Words of Bewilderment…

 

Say: My Lord increase me in knowledge!

قل ربّي زدني علماً

Quran 20:114

 

My Lord increase me in bewilderment in Thee!

ربّي زدني فيك تحيراً

-Saying of the Prophet Muḥammad

Rumi

Sell your cleverness and buy bewilderment

for cleverness is mere opinion and bewilderment is vision.

زیرکی بفروش و حیرانی بخر

زیرکی ظنست و حیرانی نظر

 

Ibn al-‘Arabi

“Now guidance is that man should be guided to bewilderment, and know that the affair is bewilderment and that bewilderment is unrest and motion, and that motion is life, without stillness and so without death, and is existence without non-existence.”

“And thus there is nothing but bewilderment, shattering one’s vision, although the one who knows what we are saying shall not be bewildered.”

“…Drowned in the sea which the knowledge of God is, and which is bewilderment”

Hafez

As the sprout of bewilderment, your love came
As the perfection of bewilderment, your union came
Many a drowned one, in the ecstasy of union
to whom in the ecstasy itself, bewilderment came
Neither union nor united remain
where the specter of bewilderment came
Show me one heart on his path
in whose face no mole of bewilderment came
From every direction that I listened
the sound of the question of bewilderment came
From head to foot, Hafez’s existence
In love, a sprout of bewilderment became

 

Original:
عشق تو نهال حیرت آمد         وصل تو کمال حیرت آمد
بس غرقه حال وصل کآخر        هم بر سر حال حیرت آمد
یک دل بنما که در ره او     بر چهره نه خال حیرت آمد
نه وصل بماند و نه واصل       آن جا که خیال حیرت آمد
از هر طرفی که گوش کردم            آواز سؤال حیرت آمد
شد منهزم از کمال عزت         آن را که جلال حیرت آمد
سر تا قدم وجود حافظ          در عشق نهال حیرت آمد

 

Ibn al-Fāriḍ

Translation:

Give me an excess of love for you, bewildered
And have mercy on a heart scorched by a glance of your love
And if I ask to see you truly
Then allow me, graciously
And let not your answer be, “Thou shalt not see
O heart, you have promised me to be patient in loving them
So be sure to bear it do not dismay
Passion is life, so die in it lovingly.
 Your duty is to die and be absolved
 My heart, say to those ahead of me, and those behind me,
Whoever has seen the sacrifice of my sorrow
“Follow my example and listen to me
And tell the tale of my love amongst mankind”
I was alone with the Beloved and between us there was
A secret more subtle than the dawn breeze when it blows
And he allowed my eyes a glance
So I became famous, having been unknown before
I was awestruck between his beauty and majesty
And tomorrow, the tongue of my state will explain
Turn your gaze to the beauties of his face,
Where all beauty has been gathered
If all beauty were perfected into one form
on seeing him, it would exclaim [in wonder],
“There is no god but God, and God is greater.”

 

 

Original:
زِدْني بفَرْطِ الحُبّ فيك تَحَيّرا          وارْحَمْ حشىً بلَظَى هواكَ تسعّرا
وإذا سألُتكَ أن أراكَ حقيقةً          فاسمَحْ ولا تجعلْ جوابي لن تَرى
يا قلبُ أنتَ وعدَتني في حُبّهمْ          صَبراً فحاذرْ أن تَضِيقَ وتَضجرا
إنَّ الغرامَ هوَ الحياةُ فمُتْ بِهِ             صَبّاً فحقّك أن تَموتَ وتُعذرا
قُل لِلّذِينَ تقدَّموا قَبلي ومَن        بَعدي ومَن أضحى لأشجاني يَرَى
عني خذوا وبي اقْتدوا وليَ اسمعوا             وتحدّثوا بصَبابتي بَينَ الوَرى
ولقد خَلَوْتُ مع الحَبيب وبَيْنَنَا              سِرٌّ أرَقّ منَ النسيمِ إذا سرى
وأباحَ طَرْفِي نَظْرْةً أمّلْتُها               فَغَدَوْتُ معروفاً وكُنْتُ مُنَكَّرا
فَدُهِشْتُ بينَ جمالِهِ وجَلالِهِ             وغدا لسانُ الحال عنّي مُخْبِرا
فأَدِرْ لِحَاظَكَ في محاسنِ وجْهه            تَلْقَى جميعَ الحُسْنِ فيه مُصَوَّرا
لو أنّ كُلّ الحُسْنِ يكمُلُ صُورةً                    ورآهُ كان مُهَلِّلاً ومُكَبِّر

 

 

Ibn al-Fāriḍ—My heart told me

Translation:

1) My heart told me that you are my destroyer my soul is your hostage/ransom whether you know it or not
2) I have not honored the right of your love if I do not die in it out of sorrow, and someone like me is one who honors (his promises)
3) What do I have but my soul? One who gives himself (his soul) for him who he loves in love is not extravagant
4) If you are pleased by it, then you draw near to me o futility of effort, if you didn’t draw near
5) O you my preventer of sweet dreams, giver of the clothes of sickness and with them my debilitating love
6) Have mercy on my last breath and what you have left for me of my perishing body and afflicted heart
7) Love remains and union eludes me (or is my delay) and patience fades and the reunion eludes me (or is my delay)
8) I am not free of other people being jealous of you so don’t waste my sleeplessness because of the fabrications of slanderous imagination
9) Ask the stars of the night, has slumber visited my eyelids? how can you visit someone you don’t know?
10) It is no wonder my eye is stingy with closing its lids while it is generous in the flowing of torrential tears
11) I saw the terror of the day of judgement in what occurred of the pain of separation and the scene of parting
12) If there is no reunion with you then promise it to me, and then you can postpone it
13) Postponement from you, in my eyes, if fulfilling is scarce is as sweet as union with a lover
14) I inclined towards the breaths of the wind biding my time
And to the face of the one that transmits his fragrance*
15) Perhaps the fire of my wings will go out from its blowing
And I wish that it would not go out
16) O friends of mine, you are my hope, and whosoever
Calls you “friends of mine” will be sufficed
17) They returned from what you (pl.)* were upon of fulfillment
Out of generosity, for indeed I am that faithful friend
18) By your lives, by your lives, I swear and in my life, I have not sworn by other than your lives
19) If my soul were in my possession, if I granted it to the one who brings good tidings of your arrival, I would not be just
20) Don’t consider me in my desire to behave unnaturally my love for you is by nature not by strained effort
21) I have concealed my love for you, it concealed me in grief until it was almost as if I was concealed from myself by my life
22) So I hid it from myself for if I were to disclose it I would have found it more elusive than hidden kindness
23) I say to one who meddles with love you expose yourself to affliction, so be a target
24) You are the victim of whomsoever you love so choose for yourself in love whom you select
25) Say to the critics, you have prolonged my blame out of desiring that blame from love would stop me
26) Stop being harsh with me and taste the flavor of Love and when you have loved, then after that be harsh (with me)
27) The secret has come out with the love of the one, who if in darkness (her) veil was rent, I would say, o moon, hide
28) And if one other than me is content with the specters of his imagination I am the one who is not content (even) with reunion with the beloved
29) My love is endowed to him and I am not cured of my affliction by less than my annihilation
30) By his love, and he is my right hand (i.e. my oath), and he suffices as an oath and I extol him almost as much as the Qur’an*
31) If he said flirtatiously: stand on hot embers I would stand obediently and I would not hesitate
32) If he is one who it pleases to step on my cheek I would put it on the ground and not be proud
33) Don’t deny my passion for what pleases him even if he does not take pity on me with union
34) Love prevailed, so I obeyed the command of my passion and in so doing, regarding him, I disobeyed the prohibition of my blamer
35) From me to him is the humbleness of submission and from him to me is the glory of the preventer and the power of the humbler
36) He made religion familiar and I have a heart that has never ceased being not attached to anything but his kindness (not ceased to encounter anything but his kindness)
37) O how lovely is everything which he is contented with and his saliva, o how sweet it is in my mouth
38) If they let Jacob hear a mention of the fineness of his face he would forget the beauty of Joseph
39) Or if Job saw him in a short visit, in a light sleep long ago he would have been cured of his affliction
40) Every full moon and every lithe physique will fall in love with him when he appears as approaching
41) If I say: Every passion (in the world) I have for you He says: I have the glory and every beauty is in me
42) His virtues are perfected and if he had given radiance to the moon when full it would not wane (be eclipsed)
43) With the arts of the describers of his beauty, time expires and nevertheless there is in him that which has not been described
44) I have spent all of myself for the sake of his love at the hand of his beauty so I praise the goodness of my expense
45) The eye desires the form of the beauty which is used by my spirit to love the hidden meaning (spiritually)
46) Make me happy dear brother and enrich me with reports of him sprinkle upon my hearing his attractions and please it
47) So that I see with the eye of hearing the testimony/sight of his beauty spiritually bestow this upon me and honour me
48) O sister of Sa‘ad* from my beloved you came to me with a message and you brought it with loving-kindness
49) I heard what did not hear and I saw what you did not see and I knew what you did not know
50) If he should visit you, o innards, be rent to shreds and if he should leave, o eye, weep
51) There is no harm in distance, for the one whom I love If he is absent form the pupil of my eye, nevertheless he is in me

