Abolishing the Derivative Works Right in Copyright, Or, Why Legalizing “The Grey Album” Makes Economic Sense

I’ve just posted a draft paper to SSRN titled Faulty Math: The Economics of Legalizing “The Grey Album.” The Alabama Law Review has kindly agreed to publish it in Volume 59 this winter. The paper examines the incentive-based justifications (primarily economic) for giving copyright owners control over derivative works – in other words, for allowing [...]

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