In 1785, Jean Jacques Audubon was born in Haiti, the illigitimate son of a French naval officer and his mistress.  Audubon immigrated to the United States at age 18 (anglicizing his name to John James Audubon), and almost immediately began to study its ornithology, hoping to illustrate the birds he observed in a more realistic manner than was common at the time.  His famous work, Birds of America, was published after years of study, from 1840-44.

116 of Audubon’s early drawings, held at Houghton Library and at Harvard’s Museum of Comparative Zoology, have been published together for the first time in a new publication, Audubon: Early Drawings, available this month from the Harvard University Press.  The drawings are enhanced by an essay on the sources of Audubon’s art by his biographer, Richard Rhodes; transcription of Audubon’s own annotations to the drawings, including information on when and where the specimens were collected; ornithological commentary by Scott V. Edwards, along with reflections on Audubon as scientist; and an account of the history of the Harris collection by Houghton Curator of Modern Books and Manuscripts Leslie A. Morris.   More information on the book can be found on the Modern Books & Manuscripts website, the Harvard College Library website, and a slideshow of images from the book may be found here, on the Harvard University Press website.

In the video below, by David Braun of National Geographic, Scott Edwards talks about the book and shows a few of the images:

Image above:  MS Am 21 (88).  Juglane oliveformia. Carolina Parrot in[?] Willow from imitation of colors [?] Psittacus Carolinensis. N.p., 1811 June 9. 1 drawing: watercolor, pastel, graphite, and ink on paper; 43 x 28 cm.

Published in the mid-1820s, Musée des Dames et des Demoiselles includes six small books covered in lavender paper and packed together in a blue and gilt paper gift box. Each book covers a different area of science appropriate for delicate demoiselles: fruit, flowers, minerals, butterflies, insects, and birds. Along with a hand-colored paper onlay on each cover, each book includes a stipple-engraved hand-colored frontispiece.

Books like these encouraged women to explore the natural world. The three women pictured on the box are in motion, interacting with various items discussed in the books. (Notice, too, that the “natural” items pictured are all confined and domesticated – the birds in cages, the trees in planters, and even the butterfly about to be caught – leaving this realm of nature somewhat less wild for the “gentler” sex.)

Our copies look as if their particular demoiselle was perhaps uninterested in nature – but we were delighted to find how new they looked!

(Click on the images to magnify them.)

*FC8.A100.825m. Purchased with the Andrew Oliver Book Fund and the Melvin R. Seiden Houghton Library Book Fund.

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