 

*The breaths of the wind is a stock imagine of the distant lover catching the scent of the Beloved’s perfume. The mystical interpretation is that these breaths (and the face of the second hemistich) are God’s manifestations in the sensible world that comfort the aspirant. Line 15 points out that these comforts can also threaten to blow out the fire of love (if the aspirant becomes too attached to sensible pleasures in their own right), which the aspirant does not want. The switch to addressing the beloved with the plural (“kuntum”) indicates that the speaker is addressing the manyness along with the oneness of God, the Beloved and her breaths, God along with his manifestations.

 

*This could either mean that the poet extols the beloved almost as much as he extols the Qur’an , or that the poet extols the beloved almost as much as he is extolled in the Qur’an (the beloved being the Prophet).

 

*This is a reference to Halima, the wet-nurse of the Prophet

 

Original:

 

قلْبي يُحدّثُني بأنّكَ مُتلِفي، روحي فداكَ عرفتَ أمْ لمْ تعرفِ
لم أقضِ حقَّ هَوَاكَ إن كُنتُ الذي لم أقضِ فيهِ أسى ً، ومِثلي مَن يَفي
ما لي سِوى روحي، وباذِلُ نفسِهِ، في حبِّ منْ يهواهُ ليسَ بمسرفِ
فَلَئنْ رَضيتَ بها، فقد أسْعَفْتَني؛ يا خيبة َ المسعى إذا لمْ تسعفِ
يا مانِعي طيبَ المَنامِ، ومانحي ثوبَ السِّقامِ بهِ ووجدي المتلفِ
عَطفاً على رمَقي، وما أبْقَيْتَ لي منْ جِسميَ المُضْنى ، وقلبي المُدنَفِ
فالوَجْدُ باقٍ، والوِصالُ مُماطِلي، والصّبرُ فانٍ، واللّقاءُ مُسَوّفي
لم أخلُ من حَسدٍ عليكَ، فلاتُضعْ سَهَري بتَشنيعِ الخَيالِ المُرْجِفِ
واسألْ نُجومَ اللّيلِ:هل زارَ الكَرَى جَفني، وكيفَ يزورُ مَن لم يَعرِفِ؟
لا غَروَ إنْ شَحّتْ بِغُمضِ جُفونها عيني وسحَّتْ بالدُّموعِ الدُّرَّفِ
وبماجرى في موقفِ التَّوديعِ منْ ألمِ النّوى ، شاهَدتُ هَولَ المَوقِفِ
إن لم يكُنْ وَصْلٌ لَدَيكَ، فَعِدْ بهِ أملي وماطلْ إنْ وعدتَ ولاتفي
فالمطلُ منكَ لديَّ إنْ عزَّ الوفا يحلو كوصلٍ منْ حبيبٍ مسعفِ
أهفو لأنفاسِ النَّسيمِ تعلَّة ً ولوجهِ منْ نقلتْ شذاهُ تشوُّفي
فلَعَلَ نارَ جَوانحي بهُبوبِها أنْ تَنطَفي، وأوَدّ أن لا تنطَفي
يا أهلَ ودِّي أنتمُ أملي ومنْ ناداكُمُ يا أهْلَ وُدّي قد كُفي
عُودوا لَما كُنتمْ عليهِ منَ الوَفا، كرماً فإنِّي ذلكَ الخلُّ الوفي
وحياتكمْ وحياتكمْ قسماً وفي عُمري، بغيرِ حياتِكُمْ، لم أحْلِفِ
لوْ أنَّ روحي في يدي ووهبتها لمُبَشّري بِقَدومِكُمْ، لم أنصفِ
لا تحسبوني في الهوى متصنِّعاً كلفي بكمْ خلقٌ بغيرِ تكلُّفِ
أخفيتُ حبَّكمُ فأخفاني أسى ً حتى ، لعَمري، كِدتُ عني أختَفي
وكَتَمْتُهُ عَنّي، فلو أبدَيْتُهُ لَوَجَدْتُهُ أخفى منَ اللُّطْفِ الخَفي
ولقد أقولُ لِمن تَحَرّشَ بالهَوَى : عرَّضتَ نفسكَ للبلا فاستهدفِ
أنتَ القتيلُ بأيِّ منْ أحببتهُ فاخترْ لنفسكَ في الهوى منْ تصطفي
قلْ للعذولِ أطلتَ لومي طامعاً أنَّ الملامَ عنِ الهوى مستوقفي
دعْ عنكَ تعنيفي وذقْ طعمَ الهوى فإذا عشقتَ فبعدَ ذلكَ عنِّفِ
بَرَحَ الخَفاءَبحُبّ مَن لو، في الدّجى سفرَ الِّلثامَ لقلتُ يا بدرُ اختفِ
وإن اكتفى غَيْري بِطيفِ خَيالِهِ، فأنا الَّذي بوصالهِ لا أكتفي
وَقْفاً عَلَيْهِ مَحَبّتي، ولِمِحنَتي، بأقَلّ مِنْ تَلَفي بِهِ، لا أشْتَفي
وهَواهُ، وهوَ أليّتي، وكَفَى بِهِ قَسَماً، أكادُ أُجِلّهُ كالمُصْحَفِ
لوْ قالَ تِيهاً:قِفْ على جَمْرِ الغَضا لوقفتُ ممتثلاً ولمْ أتوقفِ
أوْ كانَ مَنْ يَرْضَى ، بخدّي، موطِئاً لوضعتهُ أرضاً ولمْ أستنكفِ
لا تنكروا شغفي بما يرضى وإنْ هوَ بالوصالِ عليَّ لمْ يتعطَّفِ
غَلَبَ الهوى ، فأطَعتُ أمرَ صَبابَتي منْ حيثُ فيهِ عصيتُ نهيَ معنِّفي
مني لَهُ ذُلّ الخَضوع، ومنهُ لي عزُّ المنوعِ وقوَّة ُ المستضعفِ
ألِفَ الصّدودَ، ولي فؤادٌ لم يَزلْ، مُذْ كُنْتُ، غيرَ وِدادِهِ لم يألَفِ
ياما أميلحَ كلَّ ما يرضى بهِ ورضابهُ ياما أحيلاهُ بفي
لوْ أسمعوا يعقوبَ ذكرَ ملاحة ٍ في وجههِ نسيَ الجمالَ اليوسفي
أوْ لوْ رآهُ عائداً أيُّوبُ في سِنَة ِ الكَرَى ، قِدماً، من البَلوَى شُفي
كلُّ البدورِ إذا تجلَّى مقبلاً ، تَصبُو إلَيهِ، وكُلُّ قَدٍّ أهيَفِ
إنْ قُلْتُ:عِندي فيكَ كل صَبابة ٍ؛ قالَ:المَلاحة ُ لي، وكُلُّ الحُسْنِ في
كَمَلتْ مَحاسِنُهُ، فلو أهدى السّنا للبدرِ عندَ تمامهِ لمْ يخسفِ
وعلى تَفَنُّنِ واصِفيهِ بِحُسْنِهِ، يَفْنى الزّمانُ، وفيهِ ما لم يُوصَفِ
ولقدْ صرفتُ لحبِّهِ كلِّي على يدِ حسنهِ فحمدتُ حسنَ تصرُّفي
فالعينُ تهوى صورة َ الحسنِ الَّتي روحي بها تصبو إلى معنى ً خفي
أسْعِدْ أُخَيَّ، وغنِّ لي بِحَديثِهِ، وانثُرْ على سَمْعي حِلاهُ، وشَنِّفِ
لأرى بعينِ السّمعِ شاهِدَ حسْنِهِ معنى ً فأتحفني بذاكَ وشرِّفِ
يا أختَ سعدٍ منْ حبيبي جئتني بِرسالَة ٍ أدّيْتِها بتَلَطّفِ
فسمعتُ مالمْ تسمعي ونظرتُ ما لمْ تنظري وعرفتُ مالمْ تعرفي
إنْ زارَ، يوماً ياحَشايَ تَقَطَّعي، كَلَفاً بهِ، أو سارَ، يا عينُ اذرِفي
ما للنّوى ذّنْبٌ، ومَنْ أهوى مَعي، إنْ غابَ عنْ إنسانِ عيني فهوَ في

