" /></a></p>
<p style="text-align: left">Poet, dramatist, Harvard graduate and Nobel Prize winner T.S. Eliot (1888-1965) began to study Latin while a student at Smith Academy from 1898-1905, and continued to study languages, both modern and ancient, through college.  Eliot probably acquired J.W. Mackail&#8217;s <em>Latin Literature </em>while studying at Harvard.  While he made few annotations to the text itself, Eliot also made extensive notes in pencil on several blank pages throughout the book.  Eliot&#8217;s bookplate is also pasted inside the front cover (Eliot&#8217;s bookplate includes his family&#8217;s motto <em>Tace et fac</em>, &#8220;be silent and act.&#8221;)  Examples of Eliot&#8217;s early handwriting are uncommon, and as Eliot made extensive use of his linguistic skills within his poetry, it is always interesting to catch a glimpse into his study of them. (Click on the images to magnify them.)</p>
<p style="text-align: center"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/eliot-latin-2.jpg" rel="lightbox[176]"><img class="alignnone size-full wp-image-180" src="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/eliot-latin-2.jpg" alt="" width="422" height="200" /></a></p>
<p style="text-align: left"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/ginsberg-eliot-1.jpg" rel="lightbox[176]"><img class="alignnone size-full wp-image-182 alignleft" style="float: left" src="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/ginsberg-eliot-1.jpg" alt="" width="256" height="241" /></a>Allen Ginsberg (1926-1997) was one of the most important figures in the Beat movement of the mid-twentieth century.  Two years after graduation from Columbia University, while working in New York as a market researcher, Ginsberg purchased this 1936 edition of Eliot&#8217;s <em>Collected Poems 1909-1935, </em>which he signed &#8220;Allen Ginsberg / October 1950&#8243; on the front free endpaper.  Ginsberg&#8217;s extensive annotations to <em>The Waste Land </em>document his efforts to work through the poem.</p>
<p><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/ginsberg-eliot-2.jpg" rel="lightbox[176]"><img class="alignnone size-full wp-image-181" src="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/ginsberg-eliot-2.jpg" alt="" width="500" height="370" /></a></p>
<p style="text-align: left">
<p style="text-align: left"><a href="http://blogs.law.harvard.edu/houghtonmodern/files/2008/11/ginsberg-eliot-2.jpg" rel="lightbox[176]"><br />
</a></p>
<p style="text-align: left">
<p style="text-align: left">
<p style="text-align: left">Mackail, <em>Latin Literature. </em>New York: Scribners, 1895. <em> </em><a href="http://lms01.harvard.edu/F?func=find-c&amp;CCL_TERM=sys=001508319" target="_blank">*2008-1002</a>.</p>
<p style="text-align: left">Eliot, <em>Collected Poems, 1909-1935. </em>New York: Harcourt, Brace &amp; Co. [1936] <em> </em><a href="http://discovery.lib.harvard.edu/?hreciid=%7clibrary%2fm%2faleph%7c001418786" target="_blank">*AC95.G4351.Zz936e</a>.</p>
<p style="text-align: left">Houghton Library, Harvard University.  Images may not be reproduced without permission.</p>
]]></content:encoded>
			<wfw:commentRss>http://blogs.law.harvard.edu/houghtonmodern/2008/11/21/inspiration-and-influence/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	<creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/3.0/us/</creativeCommons:license>
	</item>
	</channel>
</rss>
