Rediscovering Junkie John, Tim Dawe and Penrod after 40 years

penrodI used to have an open reel tape of song I recorded off some New York FM station in 1970 or so. It’s long lost now. I didn’t know the artist or the title. It was was half talked, half sung, about a loser in Greenwich Village, “Junkie John,” coming down in a fleabag hotel. Very haunting, which is why I never forgot it.

I didn’t know what it was called or who did it. Every so often I’d ask people who knew music better than than I did, if they knew a song about “Junkie John.” A few said maybe it was a Blues Traveller thing, or John Mayall. But looking down those alleys went nowhere. I figured eventually that it was too obscure, and probably had a title that had nothing to do with what I remembered of it.

But a few weeks ago, at 1:30am here in New York, the song popped into my mind. So I looked up “Junkie John” on Google just for the hell of it, and… Wow:::: found this on YouTube, by Tim Dawe.

It’s the real thing. Amazing. Listen to it. Preferably on good headphones or speakers in a dark room.

Dawe starts the story over a plucked string bass. Very slow, laconic. About a minute in comes a Hammond organ with funeral chords. Then a haunting chorus. Gives ya chills. After about 5 minutes it digresses into a weird psychedelic jazz bridge with more instruments (it seems). Then the instruments drop out and it goes back to just the singer, the organ, the bass, and the end of the story, which seems to have no end, really. (Did Junkie John die, or just come down? Not clear.)

It’s very different listening with headphones today, maybe forty years after the first time I heard it, probably over speakers, probably in the dark, probably in a rural New Jersey house, with the kids asleep in another room.

Here’s the back story, from the CD re-issue liner notes. Funny to learn that the whole story of Dawe, the band, the recording, everybody involved with it, took place in Los Angeles and San Diego, not New York — and that it was a Frank Zappa production, on his Straight label (which had the bizarre stuff, as I recall), rather than his Bizarre label (which, again as I recall, had the straight-ish stuff).

The whole album is called Penrod (which may or may not be Dawe’s real name… also not clear). I bought it on Amazon for $9.49. Now I just need to rip it to the laptop.

Anyway, highly recommended.

Bonus links:

  • http://www.allmusic.com/artist/tim-dawe-mn0001559315/biography
  • http://www.allmusic.com/album/penrod-mw0000745016
  • http://badcatrecords.com/BadCat/DAWEtim.htm
  • http://www.amazon.com/Penrod-Tim-Dawe/dp/B00076Q006
  • https://itunes.apple.com/us/album/penrod/id432722101
  • http://www.ticketmaster.com/Tim-Dawe-tickets/artist/744342
  1. Maureen Coffey’s avatar

    Funny, when I read the opening lines in the first paragraph, immediately the name “Zappa” came to my mind. Then later … it wasn’t a Zappa song, but a Zappa production. To me, this is a bit like: find an impressive quote and it’s predictably Shakespeare (i.e. more often than not). Find a haunting song with true CONTENT and … somehow Zappa seems to have his fingers in the pie.

  2. Doc Searls’s avatar

    Zappa was one of the Truly Greats. Gone a long time and we still miss him.

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