 

 

One Love

 

 

Ibn al-Fāriḍ

Translation:

As for my way in love, I have no way
If I neglect my love for a day, then I have left my sect
And if the thought of other than you occurs to me
Inadvertantly, I would consider it as my apostasy
You govern my life as you will,
so do what you will with me, for I have ever only desired you….

 

Original:

عن مذهبي في الحب مالي مذهب                وان ملت يوما عنه فارقت ملتي
وان خطرت لي في سواك ارادة             علي خاطري سهوا , قضيت بردتي
لك الحكم في أمري فما شئت            فأصنعي فلم تك الا فيك لا عنك رغبتي

Unknown Authors

Various positions have those who love from (mere) passion
But I have a unique place, in which I dwell alone.

 

Original:

مذاهب شتى للمحبّين في الهوى            و لي مدهب فرد أعيش به وحدي

 

Our expressions our many,
and your beauty is one
And it is to your beauty
that all of them allude

 

Original:

عباراتنا  شتّى و حسنك واحد      و كلّ إلى ذاك الجمال يشير

Rumi

The sect of Love is different from all other religions
 For lovers, their sect and religion is simply God

 

Original:

ملت عشق از همه دین‌ها جداست
 عاشقان را ملت و مذهب خداست

 

Wisdom is bewildered by the religion of love
Although it knows all other religions

 

Original:

خرد نداند و حیران شود ز مذهب عشق
اگر چه واقف باشد ز جمله مذهب‌ها

 

Bob Marley

Lyrics:

One Love! One Heart!
Let’s get together and feel all right.
Hear the children cryin’ (One Love!);
Hear the children cryin’ (One Heart!),
Sayin’: give thanks and praise to the Lord and I will feel all right;
Sayin’: let’s get together and feel all right. Wo wo-wo wo-wo!Let them all pass all their dirty remarks (One Love!);
There is one question I’d really love to ask (One Heart!):
Is there a place for the hopeless sinner,
Who has hurt all mankind just to save his own beliefs?

One Love! What about the one heart? One Heart!
What about – ? Let’s get together and feel all right
As it was in the beginning (One Love!);
So shall it be in the end (One Heart!),
All right!
Give thanks and praise to the Lord and I will feel all right;
Let’s get together and feel all right.
One more thing!

Let’s get together to fight this Holy Armagiddyon (One Love!),
So when the Man comes there will be no, no doom (One Song!).
Have pity on those whose chances grows t’inner;
There ain’t no hiding place from the Father of Creation.

Sayin’: One Love! What about the One Heart? (One Heart!)
What about the – ? Let’s get together and feel all right.
I’m pleadin’ to mankind! (One Love!);
Oh, Lord! (One Heart) Wo-ooh!

Give thanks and praise to the Lord and I will feel all right;
Let’s get together and feel all right.
Give thanks and praise to the Lord and I will feel all right;
Let’s get together and feel all right.

Fragments of Love


illuminmargins

Some famous and beautiful fragments (single verses) of Arabic Love poetry, often cited by Sufis.

 

yazdlookthroughpattern

 

Translation:

If not for You, we would not know Love,
If not for Love, we would not know You.

