MediaBerkman

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Berkman Fellow Lewis Hyde talks about the topic of his upcoming work, “the privatizing of the cultural commons.”

Hyde addresses many of the issues and concerns that modern copyright use presents to works traditionally open for public consumption. Referencing the life and work of Ben Franklin, he argues on behalf of the public’s need for access to traditionally public ideas and works for the benefit and progression of society.

Berkman Fellow Lewis Hyde talks about the topic of his upcoming work, “the privatizing of the cultural commons.”

Download the audio podcast (time: 1:09:25).

Hyde addresses many of the issues and concerns that modern copyright use presents to works traditionally open for public consumption. Referencing the life and work of Ben Franklin, he argues on behalf of the public’s need for access to traditionally public ideas and works for the benefit and progression of society.

Click To Play Video

Fred Turner of Stanford University on “From Counterculture to Cyberculture: the Rise of Digital Utopianism.”

In the early 1960s, computers haunted the American imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military industrial complex possible. But by the 1990s—and the dawn of the Internet—computers represented a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place.Fred Turner explores this extraordinary and ironic transformation by tracing the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs who made the connections between San Francisco “flower power” and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.

Fred Turner of Stanford University on “From Counterculture to Cyberculture: the Rise of Digital Utopianism.”

Download the MP3 (time: 1:28:32).

In the early 1960s, computers haunted the American imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military industrial complex possible. But by the 1990s—and the dawn of the Internet—computers represented a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place.

Fred Turner explores this extraordinary and ironic transformation by tracing the previously untold story of a highly influential group of San Francisco Bay–area entrepreneurs who made the connections between San Francisco “flower power” and the emerging technological hub of Silicon Valley. Thanks to their vision, counterculturalists and technologists alike joined together to reimagine computers as tools for personal liberation, the building of virtual and decidedly alternative communities, and the exploration of bold new social frontiers.

Track B Breakout Two: Human Hybrids: Creating a Global Identity

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Thanks to Jair at Imaginify and RocketEye for the Identity Mashup logo (right).

Track C Breakout One: The Commons, Open APIs, Meshups, and Mashups

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Thanks to Jair at Imaginify and RocketEye for the Identity Mashup logo (right).