On synthesis, simplification, compartmentalization, comfort
Saturday, May 1st, 2010Theodor Adorno strongly influenced my approach when I worked on post-World War II German art (specifically, West German abstract art). I was quite surprised recently to be reminded of him while reading Roger Martin’s business book, The Opposable Mind. I mean, Adorno and business? Really? On p.102-3 of my book, Reconstructing the Subject; Modernist Painting […]