 

Original:

لو لاكم ما عرفنا الهوى         ولو لا الهوى ما عرفناكم

 

iranpattern

 

Translation:
The beauty of every handsome man, and that of each lovely woman
is but what they have on loan from Her Beauty

 

Original:
 فكلّ مليح حسنه من جمالها        معار له بل حسن كلّ مليحة

 

yellowbluetiles

Translation:

The sun of your beauty rises from all directions,
and everyone with a heart longs for you
O bestower of wondrous beauty on the deserving
In reality, everyone is in love with your beauty

 

Original:

كلّ الجهات لشمس حسنك مشرق          ولكلّ ذي قلب إليك يشوق
يا واهب الحسن البديع لأهله        كلّ لحسنك في الحقيقة يعسق

 

yazdpattern

 

Translation:
My love appeared to me from all directions
and so I witnessed him in every meaning and each form

 

Original:
تجلّى لي المحبوب من كلّ وجهة      فشاهدته في كلّ معنى و صورة

 

golddocumentholder
Translation:
The lover longs to see me
while I long for him more intensely
Souls throb with passion, but fate refuses
so I suffer the moans as they suffer and groan

 

Original:
يحنّ الحبيب إلى رؤيتي                    وإني إليه أشدّ حنينا
وتهفو النفوس و يأبى القضاء        وأشكو الانين ويشكو الانينا

 

falliilumin

Keats and the Sufis

moroccanfountains

these poems by John Keats pair nicely with the following poems by Ibn al-Farid and Hafez

John Keats

“Fill for me a brimming bowl”

 

What wondrous beauty! From this moment I efface from my mind all women.
Terrence, Eunuch, II.3.296
Fill for me a brimming bowl
And in it let me drown my soul:
But put therein some drug, designed
To Banish Women from my mind:
For I want not the stream inspiring
That fills the mind with–fond desiring,
But I want as deep a draught
As e’er from Lethe’s wave was quaff’d;
From my despairing heart to charm
The Image of the fairest form
That e’er my reveling eyes beheld,
That e’er my wandering fancy spell’d.
In vain! away I cannot chace
The melting softness of that face,
The beaminess of those bright eyes,
That breast–earth’s only Paradise.
My sight will never more be blest;
For all I see has lost its zest:
Nor with delight can I explore,
The Classic page, or Muse’s lore.
Had she but known how beat my heart,
And with one smile reliev’d its smart
I should have felt a sweet relief,
I should have felt “the joy of grief.”
Yet as the Tuscan mid the snow
Of Lapland dreams on sweet Arno,
Even so for ever shall she be
The Halo of my Memory.

 

Ibn al-Farid

Translation:

Pass round the remembrance the one I love, even in reproach
for tales about the beloved are my wine
Let my hearing witness the one I love, though she be far
through specters of reproach, not those of dreams!
Her remembrance delights me in every form
even when my reproachers mingle it with strife
It is as if my reproacher brought me news of union
when I had not even hoped for a response to a greeting
My soul is hers, for whose Iove I destroyed my soul
death came to me before the day of my death
For her sake I relish my disgrace and wallow
in rejection and shame when once my rank was high
After my piety, because of her, dissolution
casting off restraint and committing sins are sweet to me
I pray, singing when I recite remembrance of her
and I am enraptured in the mihrab, for she is my Imam
On hajj, when I don the pilgrim’s robes I call her name
and when I break my fast, it is from her that I refrain
My tear ducts flow due to my state and gush
because of what has passed, and my laments convey my inner fire
At night my heart is driven mad with longing,
at dawn my eyes are pouring in their grief
my heart and eyes are stricken, one afflicted by the meaning
of her beauty, the other tempted by her tender poise
My sleep is lost, my morning too—may you be spared!—
ever present is my wakefulness and still my longing grows
My bond and my covenant have never been undone or changed
my love remains my love and passion is my passion
So wasted is my body that its secrets are made plain
and meaning is disclosed therein through my withered bones
Felled by love’s pain, with wounded heart
and wounded eyelids ever bleeding,
Yet true to love, I have become ethereal like air
with breaths of dawn breeze my only company
Sound I am, yet sick; seek me then from the morning breeze
for my withering has decreed that it is my home
So wasted I am that I have vanished from wasting itself
and from cure to my sickness and coolness for my burning thirst
Love has left nothing of me save grief
sorrow, torment and grave illness
No one I know knows my place save love
nor the concealment of my secrets nor my bond’s custody
And of passion, patience and solace
it has left nothing for me but the names
Whoever is free of my love, may he be saved with his soul
in one piece; O soul of mine, go in peace
“Forget her!” my blamer said to me, fanatically
blaming me. I said, “forget your blaming of me!”
If I sought consolation, who would be there to be my guide
when in love, every leader follows my lead?
In my every limb is every yearning for her
and every longing tugs at my reins
As she bends, I imagine every hip she moves
to be a branch in a sand dune topped by the full moon
Mine is every limb filled with every inner core
wherein, when she glances, is embedded every arrow
And if she dissolved my body she would find every atom
every heart inhabited by every human love
In union with her, a year to me is but an instant,
an hour’s separation like a year.
When we met at nightfall, as the twin straight paths
between her dwelling and my tents brought us together,
We moved away a little from the tribe,
avoiding spies and slanderers with their deceitful talk
I spread my cheek upon the ground for her to walk upon
and she said, “Good news, now you may kiss my veil.”
But this my soul did not permit me, jealously
shielding her from me, for higher is my purpose
We passed the night in hope as my wish decreed
and I saw the world my kingdom and time itself my slave.

 

Translation modified from Stefan Sperl’s in Stefan Sperl, C. Shackle, Qasida Poetry in Islamic Asia and Africa, Brill 1996, p. 106-111

 

John Keats

“The day is gone, and all its sweets are gone!”

 

The day is gone, and all its sweets are gone!
Sweet voice, sweet lips, soft hand, and softer breast,
Warm breath, light whisper, tender semi-tone,
Bright eyes, accomplish’d shape, and lang’rous waist!
Faded the flower and all its budded charms,
Faded the sight of beauty from my eyes,
Faded the shape of beauty from my arms,
Faded the voice, warmth, whiteness, paradise –
Vanish’d unseasonably at shut of eve,
When the dusk holiday – or holinight
Of fragrant-curtain’d love begins to weave
The woof of darkness thick, for hid delight,
But, as I’ve read love’s missal through to-day,
He’ll let me sleep, seeing I fast and pray.

 

Hafez

Translation:

The breath of the zephyr will become musk-diffusing
and the old world will grow young again
The Judas-tree will give a cornelian cup to the lily,
and the eye of the narcissus will me anxious for the anemone.
The nightingale after all that pain of separation,
will roaringly dash all the way to the pavilion of the rose
If I went from mosque to tavern, do not carp
the preaching was too long, and time was passing
O heart if you postpone today’s pleasure until tomorrow,
who will guarantee a lasting life for you?
In the month of Sha’ban do not neglect the cup of wine
this sun will be out of sight until the ‘Eid of Ramadan
The rose is precious, appreciate its company
It came into the garden this way, and will go out through that
O minstrel, this is the intimates’ assembly, sing a song
How long should you say: “Passed like this, and like that will pass?”
Hafez came into the realm of existence for your sake
take a step for his farewell, for he will soon pass.

 

translation from Reza Saberi, The Divan of Hafez, p. 196

 

 

Original:

نفس باد صبا مشک فشان خواهد شد
عالم پیر دگرباره جوان خواهد شد
ارغوان جام عقیقی به سمن خواهد داد
چشم نرگس به شقایق نگران خواهد شد
این تطاول که کشید از غم هجران بلبل
تا سراپرده گل نعره زنان خواهد شد
گر ز مسجد به خرابات شدم خرده مگیر
مجلس وعظ دراز است و زمان خواهد شد
ای دل ار عشرت امروز به فردا فکنی
مایه نقد بقا را که ضمان خواهد شد
ماه شعبان منه از دست قدح کاین خورشید
از نظر تا شب عید رمضان خواهد شد
گل عزیز است غنیمت شمریدش صحبت
که به باغ آمد از این راه و از آن خواهد شد
مطربا مجلس انس است غزل خوان و سرود
چند گویی که چنین رفت و چنان خواهد شد
حافظ از بهر تو آمد سوی اقلیم وجود
قدمی نه به وداعش که روان خواهد شد

 

 

 

Translation:

I don’t see any companionship. What happened to the companions?
when did friendships end? What happened to the friends?
the water of life darkened. Where is the auspicious Khezr?
The rose lost colour. What happened to the spring wind?
None says that a friend has the right of friendship.
what happened to the grateful ones and the companions?
This was the city of friends and the site of kind people
when did kindness end? What happened to the city of friends?
Years past and no ruby came out of the mine of generosity
what happened to the work of rain, the sun, and the wind?
The polo-ball of success and liberality is cast into the field.
None enters the arena. What happened to the horsemen?
A hundred thousand roses blossomed, but no bird sang.
what happened to the nightingales and the starlings?
Venus plays no more happy tunes. Did its lute burn?
no one yearns for drunkenness. What happened to the drinkers?
Silence, Hafez! Divine mysteries are not known to anyone.
whom do you ask, “what happened to the cycle of days?”

 

translation modified from Reza Saberi’s in The Divan of Hafez p. 203

 

Original:

یاری اندر کس نمی‌بینیم یاران را چه شد
دوستی کی آخر آمد دوستداران را چه شد
آب حیوان تیره گون شد خضر فرخ پی کجاست
خون چکید از شاخ گل باد بهاران را چه شد
کس نمی‌گوید که یاری داشت حق دوستی
حق شناسان را چه حال افتاد یاران را چه شد
لعلی از کان مروت برنیامد سال‌هاست
تابش خورشید و سعی باد و باران را چه شد
شهر یاران بود و خاک مهربانان این دیار
مهربانی کی سر آمد شهریاران را چه شد
گوی توفیق و کرامت در میان افکنده‌اند
کس به میدان در نمی‌آید سواران را چه شد
صد هزاران گل شکفت و بانگ مرغی برنخاست
عندلیبان را چه پیش آمد هزاران را چه شد
زهره سازی خوش نمی‌سازد مگر عودش بسوخت
کس ندارد ذوق مستی میگساران را چه شد
حافظ اسرار الهی کس نمی‌داند خموش
از که می‌پرسی که دور روزگاران را چه شد

 

yariandarkesi

 

Pass round love’s remembrance

One of my favorite poems by one of my favorite poets, Ibn al-Fāriḍ:

 

 

Translation:
Pass round the remembrance the one I love, even in reproach
      for tales about the beloved are my wine
Let my hearing witness the one I love, though she be far
       through specters of reproach, not those of dreams!
Her remembrance delights me in every form
       even when my reproachers mingle it with strife
It is as if my reproacher brought me news of union
        when I had not even hoped for a response to a greeting
My soul is hers, for whose Iove I destroyed my soul
        death came to me before the day of my death
For her sake I relish my disgrace and wallow
        in rejection and shame when once my rank was high
After my piety, because of her, dissolution
        casting off restraint and committing sins are sweet to me
I pray, singing when I recite remembrance of her
        and I am enraptured in the mihrab, for she is my Imam
On hajj, when I don the pilgrim’s robes I call her name
         and when I break my fast, it is from her that I refrain
My tear ducts flow due to my state and gush
        because of what has passed, and my laments convey my inner fire
At night my heart is driven mad with longing,
        at dawn my eyes are pouring in their grief
My heart and eyes are stricken, one afflicted by the meaning
       of her beauty, the other tempted by her tender poise
My sleep is lost, my morning too—may you be spared!—
        ever present is my wakefulness and still my longing grows
My bond and my covenant have never been undone or changed
       my love remains my love and passion is my passion
So wasted is my body that its secrets are made plain
        and meaning is disclosed therein through my withered bones
Felled by love’s pain, with wounded heart
        and wounded eyelids ever bleeding,
Yet true to love, I have become ethereal like air
        with breaths of dawn breeze my only company
Sound I am, yet sick; seek me then from the morning breeze
        for my withering has decreed that it is my home
So wasted I am that I have vanished from wasting itself
        and from cure to my sickness and coolness for my burning thirst
Love has left nothing of me save grief
        sorrow, torment and grave illness
No one I know knows my place save love
         nor the concealment of my secrets nor my bond’s custody
And of passion, patience and solace
         it has left nothing for me but the names
Whoever is free of my love, may he be saved with his soul
         in one piece; O soul of mine, go in peace
“Forget her!” my blamer said to me, fanatically
        blaming me. I said, “forget your blaming of me!”
If I sought consolation, who would be there to be my guide
         when in love, every leader follows my lead?
In my every limb is every yearning for her
         and every longing tugs at my reins
As she sways, I imagine every hip she moves
         to be a branch in a sand dune topped by the full moon
Mine is every limb filled with every heart
         wherein, when she glances, is embedded every arrow
And if she dissolved my body she would find every atom
          every heart inhabited by every human love
In union with her, a year to me is but an instant,
            an hour’s separation like a year.
When we met at nightfall, as the twin straight paths
           between her dwelling and my tents brought us together,
We moved away a little from the tribe,
           avoiding spies and slanderers with their deceitful talk
I spread my cheek upon the ground for her to walk upon
            and she said, “Good news, now you may kiss my veil.”
But this my soul did not permit me, jealously
          shielding her from me, for higher is my purpose
We passed the night in hope as my wish decreed
          and I saw the world my kingdom and time itself my slave.

 

Translation modified from Stefan Sperl’s in Stefan Sperl, C. Shackle, Qasida Poetry in Islamic Asia and Africa, Brill 1996, p. 106-111

Original:

أدِرْ ذِكْرَ مَنْ أهْوَى ، ولوْ بمَلامِ
فإنَّ أحاديثَ الحبيبِ مُدامي

لِيَشْهَدَ سَمْعي مَنْ أحبُّ ، وإنْ نأى
بطَيفِ مَلامٍ ، لا بطَيفِ مَنامِ

فلي ذِكْرُها يَحلو على كلِّ صيغَةٍ
وإنْ مَزَجُوهُ عُذَّلي بخِصامِ

كأنَّ عَذولي ، بالوِصالِ ، مُبَشِّري
وإنْ كُنتُ لمْ أطْمَعْ بِرَدِّ سَلامِ

بِرُوحيَ مَنْ أتْلَفْتُ رُوحي بحُبِّها
فَحانَ حِمامي ، قَبْلَ يومِ حِمامي

ومنْ أجلها طابَ افتضاحي ، ولذَّ لي اطِّرا
حي ، وذلِّي ، بعدَ عزِّ مَقامي

وفيها حلا لي ، بَعدَ نُسْكي ، تهتُّكي
وخَلْعُ عِذاري ، وارْتِكابُ أثامي

أُصَلِّي ، فأشدو ، حينَ أتلو ، بذِكرِها
وأطْرَبُ في المِحرابِ ، وهيَ إمامي

وبالحَجِّ ، إنْ أحرَمتُ ، لَبّيتُ باسْمها
وعنها أرى الإمساكَ فِطْرَ صِيامي

وشأني ، بشأني ، مُعْرِبٌ ، وبما جرى
جَرَى ، وانتِحابي مُعْرِبٌ بهَيامي

أروحُ بقلبٍ ، بالصَّبابَةِ ، هائِمٍ
وأغْدُو بطَرْفٍ ، بالكآبَةِ ، هامِ

فقلبي وطرفي : ذا بمَعنى جَمالِها
مُعَنًّى ، وذا مُغْرًى بِلِينِ قَوَامِ

ونَوْميَ مَفقُودٌ ، وصُبحي ، لكَ البقا
وسُهديَ مَوجودٌ ، وشَوْقيَ نامِ

وعَقدي وعَهدي : لمْ يُحَلَّ ولمْ يَحُلْ
ووَجْديَ وجْدي ، والغَرامُ غَرامي

يشِفُّ عنِ الأسرارِ جِسْمي مِنَ الضَّنى
فيَغدوا بها ، معنًى ، نُحولُ عِظامي

طَريحُ جَوى حبٍّ ، جريحُ جَوانحٍ
قَريحُ جُفُونٍ ، بالدَّوامِ دَوَامي

صريحُ هوىً ، جارَيتُ منْ لُطفيَ الهوا
سُحَيْراً ، فأنْفاسُ النَّسيمِ لِمامي

صَحيحٌ ، عليلٌ ، فاطلُبوني مِنَ الصَّبا
ففيها ، كما شاءَ النُّحولُ ، مُقامي

خَفيتُ ضَنىً ، حتَّى خَفيتُ عَنِ الضَّنى
وعَنْ بُرْءِ أسقامي ، وبَرْدِ أُوامي

ولمْ يُبْقِ مِنِّي الحبُّ غَيْرَ كآبَةٍ
وحُزْنٍ ، وتَبريحٍ ، وفَرْطِ سَقامِ

ولمْ أدرِ منْ يدري مكاني ، سوى الهوَى
وكِتمانَ أسراري ورعىَ ذمامي

فأمَّا غَرامي واصطباري وسلوتي
فلمْ يَبْقَ لي منهنَّ غيرُ أسامي

لِيَنْجُ ، خَلِيٌّ مِنْ هَوايَ ، بِنَفْسِهِ
سَليماً ، ويا نَفس : اذْهبي بسَلامِ

وقالَ ، اسْلُ عنها ، لائمي ، وهوَ مُغرَمٌ
بِلَوْمِيَ فيها ، قلتُ : فاسْلُ مَلامي

بمنْ أهتَدي في الحبِّ لو رُمْتُ سَلوَةً
وبي يقتَدي ، في الحبِّ ، كلُّ إمامِ

وفي كلِّ عُضوٍ فيَّ كلُّ صبابَةٍ
إليها ، وشَوْقٍ جَاذِبٍ بِزِمَامي

تَثَنَّتْ ، فَخِلْنا كلَّ عِطْفٍ تهُزُّهُ
قَضيبَ نقاً ، يَعْلُوهُ بَدْرُ تَمامِ

ولي كلُّ عُضوٍ ، فيهِ كلُّ حشىً بها
إذا ما رَنَتْ ، وَقْعٌ لكلِّ سِهامِ

ولوْ بسطتْ جسْمي رأتْ كلَّ جوهرٍ
بهِ كلُّ قلبٍ ، فيهِ كلُّ غَرامِ

وفي وَصْلِها ، عامٌ لدَيَّ كَلَحْظَةٍ
وساعَةُ هِجْرَانٍ عَلَيَّ كَعَامِ

ولمَّا تَلاقَينا عِشاءً ، وضَمَّنا
سواءُ سبيلَيْ دَارِها وخِيامي

ومِلْنا كذا شيئاً عنِ الحيِّ ، حيثُ لا
رَقيبٌ ، ولا وَاشٍ بِزَوْرِ كَلامِ

فرَشْتُ لها خَدِّي ، وِطاءً ، على الثَّرَى
فقالتْ : لكَ البُشرَى بِلَثمِ لِثامي

فما سَمَحَتْ نَفسي بذلِكَ ، غَيْرَةً
على صَوْنِها مِنِّي لِعزِّ مرامي

وبِتْنا ، كما شاءَ اقتراحي ، على المُنى
أرَى المُلكَ مُلكي والزَّمانَ غُلامي

Bright Night, Dark Day

namibdesert

Shabistari

The Rose Garden of Mystery (verses 122-130)

Reason’s light applied to the Essence of Lights
is like the eye of the head looking at the brilliance of the Sun
when the object seen is very close to the eye
The eye is darkened so that it cannot see it

This blackness, if you know it, is the very light of Being

in the land of darkness is the fountain of life
Since the darkness destroys the light of vision
Give up loooking, for this is no place for looking
What connection has dust with the pure world?
Its perception is the inability to perceive perception
What shall I say? since this saying is fine,
“A bright night in the midst of a dark day”
In this place of witnessing, which is the light of manifestation
 I have much to say, but silence is best.

 

Spain 2003 6 Alhambra Palace (4)

 

Original:

بود نور خرد در ذات انور              به سان چشم سر در چشمه خور
چو مبصر با بصر نزدیک گردد              بصر ز ادراک آن تاریک گردد
سیاهی گر بدانی نور ذات است              به تاریکی درون آب حیات است
سیه جز قابض نور بصر نیست               نظر بگذار کین جای نظر نیست
چه نسبت خاک را با عالم پاک        که ادراک است عجز از درک ادراک
سیه رویی ز ممکن در دو عالم                       جدا هرگز نشد والله اعلم
سواد الوجه فی الدارین درویش                 سواد اعظم آمد بی کم و بیش
چه می‌گویم که هست این نکته باریک              شب روشن میان روز تاریک
در این مشهد که انوار تجلی است           سخن دارم ولی نا گفتن اولی است

 

nasrmolkmosque

 

Ibn al-Fāriḍ

Translation:

If he should visit one day, o my heart, tear yourself to shreds in love for him
            and if he should leave, o eye, pour out tears
But there is no harm in distance, for the one I love is with me
             For if he be absent from the pupil of my eye, yet still he is in me

 

Original:

إنْ زارَ، يوماً ياحَشايَ تَقَطَّعي،     كَلَفاً بهِ، أو سارَ، يا عينُ اذرِفي
ما للنّوى ذّنْبٌ، ومَنْ أهوى مَعي،       إنْ غابَ عنْ إنسانِ عيني فهوَ في

 

namibdesert2

 

Shakespeare

Sonnet 43

When most I wink, then do mine eyes best see,
For all the day they view things unrespected;
But when I sleep, in dreams they look on thee,
And darkly bright, are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow’s form form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy shade shines so!
How would, I say, mine eyes be blessed made
By looking on thee in the living day,
When in dead night thy fair imperfect shade
Through heavy sleep on sightless eyes doth stay!
       All days are nights to see till I see thee,
       And nights bright days when dreams do show thee me.

 

mi'raj

Water, Air, Fire, Earth

 

Ibn al-Fāriḍpurity without water

 

Translation:
Purity but not water, Subtlety but not air
Light but not fire, spirit but not body
Original:
صفاءٌ، ولا ماءٌ، ولُطْفٌ، ولاهَواً،
ونورٌ ولا نارٌ وروحٌ ولا جسمُ

 

 

Dattatreya

Translation:

Neither space nor air is the Reality;
Neither earth nor fire is the Reality.
If there’s only the limitless One, all is Shiva.
Which, then is the cloud, and which is the rain?

Original:

गगनं पवनो न हि सत्यमिति
धरणी दहनो न हि सत्यमिति ।
यदि चैकनिरन्तरसर्वशिवं
जलदश्च कथं सलिलं च कथम्

Avadhuta Gita
Chapter 6, Verse 9

japanesecloudprint

Ibn ‘Ajībah

In speaking of the Sufi, they have invoked the similitude of the four elements upon which the physical world is based: air, earth, water, and fire, also known as the four natures, and mentioned by Ibn Sina in the verses

What Hippocrates said of them was sound:
They are fire, water, earth, and wind

 

All four of these can be found in the nature of the Sufi.

al-futūḥāt al-ilāhiyyah fī sharḥ al-mubāḥith al-aṣliyyah

balitemplereflect

Emir ‘Abd al-Qadir

Translation:
I am God, I am the creature
I am the Lord, I am the servant
I am the Throne, I am the carpet
I am water, I am fire
I am wind, I am earth
I am quantity, I am quality
I am finding, I am losing
I am essence, I am attribute
I am nearness, I am distance
All existence is my existence
I am only, I am unique

 

Original:
أنا حق أنا خلق             أنا رب أنا عبد
أنا عرش أنا فرش         و جحيم أنا خلد
أنا ماء أنا نار             و هواء أنا صلد
أنا كم أنا كيف              أنا وجد أنا فقد
أنا ذات أنا وصف         أنا قرب أنا بعد
كل كون ذاك كوني       أنا وحدي أنا فرد

 

goldentreereflect

Those who believe are more intense in love…

 

ashadduhubanliLlah

AL-BAQARA-2-165-White

Quran 2:165

وَمِنَ النَّاسِ مَن يَتَّخِذُ مِن دُونِ اللَّهِ أَندَادًا يُحِبُّونَهُمْ كَحُبِّ اللَّهِ ۖ وَالَّذِينَ آمَنُوا أَشَدُّ حُبًّا لِّلَّهِ ۗ وَلَوْ يَرَى الَّذِينَ ظَلَمُوا إِذْ يَرَوْنَ الْعَذَابَ أَنَّ الْقُوَّةَ لِلَّهِ جَمِيعًا وَأَنَّ اللَّهَ شَدِيدُ الْعَذَابِ

 

“Translation”:

Among the people are some who take peers apart from God, loving them as if loving God. And those who believe are more intense in love for God. If only those who were unjust could see, they would see the punishment/sweetness: that all power is God’s and God is intense in punishment/sweetness.

 

Tafsir Maybudi 

They say that a man met a woman recognizer, and her beauty exercised its influence over his heart. He said, “’My all is busy with your all.’ O woman! I have lost myself in love for you.”

She said, “Why don’t you look at my sister, who is more beautiful and lovely than I?”

He said, “Where is your sister so that I may see her?”

She said, “Go, idler! Passion is not your work. If your claim to love me were true, you would not care about anyone else.”…

Shiblī said, “I learned Sufism from a dog that was sleeping at the door of a house. The owner came out and was driving the dog away, but the dog kept on coming back. I said to myself, ‘How base this dog is! He drives him away, and he keeps on coming back.’ The Exalted Lord brought that dog to speech and it said, ‘O Shaykh! Where should I go? He is my owner.’”

I will not leave the Friend at a hundred iniquities and cruelties.
Even if He increases them, I will not be troubled,
It is I who chose Him over everyone else;
if I complain about Him, I will have no excuse.

maghribcircle

 

Tafsir Kashani

But the believers love God more ardently, than any other, because they only love God. Their love for Him is not confounded with love of others and is not subject to change. They love things through [their] love of God and for God and in the measure that they find in these [things] a divine aspect…

or [it means that] they love [God] more than they love their deities because they love things in themselves for themselves and so inevitably their love changes [for these things] when they themselves change the accidents of their souls upon fear of perdition and the harm that the soul brings upon them. Believers love God through their spirits and their hearts, nay, through God and for God. Their love [for Him] does not change because it is selfless. They expend their spirits and their souls for the sake of His countenance and His approval, abandoning all of their desires for His desire, loving His acts even when they conflict with their caprices, as one of them said: “I desire to connect with Him while He desires to abandon me, so I abandon what I desire for what He desires.”

hb_1982.120.2

 

Tafsir Anon.

Nothing but God is loved, nothing but God is worshipped— Your Lord has decreed that you worship none but Him (17:23)— indeed nothing but God is. However, some limit their love of God to a particular form or forms of His, an idol of sorts.

Those who love God in a limited form, in idols or “peers,” love a limited form, and thus their love is limited. Those who love God, Who is beyond all limitation (and is even beyond the limitation of being beyond limitation) love Him in each and every form, without limitation. Thus their love is unlimited, and more intense. He loves them and they love Him (5:54). They love Him with His love. Those who love the “idols” of a particular form or forms only love “as if with the Love of God” (كحبّ الله), but those who believe, who love of God is not limited by these forms, love God with His own unlimited love—God loves Himself through them.

Those who wrong themselves by limiting their love to a particular form or forms, if they could only see, would know the intense sweetness of love unlimited, and the severe punishment of limited love, especially when compared to sweetness of unlimited love. The pain of regret and envy is severe punishment.

Sheikh Lutfollah Mosque is standing on the eastern side of Naghsh-i Jahan Square, Isfahan. Construction of the mosque started in 1603 and was finished in 1619.

Ibn ‘Arabi 

Faṣṣ Harūn:

Have you seen him who has taken desire for his God? (45:23)

The greatest and most exalted locus of self-disclosure wherein He is worshipped is that of desire. Remember that He has said, Have you seen him who has taken his desire for his God? It is the greatest object of worship since nothing is worshipped except through it, and it is only worshipped by itself. Concerning this I say:

The truth of desire is that desire is the cause of desire
If not for desire in the heart, desire would not be worshipped

و حق الهوى إن الهوى سبب الهوى         لو لا الهوى في القلب ما عُبِدَ الهوى

Do you not see how perfect God’s knowledge of things is, how He perfects one who worships is desire and takes it has his divinity?… He sees this worshipper worshipping only his his desire, complying with its command to worship the individual whom he worships. Even his worship of God comes from his desire. If one did not have desire for the Divine—which is a will based on love—one would not worship God, nor would one prefer Him to another. Likewise, anyone who worships some form of the world and makes it a divinity only does so because of desire. The worshipper is forever under the influence of his desire. Now, he sees the objects of worship diversified amongst the worshippers, and each one who worships something, denies one who worships something else. One who has the least bit of awareness will be bewildered at the unanimity of desire, nay by the oneness of desire, for it is the same essence in every worshipper. God led him astray, that is, bewildered him, out of knowledge that every worshipper only worships his own desire, and only seeks to worship his desire whether it coincides with the prescribed command or not.

The perfect Knower is he who sees every object of worship as a locus of self-disclosure of the Real wherein to worship Him.

Palacedoor-fes

This is why a human being does not become totally annihilated and enraptured by love except in love for His Lord or for someone who is the locus of disclosure for his Lord [that is, another human being, created in God’s image].

The entities of the cosmos are all lovers because of Him, whatever the beloved may be, since all created things are the pedestals for the Real’s self-disclosure. Their love is fixed, they are loving, and He is the Loving. The whole situation is concealed between the Real and creation through creation and the Real. That is why God brought the name Forgiving along with the name Loving [in the verse He is the Forgiving, the Loving, Lord of the Throne, the Glorious (85:14-15)]. After all, Forgiving means literally ‘curtaining’. Thus it is said that [the famous Arab lover] Qays loved Layla, since Layla derives from the locus of disclosure. In the same way, Bishr loved Hind, Kuthayr loved ‘Azza, Ibn al-Durayj loved Lubna, Tawba loved al-Akhyaliyya, and Jamil loved Buthayna. But all these women were pedestals through which the Real disclosed Himself to them.

The beloved is a pedestal even if the lover is ignorant of the names of what he loves. A man can see a woman and love her, without knowing who she is, what her name is, who her relatives are, and where she lives. Love, by its very essence, requires that he seek out her name and her home so that he may attend to her and know her in the state of her absence through the name and the relationship. Thus he will ask about her if he lacks the witnessing of her.

So also is our love for God. We love Him in His loci of self-disclosure and within the specific name, which is Layla, Lubna, or whatever, but we do not recognize that the object is identical with the Real. So here we love the name but we do not recognize that it is identical with the Real. Thus we love the name and do not recognize the entity.

In the case of the created thing, you know the entity and you love. It may be that the name is not known. However, love refuses anything but making the beloved known. Among us are those who know God in this world, and among us are those who do not know Him until they die while loving some specific thing. Then they will come to understand, when the covering is lifted, that they had loved only God, but they had been veiled by the name of the created thing.

 

—Futūḥāt IV 260.12; Trans. William Chittick “The Divine Roots of Human Love

Ibn al-Fāriḑ

If I say:  I have for you, each and every love
He says: Lovelieness is mine and every beauty is in me

 

إنْ قُلْتُ:عِندي فيكَ كل صَبابة ٍ؛       قالَ:المَلاحة ُ لي، وكُلُّ الحُسْنِ في

Turn your gaze to the beauties of his face,
Where all beauty has been gathered
If all beauty were perfected into one form
on seeing him, it would exclaim [in wonder],
“There is no god but God, and God is greater.”

 

فأَدِرْ لِحَاظَكَ في محاسنِ وجْهه            تَلْقَى جميعَ الحُسْنِ فيه مُصَوَّرا
لو أنّ كُلّ الحُسْنِ يكمُلُ صُورةً                    ورآهُ كان مُهَلِّلاً ومُكَبِّر

 

intricatepersianceiling

 

Shustarī
Her mystery flows through everything
so everything inclines towards her

 

Whoever witnesses the secret of her beauty says
that it is everywhere, but its fullness is hidden
Original:
كل  شِي   سرُها   فيه     سَرَى        فلذا   يثنى   عليها   كل      شيْ
قال  مَن  أشهدَ   معنى   حُسنها        إِنه     منتشرُ     والكل     طيْ

 

She is adorned with each and every kind of beauty
And the people of passion are mad with love for her, wherever she appears.

تحلّت بأنواع الجمال بأسرها                  فهام بها أهل الهوى حيثُ حلّت


Hafezieh_tomb_inside_ceiling

 

Hafez

Everyone, sober or drunk, seeks the beloved.
Every place, be it mosque or synagogue, is the house of love
همه كس طالب يارند چه هشيار و چه مست
همه جا خانه عشق است چه مسجد چه كنشت
Unknown
Various ways have those who love from (mere) passion
But I have a unique way,  in which I dwell alone.”

مذاهب شتى للمحبّين في الهوى            و لي مدهب فرد أعيش به وحدي

“Have you ever seen anything more lovely?”
I said, “is there anything else in existence?”

 

 

Original

We all long for her loveliness
on earth, in skies above
There is no other beauty
and nothing else to love

 

I said, “all my love is yours
all loves and for all time.”
She said, “it’s only fitting since
every beauty is mine.”

 

Love loves Love
and Love is One
that is all there is below
and all there is above

 

 

 

 

surah_al_baqarah_165_by_baraja19-d7cax3q 

How many nights…

radha under the moon

 

Translation:

 

By God, how many nights I have spent
in the sweetness of life, apart from the watchman
Drinking my wine with the beloved as my companion
as the glasses of love’s joys go ’round
I reached by goal, beyond whatever I had hoped
Longing, though it be perfect, for this pleasure to stay with me forever

 

loversinagarden

Original:

فلِلّهِ، كَم من لَيلَة ٍ قد قَطَعتُها                   بِلَذّة ِ عيشٍ، والرّقيبُ بِمَعزلِ
ونقلي مدامي والحبيبُ منادمي                وأقداحُ أفْراحِ المَحَبّة ِ تَنجَلي
ونلتُ مُرادي، فوقَ ما كنتُ راجياً،            فواطَرَبا، لو تَمّ هذا ودامَ لي

Amir Khusrau

 

Translation:

Many nights I was with a moon, where have all those nights gone?
Night has come again, but now it’s black from the smoke of my cries
Happy where the nights I spent with her, sometimes drunk, sometimes giddy
My world goes dark when I remember those nights
I repeat the tale of her eyebrows and lashes over and over again
just like children reciting the surah of “Nun wa qalam” at school
What would happen if one night she asked a lonely stranger beneath her walls
how he passes these lonely nights?
Come, you who are the life of every form,
let lovers—forms without life—live again in your alley
Even though you’ve taken my heart and soul, look at me
See how nicely that smile came from those lips into these eyes
Don’t grieve for your life Khusrau, though the Friend slays you
For the beautiful faced ones have so many sects that act like this.

 

hookah under the blankets

 

Original:

بسي شب با مهي بودم کجا شد آن همه شبها                             کنون هم هست شب، ليکن سياه از دود ياربها
خوش آن شبهاکه پيشش بودمي گه مست و گه سرخوش                جهانم مي شود تاريک چون ياد آرم آن شبها
همي کردم حديث ابرو و مژگان او هر دم                               چو طفلان سوره نون والقلم خوانان به مکتبها
چه باشد گر شبي پرسد که در شبهاي تنهايي                            غريبي زير ديوارش چگونه مي کند شبها
بيا، اي جان هر قالب که تا زنده شوند از سر                           به کويت عاشقان کز جان تهي کردند قالبها
اگر چه دل بدزديدي و جان، اينک نگر حالم                            چه نيکو آمد آن خنده، درين ديده ازان لبها
مرنج از بهر جان، خسرو، اگر چه مي کشد يارت                     که باشد خوبرويان را بسي زين گونه مذهبها

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